Die Royal Tenenbaums

It seems to be generally agreed that this is Wes Anderson's staple film, or perhaps his mission statement as far as movies he wanted to create: idiosyncratic, campy tales about complex relationships being told in often witty and blunt dialogue. And no one can forget the Wes Anderson tells - symmetry, pastel or earthy color schemes, and Bill Murray. Even though the way this story is told would never happen in real life (it felt fitting that the "actual story" being told was through a book), it still feels incredibly human and almost believable in an odd way. Royal Tenenbaum (Gene Hackman) almost feels like the hero of a classic Greek tragedy, except the movie focuses more on gathering yourself the day, or in this case, the two decades after. Royal's ex-wife (Anjelica Huston), his two sons (Ben Stiller and Luke Wilson), his adopted daughter (Gwyneth Paltrow), and his children's friend from across the street (Owen Wilson) have all fallen on hard times (meltdowns, depression, drug use) decades after the family drifted apart. Royal attempts to reconnect with his family initially to keep his distanced wife from remarrying a tax advisor (Donny Glover), but throughout the film, he finds the best days of his life with his long-lost family. The group catches up with varying success and share in each other's mutual sadness. There are many beautiful and crushing scenes, heightened by the Wes Anderson style, and the story explores several different feelings and tones. I think the only real problem is that even though every character is written well and intricate in their own special way, and I believe each has an arc as well, there are so many people and histories to keep track of, it becomes a little bit of a nuisance. And the film struggles to juggle all these characters and all of this information in a balanced way; they each kind of have their moment and disappear for a while and then resurface briefly. And this makes the telling of the story a little choppy and confusing at points because you're always wondering who someone is or why they are acting the way they are until you remember through context clues. But if it weren't chosen to have this movie told through a book, I think it might have been much more noticeable. Of Anderson's films that I have seen, even though it is not my favorite by him, I'd say it's the best introduction to one of the best filmmakers in the industry right now.

This was a quirky film that surprised me, in that I liked it....at least twice. By the third viewing, I had enough but I got my money's worth out of it. That's what I would recommend with this movie: rent it before considering buying it. It's very different, and you might love but also might hate it.

What it is, simply, is a portrait of a very dysfunctional family and the father trying to re-connect with his kids after a long absence. Gene Hackman is the father, Angelica Huston the mother and the wacko kids - and other assorted strange characters - are played by Ben Stiller, Owen and Luke Wilson, Gwyneth Paltrow, Ben Stiller, Bill Murray and Danny Glover.

This is mostly dry, dark humor with some funny lines delivered in deadpan style. Nobody is particularly likable but - with the possible exception of Paltrow's character - are not really unlikeable either. They are just strange.

I enjoyed viewing the house with all its colors. For those who appreciate low-key absurd humor nd some pleasing visuals, you should like this film and I certainly recommend giving it a look.

I think it's unfortunate that some of those who liked this film imply that anyone who found it a waste of time is a boor, who is only interested in Jim Carrey style films. There are some very off-beat, "arty" films that I enjoy a great deal. This was not one of them, though. To me, it was "okay", but certainly not great. The humor was very subtle. I got most of the "jokes" (or humorous aspects, really, more than jokes) that people have mentioned, but they just weren't all that funny, to me. Maybe I actually sympathized with the characters too much; the humor was overwhelmed by the sadness of their situations.

I loved this movie the first time I saw it. And it grows on me a little bit every time I rewatch it. It's like going to visit an old friend's house. Anderson did such a marvelous job building this odd little world. It's just one indelible image after another. Gene Hackman is just marvelous. And that shot of Margot getting off the bus.

With 'The Royal Tenenbaums', Wes Anderson turns his lens to the American family, warts and all. The Tenenbaums are a dysfunctional family – the parents have been separated for decades, and Royal (Gene Hackman) is a disbarred attorney who has long since moved out of the family's enormous house (in an unnamed city of course). The children, all geniuses and overachievers in their own way, are then raised by Etheline (Angelica Houston), an archeologist. Chas (Ben Stiller) is a financial wizard, Margot (Gwyneth Paltrow), is adopted and was a published playwright at 11, and Richie (Luke Wilson) is a tennis prodigy. We are provided the family history at the start of the film, then are introduced to the family 22 years later. Chas is still a financial wizard, but, having lost his wife in a plane accident is now the paranoid father of two small sons. Margot is married to Raleigh St. Clair (Bill Murray, who is basically Anderson's muse), is depressed and hasn't written in years, and Richie, after having a nervous breakdown on the tennis court a couple of years earlier is traveling the world by boat. Still hanging around is Eli (Owen Wilson) a long-time family friend from across the street who is now a literature professor and successful novelist. Etheline is being wooed by her accountant, Henry (Danny Glover) and when Royal gets wind of this, he embarks on a bid to win his family back after not speaking with them for years.

Wes Anderson has an unusual style of film-making that has been static throughout his career. Highly theatrical, almost in the style of a play, he presents the story of the Tenenbaums to us as if it were taken directly from a book, so much so that if you were to read the few sentences that are visible in the book that accompanies the beginning of each 'chapter', you would see that the written narrative follows the action to the letter. Anderson favors primary colors, and characters that are identifiable by very distinct appearances. Chas and his sons have their red track suits they always wear, Margot wears the clip in her hair, Izod dresses from the 80's and dark eyeliner surrounding her eyes, Richie wears the sweatband around his head, Eli is in cowboy gear and Raleigh looks like a Freud knockoff. One of the results is that there are varying degrees of recognition for the actor in 'real life'. When seeing Raleigh, it's easy to forget that it is Bill Murray, and Margot for that matter is so different from how we are used to seeing Paltrow. Certainly, this is Anderson's intent. Anderson also favors point of view shots, characters looking directly at or addressing the camera, and is also one of the few modern masters in the use of music. The soundtrack to 'The Royal Tenenbaums' features some classic songs (Ruby Tuesday, Hey Jude) but also has some obscure tracks that are bizarre and fit into the scene beautifully.

'The Royal Tenenbaums' has a phenomenal cast, and all of the actors are excellent in the film. I get the strong impression that, since Anderson isn't a mainstream film director, A-list actors sign up to work for him because of his alternative vision and his obvious talent. When I watched this film recently, I asked the two friends I saw it with what they thought, and they both said 'It was quirky'. Since they are both film lovers, I was a little disappointed in this narrow (and obvious) assessment of the film at first. Upon further reflection, however, I realized that they both come from households that have parents who are still together. Coming from a 'broken home' I can relate to the high dysfunction of the Tenenbaums as an adult and embrace the story beyond the presentation, despite its highly stylized format. 'The Royal Tenenbaums' is a brilliant film that is both emotional and eye-catching, and truly cements Wes Anderson as an exciting and talented filmmaker. 9/10

--Shelly