The Void

First off, I've seen some negative reviews on here that have truly surprised me. After growing up as a fan of Horror during that wonderful 80's period, I can honestly say The Void felt as comfortable as it does uncomfortable, especially if you're a fan of those movies of that time. Yes there are some very strong Clive Barker influences running throughout the movie (both Hellraiser and Nightbreed for example), but I think that's what kept me hooked throughout. That with a dash of Lovecraftian themed fantasy here and there really gave this movie a lot of (albeit dark) charm. I think the last time I saw something this twisted was probably the Turkish movie 'Baskin', with which it shares a lot of similarities, but The Void tends to push the boundaries a bit further, The landscape and atmosphere are nightmarish, imaginative, and gleefully sinister and foreboding. If they set out to create a true vision of hell then I can safely say that they've achieved that goal and then some.

Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.

One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.

Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!

As much as one might try to watch each movie unconditioned, unprejudiced and ready to judge it for what it is, it's really hard to tackle a title such us the void and not to expect another B horror movie filled with cliché and disastrous acting. Luckily, it takes but a few minutes to realize "The void" is something else, a bold take on cult movies with a very limited budget.

If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.

With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.

I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.

It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.

This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.

I really wish horror movies like this were still getting made.

A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...

Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.

The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.

Overall: impressive vision delivered through a hectic concept.

I attended a screening of The Void at the Nevermore film festival in Durham, NC. It was a remarkable throwback to classic John Carpenter-style films. I hesitate to list too many details about it, since the feel of the film is very much like a nightmare that might be spoiled if you go in knowing how it turns out. I can say that the creature designs were some of the best I've seen on film in recent years. The feel of the film reminded me a great deal of Silent Hill, perhaps because it shares a lot of the same influences.

My few criticisms have to do with the screenplay. The filmmakers do a good job of leaving some mystery, but there's a bit of exposition I felt like I missed that would explain why some of the people take the actions they do. Even so, that didn't detract from the film enough for me to stop enjoying it. It's a minor miracle how nice the film looks given its low budget. The production design was just outstanding. Considering how ambitious the feature is, I think missing the mark by a bit in certain areas is forgivable.