Segunda piel

This film has caused a lot of controversy in its native Spain. It is establishing a trend in Spanish films exploiting gay themes by casting some of the country's most popular male stars as lovers to lure viewers, therefore appealing to voyeurism. This "gayploitation" has been going on for over a decade in Spanish cinema. In fact, it's hard to name an established Spanish actor who hasn't appeared in at least one gay role. However, in most cases, these roles or their sexuality have been secondary. In SEGUNDA PIEL, however, it's full steam ahead as the film centers around these two stars' relationship, and features very graphic sex scenes between the two stars. Whether this film is voyeuristic or not is certainly up to the viewer to decide.

The kaleidescope of images that make up the beautiful opening credits (which is probably the best opening I've seen in a long time) truly sets the tone for this film. And in this film ,just like a kaleidescope, the parts that make it up seem simple enough. You have the pretty wife, the cute kid, and the husband with a secret. You have the lover on the side, a handsome doctor. But this handsome Doctor Diego, played wonderfully by Javier Bardem, is having an affair with Alberto, the husband in the not so perfect marriage. But , just like the kaleidescope ,this is where the simplicity ends. We've all seen the films of people finding out, and coming to terms with their sexuality.That's what makes this film unique. It's not another "I'm discovering I'M Gay" picture. This movie doesn't follow that typical plot. The kaleidescope effect comes into play. You have to deal with a range of emotions that for me, at first, made me completely loath Alberto . The wife suspects, the wife finds out, yet Alberto's lies are too deeply woven in his psyche . And although Diego knows there's not something quite right, but because he's in love, he looks past them. He wants to believe he's not a fool.Alberto incessantly lies to both his wife, and his lover.The man is completely arrogant and self absorbed on every level. He is indifferent to his wife and Diego.Though his wife knows, he makes promises to her he can't keep. And he strings Diego along with more lies and distance, with complete disregard for the mans love for him.. I was completely hateful in regards to Alberto, but the more I thought about it..the more he came across to me as a man so desperately and selfishly in love with two people , and what each had to offer, that he actually couldn't fathom losing either one of them. The range of emotions, from love, betrayal , trust , and understanding are just a few of the emotions that come into play. I love how this movie isn't about being gay, but how one person can effect the lives of others with the tangled web of deception , that eventually effects and destroys exactly what one was trying to hold onto in the first place.I know many are disappointed with the conclusion of the story. But for me, I found the journey far more important to what was the obvious and inevitable outcome.Ohh..and the man on man sex scene...SMOKING HOT!

his Spanish exploration of love and family centers on Alberto (Jordi Molla from Blow and Bad Boys II). A successful family man at an aeronautics firm, he finds himself in a passionate love affair with Diego (Javier Bardem), a confident physician. Diego is comfortable with his homosexuality and is madly in love with Alberto. Alberto, who can't deny his love for Diego, doesn't want to admit that he is gay and struggles with his desires. Alberto's wife Elena (Ariadna Gil) tries to understand the reservedness and lack of sexual interest in her husband. When she finds out, she's not very happy about it, he is her true love and what will she do? A sudden event alters all three lives, leading to compassionate conclusion.

I really like Adriana Gil, known in Spain for taking new, difficult roles, but Javier Bardem carries the show, I've never seen an actor express so much with his face and hands. Truly an amazing actor. Jordi Molla did a good job, but since he always plays a slimeball in American movies, it is hard to move past that character.

This movie is like a pear. I've got a pear right now sitting on my desk, trying to ripen. I'm looking forward to the juicy, grainy pulp that will hopefully develop as it sits there. Often though, it doesn't fully ripen before some parts start to spoil, so you eat it a little underdone. That's how this movie felt. Some good situations pregnant with emotion, but not developed to the extent I would have liked. 6/10

http://blog.myspace.com/locoformovies

I saw this film a few hours ago. It's beautifully shot and there are some nice performances but it just doesn't mount up to much. It's all rather soap-operatic, with a swelling soundtrack and nowhere to go. I thought it was going to go somewhere (belatedly) in the last 20 minutes but it just got wrapped up very suddenly.

I felt I was watching a remake of "Making Love". If you really want to see some emotional truth in a situation like this, see "Hollow Reed".

Solid but downbeat drama by Gerardo Vera , being well photographed and compellingly shot . Diego (Javier Bardem) is a surgeon who has fallen in love with a married man (Jordi Molla) to Elena (Ariadna Gil) and with a son . Against the advice of his chief (Cecilia Roth) and best friend , he goes on his affair with Alberto . Then, it takes place doubts , mistrusts , jealousy , standing between the three lovers . The consequences of this twisted love story profoundly alter not only the two men's lives , but also that of Alberto's spouse . Alberto is a man now broke and ill who has sentimental problems of his own . But Elena is not willing to cede more and Alberto is torn between the two sides of love . Events go wrong , confrontation is inevitable, and the breakdown is accelerated until an unexpected ending with tragic consequences .

Intense and heart-rending melodrama about a peculiar and suffering trio . This interesting as well as intimate story is a passionate retelling and a touching melodrama , including strong sex scenes and nudism . The film relies heavily on the relationships among the main characters , a complex loving cobweb plenty of deceptions , pain , mistrust and lies . The main problem has to face "Segunda Piel" , beyond not being able to avoid falling into a claustrophobic drama is precisely derived from the coldness of its staging , which eventually become monotonous and excessive heart-breaking over one hundred minutes and some of footage . Very good acting from trio protagonist , as Javier Bardem as Diego, orthopedic doctor at a private clinic , he is a man without folds or prejudices who is pulled to the pool of loving risks with their professional and emotional stability ; Jordi Molla as a young and prestigious aeronautical engineer and Ariadana Gil as his zealous wife who wants to be in love with him , in spite of the hard circumstances . They are supported by a magnificent secondary cast such as Cecilia Roth , Mercedes Sampietro , Javier Albalá , Pilar Castro , among others . Colorful and brilliant cinematography by Julio Madurga . Special mention for excellent musical score , marvelously composed by Roque Baños . He composes a wonderful soundtrack full of sensitivity and good feeling . Roque Baños is considered to be one of the best Spanish musicians with successes such as Fragiles , Machinist , Sexy beast , 800 bullets and El Niño .

The motion picture was well shot by Gerardo Vera , being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . It was notorious screen-writer Rafael Azcona who encouraged director Gerardo Vera to make this movie . Gerardo Vera was born in Madrid , where he often shoots his films . He is a good filmmaker , production designer and costume designer , known for Deseo (2002) , Tattoo (1999) , La Celestina (1996) and especially this , Segunda Piel (1999) . Gerardo Vera is particularly famous as a prestigious Production designer , being known for El Pecador Impeccable , Fuego Eterno , Mitad del Cielo , Tasio , Feroz and La Niña De Tus Ojos (1998).