Y tu mamá también - Lust for Life

After watching this movie, I looked at what a few critics had to say about it and I was shocked to see some of them refer to this movie as a "teen sex comedy". Wow, I didn't get that impression at all! Yes, the movie is infused with sex, and the two lead characters are horny teens, and there are quite a few comedic moments, but this is far from a teen sex comedy. It's treatment of the subject matter is real, for one thing, and backdrop of the Mexican countryside (and the director's detached observation's through third-person narration) bring some sobriety to the film. Be warned, though: there is a lot of sex, so not exactly a movie you're going to want to watch with the in-laws.

I saw the film twice in 2 days (in original version), and I enjoyed it very much. It is titillating, at times hilarious, touching, candid, serious etc... Roller-coaster of emotions! It is the first film I have seen with Gael Garcia Bernal (Julio in this film), and boy is he great! I love the portrait the film draws of "Teenage Boys lust". The contrast with the mature and controlled Luisa is very interesting. Altogether, I'd recommend it warmly to anyone who enjoys road movies in general and great characters. Obviously it is better in the original, so if you understand a bit of Spanish, don't be put off by the subtitles (you end up reading them really quickly and still enjoy the images...).

This is a very different Mexican film. One in which you can really appreciate the sure hand of director Alfonso Cuaron working at the top of his form with an excellent group of actors, which proves that when someone of this magnitude decides to make a good film about interesting characters in contemporary Mexico, one can expect a fine finished product.

Alfonso and Carlos Cuaron have created people and situations that are very believable. The script is fine. "Y tu mama tambien" is about awakening and about reaching maturity. It's a great Mexican Road movie done with a lot of care.

The Cuarons shows us a slice of life that could happen, not only in that country, but one that is universal. Producers and directors in Mexico should see this film and learn how to do future movies, even though the popular taste runs into the horrible soap operas, popular in Mexican TV. The Cuarons have turned out a magnificent script and have turned away from those popular melodramas that are a staple of the film industry of our neighbor to the South.

Gael Garcia Bernal, who was excellent in Amores Perros, here demonstrates once again what an actor can do, given the right scenario and obviously a lot of freedom to give life to Julio. Diego Luna is also very credible in his portrayal of the son of a rich man on the road to discover himself. Obviously, the underlying theme is that both like each other, but it never comes out, as they both are so closeted and think themselves of being straight in such a macho atmosphere.

Maribel Verdu plays the pivotal role of Luisa. She sees right through the boys, but has to play the part since they are the salvation from her miserable marriage. Here as in other Spanish films, she lets us know she is an actress who likes to take chances. This was the right vehicle for her and she takes advantage of a role that makes her outshine the rest of the cast.

One can only hope more interesting things coming from this director and Mexico's gain is our loss, as it's obvious Mr. Cuaron's incursion into American films have not been as satisfactory as his work here.

The two teenage males in this sharply etched film, "Y tu mama tambien," are obsessed with sex and view its pleasures as something akin to joyfully skating across a frozen lake. As the story develops the ice gets thinner and thinner, its incapacity to carry the weight of their fantasies advances faster than their growing inevitable end stop - maturity.

The Mexico of the teenagers and their generally stoned friends is one of affluence and political connectedness. One father belongs to a country club that features one of the biggest private swimming pools I've seen - no film set here (the pool is the scene of a very, ah, unusual depiction of teen horniness). Neither of the lads cares much about the actual political and social issues occurring during their adventures and which are seamlessly integrated into their story. Their futures are a blank to them but a blank untroubled by the need to be concerned or ambitious.

And then arrives the femme fatale, a beautiful, smart but very raunchy just-left-husband gal with whom they take off in a beaten-up old station wagon to find, ostensibly, a secret beach. Of course what the guys have in mind is seduction.

Without a polemical discourse the viewer is carried into the isolation and poverty of much of Mexico as asphalt yields to hard dirt roads leading to barely navigable sand traps. The people they encounter along the way are realized subtly but effectively.

These teens aren't really so likable but they do show occasional promise of growing up, a redeeming feature. This is less a road film than it is a comedy of (very bad) manners. The director and three leading characters have taken raunch to a new and interesting cinematic plane.

While these kids may be a parent's nightmare, they become more complex, and inevitably more insightful, as the film develops. By the end they are very, very different people and in danger of becoming sort of plain vanilla post-teens (whatever the Mexican equivalent of the Japanese "salaryman" is, they may well be launched along that path).

This film is rated "R" but many will wonder how it avoided an "X." Be forewarned. But some of the sex scenes are hilarious - especially if the viewer has ever been a teenager. :)

Cuaron uses voiceovers not so much to explain the story but to quietly show that all lives have "sidebar" events beyond the tale being told, events that can be described in one or two sentences and which illuminate the fullness of a character's journey.

The scenery is gorgeous.

Definitely a different and engrossing story.

People don't get this movie..there is so much more the just coming of age and having sex. It is also about the social disparity in Mexico. That is what all the overdubs were for. Every time there was an voice-over something of meaning was said about the surroundings and the way the average Mexican lives. Don't think of this movie as a story about three people, think of it as a story about a whole nation. I encourage everyone to watch it again. Please pay attention to the scene in the boat. that almost makes me cry. It is so well worded also. And the way the voiceovers just cut abruptly is a great. There are so many small things about this movie that make it so much better then your average Hollywood movie.