The Body

For a Christian, the main interest is about the question. The doubt. The Resurrection as root of his faith. And, in this sense, the film does a well job. Because, it propose a clash, proofs from a tomb, expectations and, without be the most ispired constructed, the end is the only reasonable. A film proposing a challenge. Not in the best form but acceptable.

This year we have been inundated with childish air-headed teen flicks! This movie doesn't "gross you out", or special effect you to death!! It tells a simple story with simple characters searching for answers to some very complex questions. Well acted, but poorly directed and edited. It has many flaws, but it is nice to see an adult film that doesn't insult your intelligence. It does not answer many questions, but does make you ask several of yourself.

The premise of this movie seemed interesting enough, although to some, it might be blasphemy. What if one day, the body (or rather, skeletal remains) of Christ was discovered in a similarly described tomb, with tell tale signs of the crucification, the spear wound, injuries inflicted by the crown of thorns, and the tomb dating back to 1 AD? This film looks at the possible destruction of the faith which hinges on the one man's resurrection as God. Olivia Williams plays an Israeli Sharon Golban, who discovers this body in a tomb she excavates. Suspecting she could be on to something big, she calls for a priest to confirm her suspicion. Soon, word gets around, rumours get spread. The Vatican dispatches one of their priests, Father Gutierrez (played by Antonio Banderas), and ex-military intelligence officer, to investigate and proof or disproof the claim.

While science points to the fact that the body may be that of Christ, it gives a chilling insight into what could make, or break, a religion. Is it blind faith that keeps it going, even if there should come a day when science can ultimately disproof certain theories and events? Here, discovering that body has serious implications because of the repercussions that the major event in Christ's life have on Christians. But what diluted this film from its primary premise is the introduction of Hollywood subplots to jazz up production, like having the Vatican embroiled in political intrigue, and having terrorist organizations taking an interest in the findings as well.

It's a relatively low budgeted production, but one which raised thought provoking questions even if the delivery somehow got distracted in attempts to become a bigger movie in terms of action sequences. I think this film probably would be a good prologue to the controversies that surround next year's Da Vinci Code.

Code 1 DVD contains "special features", but nothing out of the ordinary besides the usual trailers, audio, and scene selections.

Once again Antonio Banderas shows us he can act well. I mark the film 9 out of 10, especially given the risks run by all those involved in making this film on site, in Jerusalem. I am staggered that the film could be made in Jerusalem at all, with all the differing Christian, Jewish and Palestinian groups and splinter groups so well depicted, if fictionalised in their representation. The violent scenes may not drip the blood of a Tarantino movie but it is enough to convey the "to the death" intolerance of each other that so shamefully characterise so many of these groups and splinter groups today. The actors and the script show the intensity of so many who refuse to acknowledge/accept the rights of the others - to their differing faith, or even to exist. The film brilliantly reminds us of how these groups and splinter groups lose sight of the essential truth of their own faith/belief system in their violent intolerance of the other. This is the key to facing the stark reality of the intractability of the various players in the Middle East which the film so well depicts. Especially it underlines these groups and splinter groups' willingness to misuse/abuse: the innocent trying simply to live peacefully with their families; the combatants' own faith/followers; as well as that of those they oppose. The tragedy of the Middle East is that, I believe, the same fate would befall the ancient prophets of these faiths, were they alive today, as befell them centuries/millennia ago. The religiously-intolerant attacks by some on this film simply demonstrate how correct this belief is. The actors, film director and all those others involved in making this film deserve congratulations for their courage in making it on site - despite the risks to themselves from the intolerant.

Greyollie, Canberra, Australia.

God has no place in politics—this is the theme of The Body, an interesting film, if not a particularly 'entertaining' one.

Antonio Banderas plays Father Matt Gutierrez, a priest sent by the Vatican to investigate the discovery of a tomb in Jerusalem, which may or may not contain the crucified remains of Christ. Gutierrez has been given instructions by the Vatican to declare that the remains are not those of Christ; but with all of the evidence suggesting otherwise, the priest must struggle with facing the fact that his religion may be founded on a lie, and that, perhaps, Jesus was never resurrected.

Questioning his faith is only the beginning of Gutierrez's problems: Orthodox Jews, angry at the tomb being disturbed, attack the archaeologists; the Israelis blackmail the Vatican, only offering to hand over the body if the Vatican recognises Jerusalem as the undivided capital of Israel; and the Palestinians, who get wind of Israel's plan and are naturally displeased, kidnap the children of sexy archaeologist Sharon Golban (Olivia Williams), forcing her into stealing the bones.

The movie, shot on location in Jerusalem, has beautiful cinematography and great acting from Banderas and Williams, but the complicated plot may cause many viewers to lose interest. Those with a particular interest in the subject matter will probably glean the most from this rather long and intricate tale, but I can imagine the casual viewer quickly becoming bored.

If you choose to watch this, I recommend that you stick it out to the end; you may not be riveted to the screen but, like me, you might learn a little about a fascinating subject.