Mary
- 1931
- 1 Std. 18 Min.
IMDb-BEWERTUNG
5,7/10
1077
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution.
John Mylong
- John Stuart
- (as Jack Mylong-Münz)
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If you only speak German, you should watch this version. If you speak English, you should just watch Alfred Hitchcock's film Murder! (1930) because it's exact same movie, using the exact same sets and plot, just with different actors.
This is the only time in Alfred Hitchcock's career that he remade one of his own films in another language; just like in "Murder" (1930), there is one piece of brilliant filmmaking (the entire jury sequence), but the rest of the film is dull, primitive and plodding - strictly for Hitchcock completists. Mary (Olga Tschechowa) is very beautiful. ** out of 4.
For Hitchcock completists only, this German-language version of the same director's Murder! tells the same story on the same sets, but with different cast, as a juror questions the guilty verdict he helped come to.
A few mildly amusing visual flairs are present here: jurors seated around a circular table. The camera pans along and we see a first juror held deep in thought; the next several are listening with rapt attention; until we arrive at one man who is clearly bored to tears with it all; a mild joke which was thrown in to the German version, not in the UK version. Brief glimpses (again) of cross-dressing, which Hitch later went back to, in a big way, with Psycho.
Some early quick cuts are surprising, eleven cuts in a three seconds-long scene at the twenty three minute mark. Most unconventional at the time.
Overall the movie is watchable, but not very involving, partly at least due to its lax pacing, and a verbose screenplay. Like its UK counterpart, however, it does pick up for its memorable climax.
A few mildly amusing visual flairs are present here: jurors seated around a circular table. The camera pans along and we see a first juror held deep in thought; the next several are listening with rapt attention; until we arrive at one man who is clearly bored to tears with it all; a mild joke which was thrown in to the German version, not in the UK version. Brief glimpses (again) of cross-dressing, which Hitch later went back to, in a big way, with Psycho.
Some early quick cuts are surprising, eleven cuts in a three seconds-long scene at the twenty three minute mark. Most unconventional at the time.
Overall the movie is watchable, but not very involving, partly at least due to its lax pacing, and a verbose screenplay. Like its UK counterpart, however, it does pick up for its memorable climax.
For all practical purposes, a remake, in German, of "Murder!" It is stark and frantic, but the plot is the same. The editing is flawed and so things do not move fluidly. Also, the actors seem more stiff and less interesting. It's as if Hitchcock felt he could give the German people a gift, but move on quickly. I agree that the tension is much less. The final scene is one of the most dramatic of any the master produced, but here it doesn't have quite the same impact. See it only if you wish to have a full view of early Hitchcock films. That was my motivation.
Is it merely a German version of Hitchcock's "Murder!"? True both films are based on the same source-material. Yet the outcome is different. There is more emphasis on choice of camera and shots and editing in the German film than in the British one. The underlying cross dressing and gay aspects are more obvious in the German film. Yes "Mary'' can be considerably compared to Lumet's "12 Angry Men" made decades
later. Here the juror becomes the detective, while in Lumet's film the juror never really leaves the jury room. The relationship between juror and the accused is explored midway--a rare aspect in any jury-oriented tale. It is therefore goes one up on "Murder!" Further, Alfred Abel (a German actor) is superior to Herbert Marshall both playing the same character of the same tale, that of Sir John Menier. So is Olga Tschechowa playing the role of the accused actress, facing death sentence.
Wusstest du schon
- WissenswertesA copy of the film is included as a bonus feature on the Kino Lorber Studio Classics DVD and German DVD releases of Mord - Sir John greift ein! (1930) and the French DVD release of Riff-Piraten (1939).
- PatzerAs Sir John interviews Mary in jail, it is established in long-shot that both are sitting at opposite ends of a long table. During frontal closeups, the widths of the planks that make up the tabletop reveal that very randomly either the table is turning between shots or both persons repeatedly switch places.
The exact same continuity error also applies to the American version of the movie, Mord - Sir John greift ein! (1930).
- VerbindungenAlternate-language version of Mord - Sir John greift ein! (1930)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Secreto de la noche
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 18 Minuten
- Farbe
- Seitenverhältnis
- 1.20 : 1
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