Monsoon Wedding

In Delhi, the wealthy father of the bride (Lalit, played by N. Shah) prepares an elaborate wedding. We meet his extended family, arriving from as far as America for the wedding, beginning with a formal engagement party 4 days before. Several subplots are followed: Additi, the bride, has chosen an arranged marriage instead of waiting for her married lover to leave his wife. Ria, her cousin, has never married and is being pestered by all concerned. We learn that Ria's father, Lalit's big brother, has passed away and so Lalit is her father-figure as well. Dubey, the wedding organizer, becomes smitten with Alice, Lalit's maid. As the days pass, family joys and family secrets are revealed.

I cannot praise this movie enough. First of all, kudos to N. Shah for a sensitive, complex portrayal that never, for a moment, feels like acting. Without hand-held camera pretensions, Monsoon Wedding nonetheless feels more like meeting a family at a big affair than watching a movie. It is real and intimate, yet magical. All the performances are good; Rajat Kapoor as an uncle with a secret is particularly powerful, and bears a striking resemblance to a younger Donald Sutherland.

We see Indian society as India sees it. My coworker, Sreeman, tells me that everyone attends neighborhood weddings; that an average wedding has 800–900 guests, and his had 1200. Traditionalism matters, but modernity matters as well. At one point, Lalit and Dubey argue over the wedding tent; should it be white, the modern (Western) way, or should it be colorful? Lalit demands color and Dubey orders "the old kind." The struggle between modern and traditional ways is one of the primary undercurrents of the film, embodied by Additi's choice, in fact, we meet her married lover as the host of a TV talk show discussing traditional versus modern ways.

Another undercurrent is finding love, impediments to love, and choices about love. Additi, Dubey, Ria, and another cousin, Rahul, all have barriers to overcome before they have a chance at happiness.

But the main theme is family, and this huge, chaotic family is a wonder to behold. You can't always tell who's related to whom, but you get the sense that they can't either, and coming from a large, extended family myself, I know that's how it is. Family is everything to Lalit, yet he communicates harshly with a son he doesn't understand, and calls nephew Rahul "idiot." Yet his love and devotion are clear, and he is the real hero of this film, coming through for everyone and stretching himself to the limit.

I really liked this film. As the movie progressed I quickly formed a bond with the characters and felt they were all my close friends and I was somehow involved in the story. I truly got caught up in the emotion and the evolution of the story and frequently laughed and cried. Although the wedding was the climax of the film, it was not what the film is about. The colors were exquisite, the music and dancing delightful and the people gorgeous. The acting was superb. If there was anything negative to say, I did have some trouble understanding some of the dialogue because of the accents and fast talking. But I intend to see it several times more. Thanks for a great film.

It's surprising how often the ratings belie the movie or vice versa. This movie is an entertaining collection of love stories which deftly cuts across so many barriers,whether they be cultural, social, class or religion. It is funny in a very real and potent way and the character development has been executed to great details in an effortless fashion. That probably is one of the hallmarks of a really gifted director.

The story revolves around the preparations of an Indian arranged marriage. The main characters are the bride,her father and a marriage arrangement contractor. All dealing with their own constraints and still trying to give their hopes wings. What is remarkable is that this movie has characters who show courage when they have a lot to lose and win higher rewards like love,trust and self-respect in the process.

Kudos to the Monsoon wedding team!

Here's a movie which is not made for arty cinema lovers per se. It captures the craziness surrounding a typical North Indian wedding. I liked the lead characters since they were credible and interesting. They were so normal people unlike mainstream Indian cinema from Bollywood. It made me chuckle at times. -gg

It's only March, but I already nominate "Monsoon Wedding" as one of the best movies of the year.

Yeah, we've seen ethnic weddings/family gatherings before ("Lovers and Other Strangers," "Wedding Banquet," "The Godfather," "Avalon," "What's Cooking," "Tortilla Soup," among others), but this is still an original.

Not just because it takes place in India, not just because the characters come in from the Indian diaspora of IT jobs in the U.S., Australia, and the Middle East to the old homestead, and switch between Hindi and English mid-sentence, and switch comfortably between tradition and modernity.

But because these are completely wholly-formed, original characters and a sophisticated story. Yeah I was confused sometimes about who's related to whom, but from the rebellious teen-age boy dreaming of being a chef, to the bride with a secret lover, to the Houston engineer come home for an arranged marriage, to the complicated intra-family obligations and past positive and negative interactions, to cousins, aunts and uncles who genuinely love each other -- all are fully realized and completely believable, being both very individual and very universal.

Only a smidgen of a coincidence in the last moments of a too neat happy ending for a very sympathetic character mars the story, but understandably the audience cheers at the end.

A bonus is the wonderful use of Indian music -- I have zero idea if it's folk or Bollywood music they're singing but the soundtrack is exotic and exuberant as the characters use it to liberate thoughts and feelings within the structure of wedding rituals, with dancing as well. Stay through the credits as the ritual continues.

I'm ready to go see it again any time I'm feeling down.

(originally written 3/11/2002)