Füge eine Handlung in deiner Sprache hinzuAlfred Hitchcock makes an experiment in this short film where he uses the sound device for the first time in a motion picture of his own. This is a sound test where the master of suspense an... Alles lesenAlfred Hitchcock makes an experiment in this short film where he uses the sound device for the first time in a motion picture of his own. This is a sound test where the master of suspense and actress Anny Ondra have some humored dialogues, just checking the sound quality designed... Alles lesenAlfred Hitchcock makes an experiment in this short film where he uses the sound device for the first time in a motion picture of his own. This is a sound test where the master of suspense and actress Anny Ondra have some humored dialogues, just checking the sound quality designed for Hitchcock's first talkie picture, the classic Erpressung (1929).
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This was no problem in silent movies, but Blackmail was switched to "talkie" in the midst of its making, so it was decided to have Joan Barry dub Anny - in real time, as was necessary then. Still, one often sees that Anny's lip movement's are often out of synch with Joan's voice. So the advent of talkies was the end of Anny's chances in English movies, but she carried on making German-language movies until 1951.
*** 1/2 (out of 4)
Forty-two seconds of pure gold as we see Alfred Hitchcock setting up a sound test for actress Anny Ondra. The funny thing about this is that Hitchcock, with his usual wit and charm, asks the actress some rather personal and embarrassing questions, which you can tell has the actress nervous. At one point Hitchcock asks her if she's been a bad woman and she replied no but then Hitch follows with "But you've slept with men". Ondra then turns away from the camera from the embarrassment. I'm sure the two were just having fun and it really comes off this way. It was great seeing this historic clip just to see and hear a young Hitchcock having fun with his blonde lead, which would be something that he'd do until his final days. As I'm sure everyone knows, Hitchcock's Blackmail began as a silent feature but half way through they decided to switch it to sound so this test was very important to see how well the actress could handle it.
It was such a delight to watch. Seeing a young, round-faced Hitchcock with a full head of hair was almost surreal-like watching a caricature of him come to life. He's playful, cracking jokes, shifting his voice, and clearly having fun. It's a far cry from the stoic, dry Hitchcock many of us remember from Alfred Hitchcock Presents. Imagining him in this earlier, lighthearted phase of his career was both surprising and entertaining.
In conclusion, Sound Test for Blackmail is a fascinating and fun peek into a monumental moment in film history-made all the more enjoyable by Hitchcock's humor. I'd give it a 6/10.
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Alfred Hitchcock: Now, uh, Miss Ondra. You asked me to let you hear your voice on the talking picture.
Anny Ondra: Ha, ha. But, Hitch, you mustn't do that.
Alfred Hitchcock: Why not?
Anny Ondra: Well, because . . . I can't speak well.
Alfred Hitchcock: Do you realise the squad van will be here any moment?
Anny Ondra: No, really? Oh, my god. I'm terribly frightened.
Alfred Hitchcock: Why? Have you been a bad woman or something?
Anny Ondra: Well, not just bad, but . . . uh.
Alfred Hitchcock: But you've slept with men.
Anny Ondra: Oh, no!
Alfred Hitchcock: You have not? Come here. Stand in your place, otherwise it will not come out right, as the girl said to the soldier.
Alfred Hitchcock: That's enough.
- VerbindungenFeatured in Paul Merton Looks at Alfred Hitchcock (2009)
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