Les acteurs
- 2000
- 1 Std. 43 Min.
IMDb-BEWERTUNG
5,9/10
1377
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.A self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.A self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.
- Regie
- Drehbuch
- Hauptbesetzung
Empfohlene Bewertungen
i am very disappointed with this movie because i like these french actors and i liked "Buffet Froid" from this Director (bertrand blier) but the script of "Les Acteurs" is VERY POOR. why these actors they agreed to play this poor scenario.
_Les Acteurs_ is the absurd story of Jean-Pierre Marielle desperately waiting for a cup of hot water, the story of a conspiracy against actors, the story of aging actors whose careers are slowly less active than they used to be, but a stunning tribute to French actors and their cinema.
Supported by a solid reflection about cinema and acting (the fourth wall, the hidden cameras, to play or not to play), the story of this film in which most of those famous actors play their own role (not to be mixed up with living their life in front of the camera - the film is not voyeur) is quite vague, and follows the actors in series of episodes which make the film quite amusing. As André Dussolier quits the film and leaves Josiane Balasko to play his part (great actress, she's hilariously serious especially when, in Dussolier's role, she bitches about herself), as actors run in each other on the street, asking for autographs, as fights and gossip happen, we recognize pastiche of other scenes in which each (or others) have played.
Actually, for whoever does not know the actors (most of them being at least in their 50s) or does not know French Cinema, this movie has less interest, since most of the references will be missed, but it will still offer a good track of reflection on aging, on acting, on public life...
Supported by a solid reflection about cinema and acting (the fourth wall, the hidden cameras, to play or not to play), the story of this film in which most of those famous actors play their own role (not to be mixed up with living their life in front of the camera - the film is not voyeur) is quite vague, and follows the actors in series of episodes which make the film quite amusing. As André Dussolier quits the film and leaves Josiane Balasko to play his part (great actress, she's hilariously serious especially when, in Dussolier's role, she bitches about herself), as actors run in each other on the street, asking for autographs, as fights and gossip happen, we recognize pastiche of other scenes in which each (or others) have played.
Actually, for whoever does not know the actors (most of them being at least in their 50s) or does not know French Cinema, this movie has less interest, since most of the references will be missed, but it will still offer a good track of reflection on aging, on acting, on public life...
Jean-Pierre Marielle, Andre Dussolier and Jacques Villeret are dining in a restaurant where the first is surprised when the waiter does not bring him the bowl of hot water he had ordered. His friends start to go on about his lack of conviction when makes an order. Jean-Pierre Marielle soon exits, replaced by Claude Rich, whom Andre Dussolier and Jacques Villeret interrogate about his eternal smile... Bertrand Blier scrutinises the existential disarray of his actors through a long succession of crazy sketches, impregnated with cruelty and self-derision. But all this ends up as nothing.
This movie is all about the nostalgia of revisiting some actors who left, and those who will as well. If you speak afrench, there is a 30 minutes making off worths seeing.
Warning: if you are not acquainted with french cinema and its stars and cult actors, you may miss the point of this movie entirely. However watch it with someone who is and you'll get a crash course in french cinema plus a funny take on the quirks and tropes of its big faces.
There may be a plot, but it's not the point, this is a love letter to actors from one of the best actor director and dialogs writer in the business, Bertrand Bier, son of Bernard, one of the best actors ever, has directed 20 movies to date, and worked with the best actors of his generation. He made Depardieu, Miou-Miou or Dewaere households names, he gave Alain Delon, Jeanne Moreau, or Michel Blanc their most unexpected roles, or gifted Michel Serrault, jean Carmet. Charlotte Gainsbourg, Josiane Balasko or Gérard Lanvin with their best lines ever.
So It is no surprise that everybody who was someone in french cinema in 2000 answered present to his call, at least on the male side, this is les "les acteurs", unfortunately he never got around to making "les actrices", From Delon to Dussolier, Belmondo to Brasseur, Depardieu to Marielle, Galabru to Brialy, Arditi, and so on... they are all here, deliciously self parodying their on screen persona, magnifying the very witty dialogs they're given, and even the ghosts of past greatness (gabin, ventura, Blier and Brasseur's fathers) are very sweetly and delicately called to the screen.
This is a singular gem, to be cherished by all cinema lovers, as it shall walk them through all their years of movie going and recall all the emotions they have had in from of a silver screen.
There may be a plot, but it's not the point, this is a love letter to actors from one of the best actor director and dialogs writer in the business, Bertrand Bier, son of Bernard, one of the best actors ever, has directed 20 movies to date, and worked with the best actors of his generation. He made Depardieu, Miou-Miou or Dewaere households names, he gave Alain Delon, Jeanne Moreau, or Michel Blanc their most unexpected roles, or gifted Michel Serrault, jean Carmet. Charlotte Gainsbourg, Josiane Balasko or Gérard Lanvin with their best lines ever.
So It is no surprise that everybody who was someone in french cinema in 2000 answered present to his call, at least on the male side, this is les "les acteurs", unfortunately he never got around to making "les actrices", From Delon to Dussolier, Belmondo to Brasseur, Depardieu to Marielle, Galabru to Brialy, Arditi, and so on... they are all here, deliciously self parodying their on screen persona, magnifying the very witty dialogs they're given, and even the ghosts of past greatness (gabin, ventura, Blier and Brasseur's fathers) are very sweetly and delicately called to the screen.
This is a singular gem, to be cherished by all cinema lovers, as it shall walk them through all their years of movie going and recall all the emotions they have had in from of a silver screen.
Wusstest du schon
- PatzerPierre Richard was also supposed to star in the film, but in the end it didn't happen.
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Details
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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