Der Comic "Bluntman and Chronic" basiert auf den echten Stonern Jay und Silent Bob, also, wenn sie keinen Gewinn von einer Big-Screen-Adaption bekommen, machen sie sich auf den Start, um den... Alles lesenDer Comic "Bluntman and Chronic" basiert auf den echten Stonern Jay und Silent Bob, also, wenn sie keinen Gewinn von einer Big-Screen-Adaption bekommen, machen sie sich auf den Start, um den Film zu zerstören.Der Comic "Bluntman and Chronic" basiert auf den echten Stonern Jay und Silent Bob, also, wenn sie keinen Gewinn von einer Big-Screen-Adaption bekommen, machen sie sich auf den Start, um den Film zu zerstören.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
- Baby Jay
- (Synchronisation)
- Dante
- (as Brian Christopher O'Halloran)
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The plot for this film is very, very weak. However for the most part you're laughing so hard you don't care how thin it is. It's only the middle section where the Scooby Doo bit and the jewel thief bit come in, where the jokes are less funny and the plot is more silly where you feel it. That said it's still really funny - Jay's desire to steal/liberate a monkey in order to get a woman to sleep with him is hilarious ("we steal monkeys all the time in Jersey" "If I'd known stealing monkeys would get me sex, I'd have been doing it since I was 7!") as is his rant on behalf of C.L.I.T.!
The humour is all of one type. If you know these characters from the other Red Bank films then you'll know if you'll like them or not. If you don't know them already then some of the jokes here will go over your head - there's lots of in-jokes and references to actions and characters in the other films that you won't understand (although some are still funny). Some of the references go too far and aren't funny - one joke in particular where the characters say something like "who'd pay to see a movie like that?" or "I hate it when you get roped into a movie by a friend" and then look out at the audience, isn't funny the first time or the 5th time. However most of the jokes are really funny thanks to a) Mewes's wonderfully un-PC, obscene dealer and b) Smith's great writing.
As I said some of the scenes are funny for 5 seconds but soon die out (the scooby doo bit gets dry pretty quick) but the majority is great. Standout bits include the monkey stuff, the whole Miramax-ribbing climax, the Phantom Menace skit and Chris Rock's angry black director (very similar to Hooper in Chasing Amy). The focus on sex related jokes makes for a film you're either going like or hate - and I loved it. Yes too many characters from other film are shoved in unfunny scenes (Affleck's Holden is poor and Lee is given nothing to work with in the role of Brodie that he was fantastic in in Mallrats), but the majority of it is great.
There are too many cameos to mention but nearly all of them are funny - high points include Chris Rock who missed out on making a black Sesame Street (he was going to call it N.W.P. - you work it out!), Carrie Fisher as the nun who lives by the book, Jason Biggs lamenting his pie-humping typecasting, Mark Hamill in the star wars spoof, the director and cast of Good Will Hunting poking major fun at Miramax and money grabbing sequels and Wes Craven directing Shannon Doherty in Scream 4 in a bang-on swipe at the Scream movies. The main acting pressure was all on Mewes as Jay, as Bob doesn't speak enough to carry the film, and he succeeds. Here his dirty mouth is given plenty of funny situations and good lines to work with and it ensures that his good performance carries through the whole thing and stops him getting annoying.
Overall this is one funny film and a very good way to say goodbye to these characters. Dry is some places, brilliant in others this isn't to everyone's taste but will please Smith fans easily. It's not The Godfather but it does what it's supposed to and does it well.
Directorially, the 'post-modern' elements (several actors playing dual roles) are fairly well-handled, though presumably quite confusing for those who haven't seen earlier entries in the series. Unfortunately, however, Smith's usual lack of visual awareness and style is once more in evidence. In Clerks it didn't matter: the script was so tight that the primitive direction was irrelevant, but here, with hardly any gags hitting the mark (special mention for Mark Hamill's spectacularly unfunny cameo) it's extremely noticeable.
The acting too, is of a poor standard with too many lines and jokes fluffed, though Jason Mewes' usual one-note performance (essentially playing a toned-down version of himself, by all accounts) works well here. All in all, more puerile and less funny than its predecessors, though foul-mouthed children, stoners and idiots may take to it more than most.
A "should see" for Smith fans, but probably not much interest to anyone else.
Half the movie is an insult to people who can best be described as The Comic Book Guy from The Simpsons (myself included). Half of the "Joke" is ripping on his own fanbase, and any average person who critiques him negatively over the net. This cheazy ploy went out with low-brow comics ripping on Siskel and Ebert (real critics), but now it's like the Slapshot scene where they go into the audience and beat-up their fans.
Except Slap Shot was funny.
Maybe I'm old (I'm Kevin Smith's Age). But F just isn't funny anymore Be clever. Why was Scooby Doo in the movie? It was a waste of 10 minutes that did nothing to the plot. Couldn't he tie that in somehow humously at the end like, those kids show up to expose the jewel theifs, who end up being 3 cranky old men who woulda gotten away with it. And the love interest... we won't even get into that believability.
Anyhow. Kevin, if you ever wanna come over and beat me up, drop me a note and I'll give ya my address.
Wusstest du schon
- Wissenswertes(at around 1h 5 mins) Ben Affleck and Matt Damon mention that one reason to do a film is because they owe the director a favor. It was writer and director Kevin Smith who brought the script of Good Will Hunting: Der gute Will Hunting (1997) to the attention of producer Harvey Weinstein at Miramax.
- Patzer(at around 38 mins) The label in the animal testing lab under the dart gun implores you to "brake" glass.
- Zitate
Holden: If the buzz is any indicator, that movie's gonna make some huge bank.
Jay: What buzz?
Holden: The Internet buzz.
Jay: What the fuck is the Internet?
Holden: The Internet is a communication tool used the world over where people can come together to bitch about movies and share pornography with one another.
- Crazy CreditsInstead of "Jay and Silent Bob Will Return In...", it now reads, "Jay and Silent Bob have left the building." Then there is a clip of Jay saying "Snoogans" which, he explained to Justice, means "Just kidding".
- Alternative VersionenThe Enhanced CD Soundtrack has a video for "Jay's Rap 2001", in which is shown a number of shots that did not make it into the final film mixed in with those that did. These shots include: (1) Jay and Bob in a plane, (2) the two drinking beers (at the appropriate moment of "Jay's Rap") on the set of "Good Will Hunting 2: Hunting Season", (3) Jay and Bob outside a parking lot, (4) an alternate take of Jay miming sucking a breast in "Brodie's Comic Stash", (5) Jay smoking a cigarette during the "E.T."-influenced bike scene, (6) Bob stepping out of a room with a goofy grin on his face while Jay tokes up, and finally ends with (7) a hilarious blooper where Jay offers Suzanne the orangutan a hit off a joint.
- VerbindungenEdited into Jay and Silent Bob Strike Back: Deleted Scenes (2002)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Jay y el silencioso Bob
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.085.147 $
- Eröffnungswochenende in den USA und in Kanada
- 11.018.543 $
- 26. Aug. 2001
- Weltweiter Bruttoertrag
- 33.788.161 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1