IMDb-BEWERTUNG
7,9/10
16.812
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA small-time gangster named Chandu teams up with Malik, a low-level enforcer for a criminal syndicate. Together they eliminate all their enemies, becoming the most feared gangsters in Mumbai... Alles lesenA small-time gangster named Chandu teams up with Malik, a low-level enforcer for a criminal syndicate. Together they eliminate all their enemies, becoming the most feared gangsters in Mumbai.A small-time gangster named Chandu teams up with Malik, a low-level enforcer for a criminal syndicate. Together they eliminate all their enemies, becoming the most feared gangsters in Mumbai.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 22 Gewinne & 17 Nominierungen insgesamt
Mukesh S. Bhatt
- Akram
- (as Mukesh Bhatt)
Rajpal Naurang Yadav
- Joseph
- (as Rajpal Yadav)
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'Company' opens with Malik's haunting introductory monologue about the underworld and this is followed by Urmila Matondkar's bloodthirsty sadistic number, the tune of which will echo throughout the film. The song sequence itself, 'Aaja re Mere Gale Lag ja' describes the underworld. 'Company' ranks among one of Ram Gopal Verma's best and one of the best crime films of Indian cinema. A fellow commenter has wonderfully made comparisons with Shakespeare's King Lear. Sahni's writing is of high quality and it just keeps one's eyes glued towards the screen.
There are several words that can describe the film-making. A few that pop up include: realism, slick, gritty, stylish without being over the top, and fine editing. Cinematography deserves special mention as the camera acts as an eye. Use of lighting is remarkable as this gives the city and crime-world a darkly raw look and use of sound effects e.g. the ringing mobile phones is skillfully done.
The songs are thankfully relegated to the background except for one, 'Khallas'. All the songs add to the narration and 'Khallas' is a situational song that takes place in a nightclub, the lyrics of which cleverly describe the events.
Verma also displays the relationships between the characters in a very concise manner. Even though, the main focus is the relationship between Chandu and Malik, with just a few scenes who shows us the significance of the connections between the other characters. For example, just that one scene where Saroja is in bed telling Malik about her mother's wish for them to get married is enough of an indication of their bond.
Ajay Devgan formidably underplays his part. He could safely add 'Company' at the top of his list of achievements. Vivek Oberoi delivers a knockout debut performance. The actor has shown tremendous potential and like Devgan, he too can add this to the top of his list. Mohanlal is adequate. However, I don't quite understand this respect he has for Malik. The guy's a cold-blooded killer (well he has other's to do the dirty work) and Sreenivasan is shown as a good cop so what's the basis of this mutual respect? Manisha Koirala again does what she's best at doing. She gives a subtle but enigmatic performance. Seema Biswas is likable and she naturally gets under the skin of her part. Antara Mali is mind-blowing, and like the men, she too can include 'Company' at the top of her list.
Finally, 'Company' is Verma's masterpiece. He's the one who brought it all together to make the film and tell the dark story of the underworld. One of the best films of the genre.
There are several words that can describe the film-making. A few that pop up include: realism, slick, gritty, stylish without being over the top, and fine editing. Cinematography deserves special mention as the camera acts as an eye. Use of lighting is remarkable as this gives the city and crime-world a darkly raw look and use of sound effects e.g. the ringing mobile phones is skillfully done.
The songs are thankfully relegated to the background except for one, 'Khallas'. All the songs add to the narration and 'Khallas' is a situational song that takes place in a nightclub, the lyrics of which cleverly describe the events.
Verma also displays the relationships between the characters in a very concise manner. Even though, the main focus is the relationship between Chandu and Malik, with just a few scenes who shows us the significance of the connections between the other characters. For example, just that one scene where Saroja is in bed telling Malik about her mother's wish for them to get married is enough of an indication of their bond.
Ajay Devgan formidably underplays his part. He could safely add 'Company' at the top of his list of achievements. Vivek Oberoi delivers a knockout debut performance. The actor has shown tremendous potential and like Devgan, he too can add this to the top of his list. Mohanlal is adequate. However, I don't quite understand this respect he has for Malik. The guy's a cold-blooded killer (well he has other's to do the dirty work) and Sreenivasan is shown as a good cop so what's the basis of this mutual respect? Manisha Koirala again does what she's best at doing. She gives a subtle but enigmatic performance. Seema Biswas is likable and she naturally gets under the skin of her part. Antara Mali is mind-blowing, and like the men, she too can include 'Company' at the top of her list.
Finally, 'Company' is Verma's masterpiece. He's the one who brought it all together to make the film and tell the dark story of the underworld. One of the best films of the genre.
10Odsingh
Terrific performances from Mohanlal, Ajay Devgan and Vivek Oberoi and a slick, stylish picture about the underworld make this movie a must see. Hats off to Ram Gopal Verma. The direction, story line, cinematography - every aspect is brilliant and the movie on a whole is very gripping and fast paced. My personal favorite character in the movie is Mohanlal who plays a commissioner and I guess he is one of the coolest cops ever shown on Indian screen.
I give Company 10 out of 10.
I give Company 10 out of 10.
Ram Gopal Varma pulled off a very beautiful film, full with suspense and action, what every avid film fan secretly desires.
Complete with actual facts and thrill it was a fun movie and could probably be compare to Godfather being the marvel that it was.
Based ON the Bombay underworld the actors had done justice to the roles given to them. My favorite was Ajay Devgan because of his realistic was of portraying the characters and he was basically the life of the film in my view...
I can't help but repeat myself but It was that much of a splendid movie
Of you want to go for a fun filled ride watch it..
Complete with actual facts and thrill it was a fun movie and could probably be compare to Godfather being the marvel that it was.
Based ON the Bombay underworld the actors had done justice to the roles given to them. My favorite was Ajay Devgan because of his realistic was of portraying the characters and he was basically the life of the film in my view...
I can't help but repeat myself but It was that much of a splendid movie
Of you want to go for a fun filled ride watch it..
This has to be one of the best underworld movies ever made in India. After the disappointment of jungle and mast Ram gopal varma has bounced back to deliver one of his best works. It rivals his own earlier work Satya. Though based on the underworld both films are completely different as his own words put it company is above the underworld unlike satya.
the direction, camera and background score are superb. the cast consisting of Ajay Devgan, Mohanlal and newcomer vivek oberoi perform exceedingly well. After having seen oberoi's later works this performance is easily his best. while Ajay Devgan lives the role to perfection, the Malayalam super star Mohanlal brings a breathe of fresh air by enacting the coolest and most realistic cop Hindi cinema has ever seen. the screenplay written by jaideep sahni is of highest quality. superb dialogues are well delivered especially by Ajay devgan and mohanlal. on the whole a different movie with artistic and technical perfection.
the direction, camera and background score are superb. the cast consisting of Ajay Devgan, Mohanlal and newcomer vivek oberoi perform exceedingly well. After having seen oberoi's later works this performance is easily his best. while Ajay Devgan lives the role to perfection, the Malayalam super star Mohanlal brings a breathe of fresh air by enacting the coolest and most realistic cop Hindi cinema has ever seen. the screenplay written by jaideep sahni is of highest quality. superb dialogues are well delivered especially by Ajay devgan and mohanlal. on the whole a different movie with artistic and technical perfection.
10drcuts
Company is far and away the absolute best non-traditional plot Hindi movie ever. I think it is even better than Sholey. It ranks up there with Scarface... no, I take it back, Company is BETTER than Scarface. I am a big gangster/mafia movie fan, and there a lot of great ones out there -- both Hindi and American -- The Godfather, Scarface, Goodfellas, Heat, Sathiya, Gangster, Khattay... but Company takes the friggin cake.
Gripping plot, phenomenal acting, engaging soundtrack... this movie will have you enthralled from the moment you hit play till the closing credits, after which time you will think about the movie for hours. Vivek Oberoi is masterful, Ajay Devgan is flawless. Based on a true story, this is THE Indian movie of the decade. Ram Gopal Varma hits a home run with this masterpiece.
Gripping plot, phenomenal acting, engaging soundtrack... this movie will have you enthralled from the moment you hit play till the closing credits, after which time you will think about the movie for hours. Vivek Oberoi is masterful, Ajay Devgan is flawless. Based on a true story, this is THE Indian movie of the decade. Ram Gopal Varma hits a home run with this masterpiece.
Wusstest du schon
- WissenswertesThe scene where a Bollywood director is shown on his set is clearly a parody of Karan Johar and his film In guten wie in schweren Tagen (2001).
- PatzerAfter Sayeed and Anees, When Malik and Chandu goes to Sharma's place, they see Rathod (inspector who beat up Chandu) collecting cash from Sharma. Before Sharma receives call on his phone, if you notice in the back ground there is no Beer Bottle.
When Sharma asks Malik what will you do now? Malik shoots him and you suddenly see a Beer Bottle behind which blasts indicating bullet passing through Sharma
RGV for sure put the bottle there for visual and sound effect of the killing.. but should've kept the bottle from the beginning.
- VerbindungenFeatured in Sarkar (2005)
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- Budget
- 70.000.000 ₹ (geschätzt)
- Laufzeit2 Stunden 22 Minuten
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- Seitenverhältnis
- 2.35 : 1
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