Sílení

Svankmajer impresses as always. His movies are always beautiful, disturbing, and wonderful. The acting ensemble is also impressive..and I cannot imagine a better actor to play the Marquis de Sade. My one criticism, though, is a big one:

The story...there's already a much better version of this story. It's "The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade". ( Peter Weiss' play from 1963).

Now - I assume Svankmajer is aware of Weiss's play, but maybe he isn't? I don't know. I did highly enjoy Svankmajer's movie.

Part of me thinks he should have just done Weiss's play.

Jan Svankmajer is one director to imaginatively combine real life images with the inventive use of stop motion animation that produces grotesque and nightmarish images that unnerve the viewer. LUNACY is further proof of this and its influence of Edgar Allen Poe and Marquis De Sade is perfect for the vision of Svankmajer. Its story concerns an innocent young man, travelling home from his mothers funeral who spends some time with a wealthy man, known only as the Marquis (possibly the Marquis De Sade). The young man bears witness to the Marquis' debauched and blasphemous rituals and after some philosophical discussion over the rights and wrongs of man and religion, the young man under the request of the Marquis goes undercover into an insane asylum and falls under the spell of a women who insists that he helps her release the actual warders and doctors who are locked away, as the inmates are running the asylum. The film is a bizarre yet brilliant look at a world gone insane, where fear, punishment and madness is ruling and no one is in charge and whoever is in charge is corrupted by there own absolute power and twisted morality. The stop motion animation interludes add to the grotesque and surreal nature of the film and even offers it to comparisons with the body horror films of David Cronenberg. Overall its an art house horror that provides the viewer an uneasy yet unforgettable journey into insanity.

I recently saw this film at the Jeonju film festival in Korea. It was by far the best film I saw all weekend. Selini is like a combination of Godard, Herzog and classic Czech animation- the kind of committed and convincing political film making that is increasingly rare these days. In his introduction Svankmajer compares the excesses of extreme reactionary and liberal regimes and argues that we currentlycombine the worst of both worlds in encouraging people to do whatever they want whilst relying on punishment and fear to keep them under control. The plot (based on an Edgar Allen Poe short story) is simple- an innocent traveller bears witness to the lunatics taking over the asylum. But the nightmarish atmosphere of confusion and fear, enhanced by gruesome stop motion animation between scenes, is both compelling, disturbing and extremely effective in communicating the directors ideas. The acting is committed and convincing and the story has, like the decline into madness, a chilling inevitability about it. The film uses this simple story to explore more challenging philosophical concepts. You don't have to be a fan of art-house cinema to understand and enjoy this exciting movie. 9/10

I just saw this film at the Montreal fantasia film festival. And this being Svankmajer's most recent film, I jumped for tickets. Absolutely amazing. Something of a political comment, the film show's us to ways of running an insane asylum. I have always loved Jan Svankmajer for his use of macabre animation (using raw meat, bones and eye balls). And it's use in context with 'Lunacy' is chilling. Truly one of the best horror films I've see all year. It's not the sort of horror that is entertaining to watch or bring your girlfriend. But if you love films and your looking for a horror film that will keep you thinking...then find a way to see this film.

Functioning mainly as a mixture of three demented masters of art (these "heroes" of mine being Edgar Allan Poe, the Marquis de Sade, and Jan Svankmajer), "Lunacy" portrays a world of hopeless depravity. Demented desires are shown to be hidden within those one both extremes of the social spectrum. "Lunacy" is a film that lives up to its title, showcasing a world of idiocy, chaos, and oppression.

In his brilliant introduction, Svankmajer claims that this is a film inspired by the works of both Edgar Allan Poe and the Marquis de Sade. Being a fan of both authors, this only further fueled my fascination with the film. Poe's tortured soul often dominates the more melancholic and moody sections of such a masterwork, as well as largely inspiring the overall story. de Sade's sick spirit shines even brighter as Svankmajer displays the perverted sexual acts and desires performed by a common libertine. His surreal lens not flinching one bit, blasphemous rituals of twisted eroticism are performed in a way both chilling and occasionally amusing. Further mirroring de Sade's unconventional brilliance are the nihilistic philosophical musings of the film's own marquis, a man who refuses to hide his perverted desires, hatred for Mother Nature, and disdain for religion.

While juggling the atmospheres of ever impending doom and inescapable tragedy, "Lunacy" also manages to be one of the funniest movies of the century so far. Without fail, Svankmajer slyly mocks society using both grotesque horror and riotous black humor. Gags fill up Svankmajer's cinematic canvas like his character of the marquis' sperm does the inside of his sexual victims. Here, hilarity comes in many (often absolutely absurdist) forms, from slapstick to social commentary. Densely layered, Svankmajer's film crowds itself with much comic insanity by the second half. Many sequences work as both scenes of sadistic horror and gross out humor, so never be afraid to burst with laughter despite the urge to spray puke all over the movie screen like a hose.