Ein schrecklicher Autounfall verbindet drei Geschichten miteinander. In jeder von ihnen haben sich die Figuren mit Verlust, Reue und den harten Realitäten des Lebens auseinanderzusetzen, und... Alles lesenEin schrecklicher Autounfall verbindet drei Geschichten miteinander. In jeder von ihnen haben sich die Figuren mit Verlust, Reue und den harten Realitäten des Lebens auseinanderzusetzen, und alles im Namen der Liebe.Ein schrecklicher Autounfall verbindet drei Geschichten miteinander. In jeder von ihnen haben sich die Figuren mit Verlust, Reue und den harten Realitäten des Lebens auseinanderzusetzen, und alles im Namen der Liebe.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 55 Gewinne & 24 Nominierungen insgesamt
Gael García Bernal
- Octavio
- (as Gael García)
Álvaro Guerrero
- Daniel
- (as Alvaro Guerrero)
Empfohlene Bewertungen
'Amores Perros' impressed the hell out of me. Three interrelated tales of the darker side of life in contemporary Mexico City, each one as fresh and as fascinating as the last. Each of the three stories are dark, disturbing and filled with humanity. Superbly acted all round, but especially noteworthy is the standout performance by Emilio Echevarria as El Chivo, a political dissident turned hitman, and if the charismatic Gael Garcia Bernal (Octavia, the lovesick dog fighter) isn't an international star in the making I'll eat my words. This brilliant movie shows up the mediocrity of most current Hollywood "product", and to my mind ranks with a small handful of movies made this decade ('Chopper', 'The Pledge', 'The Way Of The Gun') that are truly memorable and with genuine substance. This one is a winner and essential viewing for all movie lovers. A future classic.
Comprising but not limited to, three stories all connected, and all sharing canine glue, shows how some loves and aspirations, formed and built on weak foundations, can implode through separations, leaves folks lonely and eschewed.
All elegantly carved and crafted around the streets of Mexico City by the perpetually impressive Alejandro G. Iñárritu, who takes Guillermo Arriaga's tale to deliver as angry a film as you're likely to come across, and one that delivers just as savagely some years on from its initial release. Often shocking with its portrayal, leaves you under no illusion of the desperation and despair of the lives of those it presents.
All elegantly carved and crafted around the streets of Mexico City by the perpetually impressive Alejandro G. Iñárritu, who takes Guillermo Arriaga's tale to deliver as angry a film as you're likely to come across, and one that delivers just as savagely some years on from its initial release. Often shocking with its portrayal, leaves you under no illusion of the desperation and despair of the lives of those it presents.
This movie is a must-to-see if you can get over the 'subtitles' fact. (I didn't have no problems with it because I understand Spanish). Personally I was really impressed by the quality, perfection, and superb acting of this Mexican movie. The movie consists of three different stories connected by one sole incident. Sometimes you will see the same scene from a different point of view. Or you'll see an out of place scene that will make sense later on. The script was exquisite, very loyal to the culture. The direction was brilliant keeping us interested from beginning to end. And the performances were excellent, so natural and real that you felt as if they were people you knew. Be aware there's extreme violence in this movie, and even though there were kids in the theater I went to, this is not a family movie. I don't recommend it for children if you are a responsible parent. This movie deserves an award.
Nothing in this film happens for no other reasons than bad decisions taken from the depth of the most negative emotions of our species. It's a portrait of how brilliant we are at just doing harm to ourselves while also having an impact on the lives of the people around us. A very good film, with good storytelling, good acting, good photography and good musics, which is a tribute to human unease.
This Mexican movie was surprisingly good. I confess the sin of prejudice concerning Mexican cinema, this being maybe the second Mexican film I have ever seen, but here my sins are punished. This is the work of a director of big talent. Hopefully, he will not be spoiled by the success.
Three different stories in today's Mexico mix with very few common elements. The characters belong to different social categories, and nothing connects them at first sight, excepting the feeling of un-happiness, and - yes - dogs. Dogs play an important role in all three stories. One more warning - there is a lot of cruelty including dog fights - this film is certainly not for sensitive animal lovers.
Directing is excellent, the stories are human and complex and despite their melodramatic or sometimes tragic outcome, they still leave you with a shade of hope - maybe because the humanity that the author uses to create his characters. There are so many memorable scenes, that I would commit another sin to pick any and describe it here - just rent, or go to watch this movie in the theater - it is worth all 150 or so minutes you will spend. 9/10 on my personal scale.
Three different stories in today's Mexico mix with very few common elements. The characters belong to different social categories, and nothing connects them at first sight, excepting the feeling of un-happiness, and - yes - dogs. Dogs play an important role in all three stories. One more warning - there is a lot of cruelty including dog fights - this film is certainly not for sensitive animal lovers.
Directing is excellent, the stories are human and complex and despite their melodramatic or sometimes tragic outcome, they still leave you with a shade of hope - maybe because the humanity that the author uses to create his characters. There are so many memorable scenes, that I would commit another sin to pick any and describe it here - just rent, or go to watch this movie in the theater - it is worth all 150 or so minutes you will spend. 9/10 on my personal scale.
Wusstest du schon
- WissenswertesFor the scenes where the dogs appeared to be dead or dying, the animals were actually heavily sedated under the careful eye of the Mexican SPCA. Multiple dogs that looked like one dog seen on screen were also used, so that the same dog was not under sedation for more than half an hour and not more than once a day at a time.
- PatzerFor photos taken for the 2nd time in the photo booth, El Chivo is wearing the brother's black sportcoat, yet when he subsequently pastes the photo in the album, the sportcoat appears distinctly burgundy in color.
- Crazy CreditsTo Luciano: Because we also are what we have lost. Special Thanks to: "Abba, Pater"
- Alternative VersionenThe following are from the deleted scenes on the DVD:
- An alternate ending where the camera is outside the house where El Chivo was holding the two business partners hostage and two gunshots are heard.
- A comedic and tender scene between Daniel and Valeria which would have come shortly after Valeria returned from the hospital. Valeria wakes up Daniel in the middle of the night to help her get to the bathroom.
- A conversation between Daniel and Valeria in their apartment where Valeria reveals to the audience that she had an abortion.
- A brief scene where Octavio bursts into Susanna's mother's apartment searching for her.
- VerbindungenFeatured in The 58th Annual Golden Globe Awards 2001 (2001)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Amores perros - Von Hunden und Menschen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.408.467 $
- Eröffnungswochenende in den USA und in Kanada
- 61.047 $
- 1. Apr. 2001
- Weltweiter Bruttoertrag
- 20.908.467 $
- Laufzeit
- 2 Std. 34 Min.(154 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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