Ein Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner m... Alles lesenEin Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner monströsen halb menschlichen Nachkommen.Ein Bootsunfall führt einen jungen Mann und eine junge Frau an Land in einem heruntergekommenen spanischen Fischerdorf, das sie entdecken, in den Händen eines alten Meeresgottes und seiner monströsen halb menschlichen Nachkommen.
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Now the problems I have with the film aren't insurmountable but they do take away some of the enjoyment. Firstly Ash in evil dead was cool, that's a given but the guy in this (Ezra Godden) is like Ash lite and I never really bonded with him as a character basically coz he didn't have any. It starts with a really nice sequence that bodes well for a H.P Lovecraft adaptation but the middle third soon degenerates into a half assed prolonged chase . Now I was starting fidget just a touch but I thought I've paid for this it's got to get better and you know what? It does. WAhhaaay.
Once the Dagon Mythos is shown as back-story Told by an old fisherman in a ridiculously thick accent the Great Old Ones atmos kicks in.
The last third pulls the film up by it's Lapels from mediocrity to pretty damn good. I'll not spoil it but let's just say there's Boobies, Blood, Monsters, and one of the most painful gory protracted deaths I've seen in a long time.
This was like a welcome throwback to the early 80's when Ironic teenagers hadn't yet nudged and winked the credibility out of the genre.
It's prime material for movie adaptations, but they always tend to be terrible. Sure there have been exceptions like Necronomicon (1993) and the Re-Animator franchise but for the most part they've been plain awful.
Dagon is a rare exception and is fantastic on near every level. Spanish made it tells the story of two couples of after a boating accident are forced to seek help at a nearby island which holds a horrific secret.
Cue the great visuals, strong performances and a near flawless story. I watched this immediatly upon release and have thankfully had the chance to watch it multiple times since then. It's a pure unadulterated horror nightmare which I think is highly underrated.
It looks Lovecraft, it feels Lovecraft, it IS Lovecraft.
The Good:
Looks great
Mostly loyal to the source material
Genuinely atmospheric
The Bad:
Could have done with being a tad longer
Things I Learnt From This Movie:
Proof! The problem is the filmmakers not the material
Movies are just better with tentacles
This film could probably be easily lost in the deluge of direct-to-video slashers with unimaginative plots and stale gore effects, which is a shame because it is neither stale nor a slasher. Based on a short story (which runs no more than five or six pages, if memory serves me correctly) "Dagon" is a cold, slithery, unnerving tale set in one of those isolated seaside towns that Lovecraft loved so much to write about. A boat accident sends a young couple ashore seeking help for their stranded friends. There have been warnings already, in the shapes of underwater nightmares suffered by the young man; a huge, submerged stone disk, a mermaid with a vampire's mouth, etc. The town's listless inhabitants soon reveal themselves to the terrified young couple - white, slimy gills and fish black eyes make their appearance, and by the time they do, it is too late.
There's a beautiful syren with mesmerizing eyes and an unfortunate case of tentacles, a bloody sacrifice above a stone pit, a sick face-ripping scene, a self-immolation and a twist ending. "Dagon" is hardly a throwaway slasher flick - its a dark, nasty, twisted fairy tale with neither a happy nor an unhappy ending. People with fish phobias probably would do well to steer clear, but this is a very well done little film that deserves better attention.
As I've said before, Stuart Gordon is the undisputed master of H. P. Lovecraft adaptations, this one coming from the short story "Dagon" and one other tale (to flesh it out). He captures the imagery perfectly -- the storms, the fear of the water, the importance of an arcane faith (without making it cheesy) and of course the tentacles.
The acting is quite good, especially from the star (who was also the star of "Dreams in the Witch House")... Ezra Godden, I believe his name is (forgive me if I'm wrong). He plays a much nerdier character than in "Dreams", so much so that I might not have even noticed it was the same actor. The other characters are also good. All of them. The bum, the girlfriend, the townsfolk... I have no complaints.
The scenery was very drab, and I mean that in a good way. It was a dirty, isolated town that really portrayed the feeling of helplessness. I read in another review that Gordon moved the story from New England to Spain to capture this feeling, as modern America really has no such place left. Spain seemed natural, and fit the theme perfectly. Besides, an ancient cult does tend to have more of a "European" rather than "American" flavor to it (unlike witches, which are right at home in America).
I really have to protest about the CGI in this film, though. Some scenes use amateur computer graphics, which come across looking cartoonish. This upsets me any time I see it in a film, but even more so with Stuart Gordon. I have seen what he can do with old fashioned makeup and special effects. I've been impressed. Why has he resorted to this technique? While I would say this is the least of the Gordon-Lovecraft films I've seen, it's still a fine job. It's probably the only film you'll ever watch where you find a fish attractive. Well, besides "The Little Mermaid", of course. Ariel's pretty dang sexy.
Wusstest du schon
- WissenswertesPaul's shirt in the film indicates he is an alumnus of Miskatonic University, an institution that features prominently in H.P. Lovecraft's stories and one of the settings in Der Re-Animator (1985), the first Lovecraft adaptation by director Stuart Gordon, producer Brian Yuzna and writer Dennis Paoli.
- PatzerWhen Paul escapes skinning you can see hung and dead Ezequiel breathing in the background.
- Zitate
Uxía Cambarro: Before you came, there had been no sacrifices for a year. Dagon needs her.
Paul Marsh: Fuck Dagon!
Uxía Cambarro: Yes, and their child will be immortal!
Paul Marsh: Yeah, but there's a catch. It has to live the rest of its life as some kind of half-ass fish of the sea.
Uxía Cambarro: [agreeing] In joy, with Dagon!
- Crazy CreditsDedicated to Francisco Rabal, a wonderful actor and even better human being.
- Alternative VersionenGerman version was edited by approx. 20 seconds to secure a "Not under 18" rating. The cut scenes are when the old man has his face pulled off. The other scene occurs at 76 minutes into the film, when Paul sticks a knife into the priests stomach, which makes the intestines fall out.
- VerbindungenFeatured in Lost in Adaptation: Dagon (2016)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Dagon: la secta del mar
- Drehorte
- Combarro, Pontevedra, Galicien, Spanien(Town, exteriors)
- Produktionsfirmen
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Box Office
- Budget
- 4.200.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 145.046 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1