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Werner Herzog bildgewaltiges Essay über das Ende des Ersten Golfkriegs.Werner Herzog bildgewaltiges Essay über das Ende des Ersten Golfkriegs.Werner Herzog bildgewaltiges Essay über das Ende des Ersten Golfkriegs.
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Werner Herzog
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Never call Werner Herzog a dilettante. When he sets out to make a film, he's willing to die for it. Although this film could have easily been adjusted to a pure documentary of the oil fires in Kuwait after the Iraq invasion, Herzog takes it to much higher levels. War. Apocalypse. Mythical Disaster. The End of Life as we knew it. THE Struggle (and, since this is made by a dark-visioned German, we do NOT win the struggle. At best, we earn a temporary truce with the Devil.) This is perhaps the MOST BEAUTIFULLY PHOTOGRAPHED COLOR film I've EVER seen. Bar none. The scoring, as usual, is unique and perfect. "Lessons of Darkness" is atypically vague for a film in my category "Life Changers", yet I am left extremely moved by the powerful effects of an exquisite visual and audio work of Art.
Werner Herzog narrates sparingly from an alien's perspective, but for the most part lets the images do the talking themselves. And yes, there are some pretty powerful images contained within this 50 minute documentary.
This is a pretty typical Herzog documentary, which if you aren't familiar with him, that means it's a pretty slow paced film. But the images are so great, if you let yourself get caught up in them, I don't see the slow pacing to be a problem. Herzog always says he's looking for "ecstatic truth" in his films. I think he achieved that with this one.
This is a pretty typical Herzog documentary, which if you aren't familiar with him, that means it's a pretty slow paced film. But the images are so great, if you let yourself get caught up in them, I don't see the slow pacing to be a problem. Herzog always says he's looking for "ecstatic truth" in his films. I think he achieved that with this one.
10sgtslut
Lessons of darkness is one of the most captivating, hypnotic experiences I have ever witnessed. I felt like I was in a strange nightmare and in an alien world. The film is almost purely visual; it is breathtakingly shot. It feels more like science fiction than most sci-fi films ever made. Absolutely haunting.
Herzog's grandiose manner, sense of the operatic, and true historical events come together awe-inspiringly in this apocalyptic vision of oil fires and destruction left in the wake of the Gulf War.
If ever a man was fitted to undertake the portrayal of destruction on such a grand scale, then Herzog is he. It would be interesting to know whether this documentary was a commission or Hertzog directed this film on a personal, artistic basis. Whatever the reason for its production, Lessons of Darkness (it's English title) is a stunning piece of work. The Kuwaiti landscape is presented in sweeping, wide angle shots making it look like the surface of an alien planet rather than the Middle East. Huge oil fires, the cratered burnt desert, dark oil spills, crumpled and abandoned machinery and war vehicles, appear in surreal and awesome parade which both take the viewer's breath away in their beauty and shock through the utter devastation.
A central section, in which quiet footsteps walk alongside a ghastly display of torture implements, provides a shocking contrast to the images that open the film. Here the impact is smaller, more intimate but as moving.
In the third and last part of the film, firefighters attempt to douse the oil blazes, their hoses and equipment rearing up and out in the smoke and sunshine, shining like monsters in the alien landscape.
The sonorous music of Wagner perfectly complements a vision which is an entirely characteristic, memorable addition to Herzog's oeuvre.
If ever a man was fitted to undertake the portrayal of destruction on such a grand scale, then Herzog is he. It would be interesting to know whether this documentary was a commission or Hertzog directed this film on a personal, artistic basis. Whatever the reason for its production, Lessons of Darkness (it's English title) is a stunning piece of work. The Kuwaiti landscape is presented in sweeping, wide angle shots making it look like the surface of an alien planet rather than the Middle East. Huge oil fires, the cratered burnt desert, dark oil spills, crumpled and abandoned machinery and war vehicles, appear in surreal and awesome parade which both take the viewer's breath away in their beauty and shock through the utter devastation.
A central section, in which quiet footsteps walk alongside a ghastly display of torture implements, provides a shocking contrast to the images that open the film. Here the impact is smaller, more intimate but as moving.
In the third and last part of the film, firefighters attempt to douse the oil blazes, their hoses and equipment rearing up and out in the smoke and sunshine, shining like monsters in the alien landscape.
The sonorous music of Wagner perfectly complements a vision which is an entirely characteristic, memorable addition to Herzog's oeuvre.
Herzog has been making brilliant films since the late '60s, and frankly it's a bit of a pain in the arse keeping up with such a prolific director.
However, if you are a fan of his features and staggering documentary work, "Lessons of/in Darkness" demands your immediate attention.
The film is essentially a birds-eye view (often quite literally) of the plague of oil-choked death, fire, chaos and destruction that resulted from the brief but grotesquely internecine technological blitzkrieg of the Gulf War. Herzog, of course, takes particular interest in the seeming madness of the crews of mercernary American firefighters that are putting out the oil well fires across the deserts.
Various points on the conflict and its aftermath inevitably bubble to the surface, but arise without overt proselytizing. The images do the majority of the talking.
And they are eye-popping. Startling, frightening visuals that stand out even in the Herzog canon -- great vistas of blackness and glowing terror that would make any sci-fi director soylent green with envy. They are accompanied by little else: brief interstitials, an almost nonexistent, terribly serious Herzog narrative and a ghostly and elegiac score.
The short interviews with individuals who suffered are heartbreaking, perhaps all the more so due to their brevity.
See this.
However, if you are a fan of his features and staggering documentary work, "Lessons of/in Darkness" demands your immediate attention.
The film is essentially a birds-eye view (often quite literally) of the plague of oil-choked death, fire, chaos and destruction that resulted from the brief but grotesquely internecine technological blitzkrieg of the Gulf War. Herzog, of course, takes particular interest in the seeming madness of the crews of mercernary American firefighters that are putting out the oil well fires across the deserts.
Various points on the conflict and its aftermath inevitably bubble to the surface, but arise without overt proselytizing. The images do the majority of the talking.
And they are eye-popping. Startling, frightening visuals that stand out even in the Herzog canon -- great vistas of blackness and glowing terror that would make any sci-fi director soylent green with envy. They are accompanied by little else: brief interstitials, an almost nonexistent, terribly serious Herzog narrative and a ghostly and elegiac score.
The short interviews with individuals who suffered are heartbreaking, perhaps all the more so due to their brevity.
See this.
Wusstest du schon
- WissenswertesDirector Werner Herzog cheerfully admitted that the quote at the beginning of the film, allegedly by Pascal, was completely made up and falsely attributed to give it more weight.
- Zitate
Narrator: Two figures are approaching an oil well. One of them holds a lighted torch. What are they up to? Are they going to rekindle the blaze? Is life without fire become unbearable for them?... Others, seized by madness, follow suit. Now they are content. Now there is something to extinguish again.
- VerbindungenFeatured in Zomergasten: Folge #7.3 (1994)
- SoundtracksPeer Gynt Suite No. 1, Op. 46 (Death of Aase)
Written by Edvard Grieg
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By what name was Lektionen in Finsternis (1992) officially released in India in English?
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