Running Out of Time

If you're familiar with the work of auteur Johnny To and his band of filmmaking cronies over at Milky Way, you know what to expect with this latest production. All the familiar elements are in place: the strong camaraderie between two characters: usually a cop and a baddie, the coincidences and chances that turn on a dime and pay off handsomely in the end, and the humor that arises even in the most dire of situations.

Andy Lau plays a man who has 72 hours to live and decides to rob an insurance company. Lau Ching-Wan (also brilliant in other Milky Way films like "Longest Nite," "A Hero Never Dies," and "Where A Good Man Goes") portrays a hostage negotiator/cop who is on the robber's tail, even as the robber sets up a series of tricks and clues that he must follow in order to get his man.

Funny, poignant, and cool while being subtle, "Running" is actually one of the most entertaining Milky Way films to date. Don't miss the performances by the two leads, esp. Andy Lau, usually considered an average actor who has rarely been this natural and fun to watch. This film is one to go out of your way to see.

I just purchased An Zhan (Running out of time) on DVD and it was an excellent film I must say. Not really action-packed, in terms of gun play, but definitely exciting and witty. I do not think I have seen Andy Lau in better form. And the editing on this film was very well executed. Go watch this now if you are a fan of Lau or HK thiller/action film!

Lifeline, A Hero Never Dies, and you think he couldn't top himself off. This film manages to be one of the most intelligent action films ever made and still fits in a compelling love story told in three scenes better than most films can tell a love story in the entire film. The gag premise, a man with 4 weeks to live takes on the Hong Kong police is only part of the brilliance of the film. I have to thanks the script writer for a constantly innovative script, as much as Johnny and I await their next collaboration with much anticipation.

I've recently seen An zhan. Not because it was a Hong Kong film, but because I was looking for a change from the films being produced here in the US. In my humble opinion, I believe the film could easily compete against the action thrillers being produced here, except for the traditional idiocyncracies of Hong Kong film. The one that still bothers me was the chief inspector character. I still don't understand why there has to be a complete-idiot-comic-relief-type character even in the serious films that come out of Hong Kong, but I can live with it when the movie is this good. The characters are believable even if the situations they are in are not. The story is fast paced and really sucks you in to it. The real cincher scenes for me were the two bus rides that the thief character takes. Overall, a really solid film.

These are my thoughts after re-watching Aau Chin on a VCD recently bought at HK$15 (definitely NOT a pirated version). I still found it quite enjoyable.

The "setup", while not brilliant, is carefully done, with attention to details. No doubt the audience will find the total incompetence of the villiant "Baudy" quite unbelievable. But he only serves as something on which the duel between the two heroes is built.

Here's is where this film differs from many others in this genre (most notably John Woo's), in which the two heroes usually start off in sharp confrontations, although they may end up appreciating each other. Not here. Right from the beginning, Lau Ching-wan and Andy Lau give you the impression that they are engaged in no more than a friendly game of chess. I, for one, like this arrangement, as a refreshing change.

Lau Ching-wan delivers his usual easy style that is well liked by his audience. He is the mouse in this cat-and-mouse game, a dignified mouse, for that matter. Andy Lau is the cool cat, actually too cool. Hong Kong movie stars who are also Canto pop stars (and that accounts for some 90% of them) often have to watch the role they play in movies to ensure that they wouldn't tarnish their image as a singer. Andy Lau, however, is so popular that I don't think he needs that caution. He just like to look cool in this movie. Didn't hurt either, as it won him his first Hong Kong Oscar.

Finally, while this is a good movie from director Johnny To, my top favorite of his is The Mission, in which style is king.