Shool

Yes it is a good movie you should give it a try. But the music is so bad.

Manoj bajpai,sayaji was brillant.movie was full of politacal aspects and its loopholes. Raveena and little sonu was also done her worl very well.

Shool is one of the best cop movie made. Set in Bihar, this movie talks about a journey of a cop who is frustrated of being an honest cop and what all he has to sacrifice just because an honest cop and wants to do his job with integrity.

Story/Screenplay

Samar Pratap Singh who has been posted to Motihari (District in Bihar) as an Inspector sees that the town is owned by Bachoo Yadav MLA of that area. Bachoo Yadav's Gang and Political Affiliations makes Samar's life hell. His Difficulties never ends and the reason is Bachoo Yadav who is too big and will not spare Samar who is troubling his goons. Screenplay is smooth and does not mislead you. The story where Samar as father is vulnerable, as Husband is loving and as Cop is Honest. Same the menacing effect of Bachoo Yadav has been presented wonderfully.

Direction

Director E Niwas knew his job. He did excellent job in showing the realism. The setting and storytelling was powerful. Though this movie was not a thriller but the story is compelling and binds you throughout the movie. It has great memorable moments.

Performance

There could not be any one other than Manoj Bajpayee who could pull this off. He lived the chaara year of Samar Pratap Singh. Apparently he gave the name to the character. But the way he performed is Master Class. Even Mr. Amitabh Bachchon was impressed by his performance. Sayaji Shinde's first Hindi Movie playing a Bihari Politician makes you believe that he is that menacing politician. He is so devilish that he haunts even after movie ends. Raveena Tondon gave one of her best performance in this movie. Even though the movie belongs to Manoj Bajpayee but she makes sure that her performance is noticed. There is a small scene where Nawazuddin is also seen. Rajpal Yadav as coolie is very effective though he is there for 5 min onscreen.

Other Dialogue wise also the movie was too good. It had great dialogue, see the scene where Bachoo Yadav is insisting for water to be not used for electricity. Look at the last scene which is nothing but iconic. Editing of the movie is good which helps the story to move forward

Overall This is of the best cop movie ever made. Great story, extra ordinary performance. Must watch.

excellent story, close to daily life of Indian corrupt system, and a honest police officer against it, pushing the law and order over corrupt politicians and system. Strong script, gripping story, very tense, Manoj at his best performance, reading out the true close to reality story with his best acting. After shool many director try to copy the same story with a bit of change in script but nothing close to this true gem. give it a go, you wont be disappointed. i don't usually watch Indian movies because of the length of story, but this one i watched many times, and every time i watch i enjoy it more. Manoj is the best actor and at his best in Shool, Once true and honest police officer against the corrupt system from streets to Parliament, if you are into gangsters movie against law, this is your thing. don't be distracted by some user reviews, its not a popcorn flick with some un necessarily sex scene and funny fight which could be torture for some people like me.

Debutant director E Nivas bravely tells the story of a courageous police officer and his fight against the system for justice. Though the man-against-the-system story has been overused in Indian cinema, 'Shool' has a grittiness and honesty that makes that sets the tone apart. The movie doesn't merely show the battle but it delves into the psychology of the protagonist and his inner conflicts. The viewer can really connect to Samar Pratap Singh and his wife Manjiri.

Shot in washed out green-tinted colours and the use of the shaky camera and with the lack of overdone sets, 'Shool' looks very raw and authentic. The violence, though suggestive, implies very brutal and graphic mental images. The film starts with a telephone-call which is followed by a brutal murder and this already tells us what kind of a person Yadav (the antagonist played by Sayaji Shinde) is.

The performances are superb. Manoj Bajpai nails the part. The character seems to have been written for him and a lesser actor could have easily made a caricature out of this, but not Bajpai. He's simply excellent in displaying even the toughest expressions and this ranks among his best works. Sayaji Shinde is great. Even though his mannerisms are the same as other characters he's played, they perfectly suit Yadav's personality. Raveena Tandon takes the role of Manjiri after Juhi Chawla who had to walk out due to an accident which caused her to be hospitalized. 'Shool' couldn't have come at a better time for Ms. Tandon. After all the glamorous roles and comedies, the actress was looking for something different and in 'Shool' we see a deglamourized Raveena Tandon. Here she gives a very subtle, convincing and heartbreaking performance as Manjiri. The child actor is expressionless.

On the flip side, 'Shool' is quite predictable but one can't think of an alternative ending that would have made it better. Nonetheless, even though we know what will happen, the last scene is very effective, mostly due to Manoj Bajpai's performance and dialogue delivery. Anurag Kashyap's dialogues and E.Nivas's screenplay are good. Some scenes would have stood out more without the background score (which isn't that impressive). The songs are passable (and fit the situations) and of course there's the famous item number 'Main Aayi Hoon UP Bihar Lootney' filmed on a raunchy Shilpa Shetty. This is perhaps one of the few films where an item number actually works as it both fits the situation and tells more about the character of the actors (e.g. Sayaji acting all wild around Shilpa).

On the whole, 'Shool' is a great piece of Indian cinema. Although the story isn't new, it's presentation is and unlike others this one digs into both the protagonist's and antagonist's psychology.