Little Otik

I had seen other films by Jan Svankmajer, so I had high expectations when I went to see this latest release. I was not disappointed. This is possibly Svankmajers most accessible feature film, as it follows a simple linear narrative on a parallel to a fairytale discovered by one character.

The film follows a couple who are unable to have children. Whilst in the woods one day, The man pulls up a tree stump which faintly resembles a baby. In jest, he gives this to his missus who, in her desperation, believes it is a real child. After a few exasperated protests from the skeptical father, she takes it home with her and the couple goes to great lengths to conceal the young root baby from the prying eyes of the neighbours. The child becomes difficult to hide as its appetite grows and, following the rules of the fairytale, it develops a taste for human flesh.

Despite the grim subject matter, the film remains fairly light hearted. There is some well-appreciated humour from the all-too-accurate characters, and despite the films length, I was not reduced to clock-watching. Svankmajers trademark stop-motion was sparce, but had all the more effect when it was used.

Svankmajer has used the mediums of film and animation to question the possibilities and blurs the line between fable and reality. This would not be credible, were it not for the accurate and witty insights into modern living and the characters it breeds. As it was, I found myself constantly questioning whether, maybe, perhaps, there's the slimmest of chances that the stuff of fairytales is. real.

I urge you to see it. Its f***ing brilliant.

I knew I had to see this movie when I saw a picture of Little Otik, the misshapen cannibal log baby! I expected it to be an strange romp through fairy tales and stop motion, similar to Svankmeyer's other movies like ALICE and FAUST [which i love]. And it was... only LITTLE OTIK was a little less zany, was more plot-driven, and had fewer stop motion sequences. So I didn't like it was much as FAUST, but it was still pretty awesome.

Other reviews can fill you in on the plot if you really need to hear about it, but basically a childless couple "gives birth" to a piece of wood shaped like a baby. The wood baby comes alive...and really, REALLY likes to eat.

LITTLE OTIK's tone is humorously dreary, in an understated way. I especially appreciated the kitchen table scenes where the mother forces her family to eat nasty soup. I lived in provincial Russia for four months and flashed back to my own times around the table, facing a bowl of mush with bones in it... YUM! Jan Svankmeyer really loves to accentuate slurping and belching noises, too. These are some of the most disgusting meal scenes I have ever seen in a movie.

While this movie has more dialogue than a typical Svankmeyer film, much of the story is still told through pictures rather than words. I found a lot of the pregnancy imagery to be pretty well-done, like the juxtaposition of pictures from the little girl's sex-ed book with footage of the father cutting down the tree which will become Otik. You don't realize the significance of that montage until after Otik is born, then it all makes sense.

There are a few negative sides to the movie. For instance, I wasn't such a big fan of the parts where the girl reads the fairy tale out loud we see pictures of it. A similar device worked in Alice but was kind of needless here, since no one watching the movie would really need the plot spelled out for them, at least not in such detail. I mean, all we need to know is that there's a legend, that the girl is familiar with it, and that the cabbage patch will play a big part in the story. Now, if the folk tale had been shown in stop motion, I would have loved it!!

Also, I got a little weary of the constant close ups, especially of peoples' mouths. And as others have noted, the movie ran about 20 minutes too long. Probably some of the pregnancy footage in the first act could have been edited.

Overall my criticisms are few! I'm glad I saw this movie and would definitely recommend it to other Svankmeyer fans!!

I had never heard of Jan Svankmajer before seeing this, after recording it at 3o'clock in the morning on channel four, and i certainly wasn't dissapointed. This film, as like the rest of Svankmajer's work is truly original and unique. It's a must see for anyone who's a fan of the surreal. The stop motion animation of the disturbing stump baby is incredible. A number of Svankmajer's work, including this and Faust, are retelling of old czech fairy tales, and the films really capture the atmosphere of the great capital Prague.

Also see faust and alice, also by Svankmajer, both are equally as good if slightly more difficult to comprehend.

I liked this film very much. As with most comedy/horror films, the plot is fairly absurd. An infertile couple is desperate for a child. When the husband digs up a tree root vaguely resembling a child the woman loves it so much that it comes to life, and life begins to imitate a frightening fairly tale. It gets pretty slow towards the end, and would have been an even better film had it been about 25 minutes shorter. But, the film is great fun to watch, especially the performance of the woman playing Little Otik's mother, who is just insanely funny in the protection of her "son".

It's certainly not the best of it's kind, but it is a hilarious, twisted nightmare of a tale that fans of the genre will likely enjoy.

A bizarre horror-comedy by Surrealist master Jan Svankmajer that adapts and reinterprets the folk story of Otesanek (aka Greedy Guts) for the big screen.

Otesanek tells the story of the struggle of a childless couple, Bozena and Karel, to hide and control heir piece-of-wood son Otesanek -a freak of nature with an insatiable appetite that they brought to life- and to stop him behaving wildly.

The film re-examines the myth of the primeval creation, in which the natural order is subverted and disrespected. The couple succumbs to an act of greedy love that produces, as a result, a greedy gluttonous carnivore despite the creature being a piece of wood.

On the other hand, Svankmajer depicts with great insight the sins of parenthood in our modern world, in which children are spoiled rotten, to whom everything is allowed, any bad act excused, and nothing denied.

The movie also depicts with great humor and realism the social dynamics of small groups in blocks of apartments and neighborhoods, paced by gossip, the power of appearances, the help and support neighbors give to each other, the enmities and tensions existing amongst them, the human types that populate them, etc.

The role of food in this movie is also very interesting, as most human characters in the movie eat disgusting porridge-ish meals, despite them fancying meat, while Otesanek is the only one eating meat all the time! The Actors are all great and charming in their respective roles. Veronika Zilková plays with great conviction the non-easy to play barren wife Bozena, while Jan Hartl plays with sweetness her doubtful and confused husband Karel. Also terrific are the actors playing the good-hearted neighbors: Kristina Adamcová as the incisive rebel child Alzbetka -who is also the catalyst of the story-, Jaroslava Kretschmerová as Alzbetka's sensible Mother, Pavel Nový as Alzbetka's typical working-class male Father, and Dagmar Stríbrná as the patient caretaker.

The stop-motion animation of Otesanek is delightfully awkward, especially when Otesanek is a baby, and the illustrations by Svankmajer's wife for the original tale in the book Alzbetka is reading are beautifully colorful and artistic. They are a contrast to the ugly-looking 70-80s colors and lighting with which Svankmejer shot the movie. Also delightful are the episodes involving the old spectacled neighbor and Alzbetka, which are really naughty.

On the negative side, beyond the ugly film and colors used, the movie is too long and its pace too slow at times.

A grotesque mesmerizing humorous adult tale with a great story, terrific performances, and very interesting themes. This is not a film for lazy watchers, though.