IMDb-BEWERTUNG
7,8/10
12.772
IHRE BEWERTUNG
Die faszinierende Dokumentation gibt Einblicke in die von Hassliebe geprägte Zusammenarbeit des Regisseurs Werner Herzog und des genialen wie exzentrischen Schauspielers Klaus Kinski.Die faszinierende Dokumentation gibt Einblicke in die von Hassliebe geprägte Zusammenarbeit des Regisseurs Werner Herzog und des genialen wie exzentrischen Schauspielers Klaus Kinski.Die faszinierende Dokumentation gibt Einblicke in die von Hassliebe geprägte Zusammenarbeit des Regisseurs Werner Herzog und des genialen wie exzentrischen Schauspielers Klaus Kinski.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Klaus Kinski
- Self
- (Archivfilmmaterial)
Guillermo Ríos
- Self
- (Archivfilmmaterial)
Andrés Vicente
- Self
- (Archivfilmmaterial)
Paul Hittscher
- Self
- (Archivfilmmaterial)
Mick Jagger
- Self - Wilbur
- (Archivfilmmaterial)
Thomas Mauch
- Self
- (Archivfilmmaterial)
Jason Robards
- Fitzcarraldo
- (Archivfilmmaterial)
Walter Saxer
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
I like this documentary and recommend owning it. There are so many scenes that one can jump to to find Kinski's leering face and saying something fantastic. I believe that he somehow opened up his third eye and could no longer see most of the world that we live in. ----Or am I being fooled--- either way, Kinski has left his mark or should I say scar across the face of theatre and film. My only wish is that someone somewhere compiles a volume set of his greatest scenes ranging from a star performance in a well considered artful Herzog film to all of his 'B' movie bombs.
I still enjoy hearing Herzog imitating Kinski and saying, "I was Monumental I was Epical!!!!" ---and his description in the beginning of the doc. when he throws a tantrum that lasts for several days, destroying everything in the bathroom to the point where you could pass every bit through a tennis racket.
That is power. Watch it and believe.
I still enjoy hearing Herzog imitating Kinski and saying, "I was Monumental I was Epical!!!!" ---and his description in the beginning of the doc. when he throws a tantrum that lasts for several days, destroying everything in the bathroom to the point where you could pass every bit through a tennis racket.
That is power. Watch it and believe.
Werner Herzog's brilliant documentary about his friend Klaus Kinski gives us an insight into the troubled life of this great actor who gave his all to whatever films he elected to appear in. Mr. Herzog offers a different account on Mr. Kinski, who could be infuriating in his egomania, which seems to be at the center of the story. However, one only sees glimpses of the man who could be charming and who could be generous to his fellow actors.
Having met Mr. Kinski on two occasions, we only saw a charismatic man in a relaxed atmosphere. It appears the pressures of making a film propelled the actor into a frenzy that comes out clearly in what Mr. Herzog is showing us in the documentary. Mr. Kinski was probably his own worst enemy because his sense of pride in the role he was portraying took the best out of him. Therefore the hysterics and the fights with his director and the crew, notably the aggression on Justo Gonzalez's head, while playing a violent scene that could have killed him.
On the other hand we catch some of the soft side of the actor as we hear a loving account by Eva Mattes, who played with Mr. Kinski in "Woyzek". Also Claudia Cardinale shares some vivid memories with the director as she recounts her experience with Mr. Kinski while filming "Fitzcarraldo".
The film is an important document, as it illustrates the spirit of a man that was unique in his own madness. Mr. Herzog's shows clearly this actor was a man possessed whenever he played a role in front of a camera. Because of the document we feel enlightened somewhat in having known the man that gave movie fans his best and more.
Having met Mr. Kinski on two occasions, we only saw a charismatic man in a relaxed atmosphere. It appears the pressures of making a film propelled the actor into a frenzy that comes out clearly in what Mr. Herzog is showing us in the documentary. Mr. Kinski was probably his own worst enemy because his sense of pride in the role he was portraying took the best out of him. Therefore the hysterics and the fights with his director and the crew, notably the aggression on Justo Gonzalez's head, while playing a violent scene that could have killed him.
On the other hand we catch some of the soft side of the actor as we hear a loving account by Eva Mattes, who played with Mr. Kinski in "Woyzek". Also Claudia Cardinale shares some vivid memories with the director as she recounts her experience with Mr. Kinski while filming "Fitzcarraldo".
The film is an important document, as it illustrates the spirit of a man that was unique in his own madness. Mr. Herzog's shows clearly this actor was a man possessed whenever he played a role in front of a camera. Because of the document we feel enlightened somewhat in having known the man that gave movie fans his best and more.
This fascinating documentary is not really about a madman. It's about two madmen. While it's quite obvious from the outset that Klaus Kinski is a nutcase, it becomes more and more apparent that Werner Herzog himself is a pretty crazed character as well. For anyone who has seen Aguirre, the Wrath of God or Fitzcarraldo this will come as no surprise, seeing as those two movies were pretty crazy undertakings to begin with. Travelling down the Amazon on primitive rafts and dragging steamboats over hills are not the sort of activities carried out by normal film makers. Repeatedly making films with Kinski was perhaps an even less sane idea but Herzog made five features with this most demented actor. The films themselves are completely engrossing and unique. This documentary is likewise.
Having read Kinski's autobiography 'Kinski Uncut' I was under no illusions of what I was going to encounter here. The book is a quite extraordinary account. Surely there has never been a star autobiography quite like this one? Full of aggression, madness and pornographic detail of his sexual exploits, this was the work of a deranged individual. Kinski didn't really focus on his film career, he concentrated much more on his sexual liaisons and was not shy at hurling insults around at famous people. For instance, he declined a role offered to him from Federico Fellini because the money was not good enough, he dismissed Fellini with the words 'Go and have yourself f---ed in the ass!'. I couldn't imagine Tom Hanks saying this to Steven Spielberg to be perfectly honest. In the book too, Kinski continually makes clear his severe dislike for Herzog. In My Best Fiend, Herzog suggests that both men worked on the insults together in order to make the book more sensational. I do have to wonder to the legitimacy of this claim, as it does seem strange. From what I have seen Kinski needed no assistance in coming up with insults to hurl at anyone, least of all Werner Herzog.
So, similar to Kinski's book, the account given by Herzog in this documentary is a highly subjective one. You really can never be sure the true extent of the truth, and you never will be. But My Best Fiend is a terrific film whatever the case. Herzog is incapable of being boring and he does capture the essence of the relationship between these two striking individuals very well. There are a number of other people interviewed too, who worked with these men on these films and this adds a great deal to the story. While there is some fantastic footage of Kinski to appreciate, from the pure unhinged insanity of his Jesus Christ Savior performance, to his intense ranting over a minor food-based complaint on the set of Fitzcarraldo, to the extraordinary gentleness of his interaction with a butterfly.
This film is a rarity in that it is one that can just as easily be enjoyed even if you have no knowledge of the films made by the two principal characters. Both men are just too unorthodox and the relationship so fraught that the story of their relationship is enough in itself. For fans of the movies themselves, this is of course, an absolute must.
Having read Kinski's autobiography 'Kinski Uncut' I was under no illusions of what I was going to encounter here. The book is a quite extraordinary account. Surely there has never been a star autobiography quite like this one? Full of aggression, madness and pornographic detail of his sexual exploits, this was the work of a deranged individual. Kinski didn't really focus on his film career, he concentrated much more on his sexual liaisons and was not shy at hurling insults around at famous people. For instance, he declined a role offered to him from Federico Fellini because the money was not good enough, he dismissed Fellini with the words 'Go and have yourself f---ed in the ass!'. I couldn't imagine Tom Hanks saying this to Steven Spielberg to be perfectly honest. In the book too, Kinski continually makes clear his severe dislike for Herzog. In My Best Fiend, Herzog suggests that both men worked on the insults together in order to make the book more sensational. I do have to wonder to the legitimacy of this claim, as it does seem strange. From what I have seen Kinski needed no assistance in coming up with insults to hurl at anyone, least of all Werner Herzog.
So, similar to Kinski's book, the account given by Herzog in this documentary is a highly subjective one. You really can never be sure the true extent of the truth, and you never will be. But My Best Fiend is a terrific film whatever the case. Herzog is incapable of being boring and he does capture the essence of the relationship between these two striking individuals very well. There are a number of other people interviewed too, who worked with these men on these films and this adds a great deal to the story. While there is some fantastic footage of Kinski to appreciate, from the pure unhinged insanity of his Jesus Christ Savior performance, to his intense ranting over a minor food-based complaint on the set of Fitzcarraldo, to the extraordinary gentleness of his interaction with a butterfly.
This film is a rarity in that it is one that can just as easily be enjoyed even if you have no knowledge of the films made by the two principal characters. Both men are just too unorthodox and the relationship so fraught that the story of their relationship is enough in itself. For fans of the movies themselves, this is of course, an absolute must.
As a kid I saw "Aguirre La Colere de Dieu" on TV and was terrified by Kinski. But after all, what counts is only the film, and on movies you never see the director. Now if you watch "Mein liebster Feind - Klaus Kinski" at last you can see the other side - Werner Herzog. Or have glimpse of it.
Because of course, everything is from Herzog's point of view, so in a way this documentary does not differ from the real movies themselves : you see Kinski acting like a madman in front of the camera or not. Shouting at people. One terrifying scene is an excerpt from Fitzcaraldo where Indians seem to complain about the character played by Kinski, while Herzog is commenting that those very Indians had offered to kill the actor...
Then you've got comments by other people, particularily actresses who witness about Kinski's other side, shy, caring. And the final scene with the butterfly - something Kinski the actor could do, but Aguirre could not. It seems as if Herzog, having showed only one side of Kinski all these years, tries to explain it was all for the movies. Even if he still portrays him as a mad genius (and coward at that), his selective memory tries only to remember the good times, a few rare footage of Kinski and himself having a good laugh.
What the documentary also stresses out is that the director and the actor could have been switched during the filming of Fitzcaraldo : Herzog explains how he was alone against everybody, believing the impossible, like the character in the movie. At this point only, Herzog seems to aknowledge the fact that he also was completely mad.
I recommend watching the documentary, and then watching Cobra Verde, Fitzcaraldo and Aguirre again.
Because of course, everything is from Herzog's point of view, so in a way this documentary does not differ from the real movies themselves : you see Kinski acting like a madman in front of the camera or not. Shouting at people. One terrifying scene is an excerpt from Fitzcaraldo where Indians seem to complain about the character played by Kinski, while Herzog is commenting that those very Indians had offered to kill the actor...
Then you've got comments by other people, particularily actresses who witness about Kinski's other side, shy, caring. And the final scene with the butterfly - something Kinski the actor could do, but Aguirre could not. It seems as if Herzog, having showed only one side of Kinski all these years, tries to explain it was all for the movies. Even if he still portrays him as a mad genius (and coward at that), his selective memory tries only to remember the good times, a few rare footage of Kinski and himself having a good laugh.
What the documentary also stresses out is that the director and the actor could have been switched during the filming of Fitzcaraldo : Herzog explains how he was alone against everybody, believing the impossible, like the character in the movie. At this point only, Herzog seems to aknowledge the fact that he also was completely mad.
I recommend watching the documentary, and then watching Cobra Verde, Fitzcaraldo and Aguirre again.
My best fiend is not a typical documentary maybe because Klaus Kinski was a rare actor,when you read his biography his life was a mess. Klaus maybe was most famous for his reputation than his career but in Werner Herzog films he became a legend,they did five movies some of them very impressive(Aguirre;Nosferatu...)Kinski with his eccentric personality seems to transcend his roles, we all think we know him:"he was a madman";"a genius";"a misanthropic" etc etc...but who really know him? Herzog?,maybe.For me Kinski was an enigma for that reason we are so intriguing and enchanted by him,in Germany he still the most adored actor;in U.S.A they dont know what to think of him but in the mind of cinephiles around the world he still remains as one of the greatest. Klaus Kinski turned down important movie roles,instead he did some bad films why?he just wanted to make all the films they offered him.He was a great villain not only in real life but in his films as "Jack the Ripper";Nosferatu;Aguirre,and he appears in "For a Few dollars more" as Juan "the hunchback" and even in Dr Zivago; Kinski also directed the film Paganini(Klaus thought of himself as the reincarnation of this famous violinist)He was an unique actor more indomitable than Brando and "My Best Fiend"(an amazing ducumentary)is just one piece of the puzzle on this complex artist.
Wusstest du schon
- WissenswertesIn some footage of one of his notorious on-set flare-ups, Klaus Kinski yells at Werner Herzog that he's "a dwarf director!" This apparently random insult is a specific reference to Herzog's movie Auch Zwerge haben klein angefangen (1970).
- Zitate
Werner Herzog: Every grey hair on my head, I call Kinski.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Mein liebster Feind
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 95.612 $
- Eröffnungswochenende in den USA und in Kanada
- 7.677 $
- 7. Nov. 1999
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