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Eine exotische Tänzerin wird im Jahr 2001 eingefroren und im Jahr 2525 von zwei Kriegerinnen im Kampf gegen Roboter, die die Welt übernommen haben, wieder aufgetaut.Eine exotische Tänzerin wird im Jahr 2001 eingefroren und im Jahr 2525 von zwei Kriegerinnen im Kampf gegen Roboter, die die Welt übernommen haben, wieder aufgetaut.Eine exotische Tänzerin wird im Jahr 2001 eingefroren und im Jahr 2525 von zwei Kriegerinnen im Kampf gegen Roboter, die die Welt übernommen haben, wieder aufgetaut.
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I originally saw this when it came out as part of the "Action Pack" when WB was just a new network and the novelty of shows had worn thin. They had some good ones, then it became the CW
As time wore on the novelty wore off, we got offerings like Beastmaster and Jack of All Trades, ad well as a Sinbad show (I'll check that one out) but I liked Cleo 2525 because I liked the kick a** women fighters and honestly, they were fun to watch. I liked seeing the fish out of water element and noticed pretty quickly that men were the enemy in this Universe. The first man we're introduced to is a Betrayer, a machine replicated to be human including memories
I really liked the show and am glad it is now being shown on Tubi. It's not supposed to be Xena and isn't supposed to be taken too seriously, which is what I like about it. It makes us think somewhat but it also entertains us if we want to turn our brain off.
I have to say though the actor who plays Mauser is cute as hell.
As time wore on the novelty wore off, we got offerings like Beastmaster and Jack of All Trades, ad well as a Sinbad show (I'll check that one out) but I liked Cleo 2525 because I liked the kick a** women fighters and honestly, they were fun to watch. I liked seeing the fish out of water element and noticed pretty quickly that men were the enemy in this Universe. The first man we're introduced to is a Betrayer, a machine replicated to be human including memories
I really liked the show and am glad it is now being shown on Tubi. It's not supposed to be Xena and isn't supposed to be taken too seriously, which is what I like about it. It makes us think somewhat but it also entertains us if we want to turn our brain off.
I have to say though the actor who plays Mauser is cute as hell.
After only two episodes, this Xena-meets-Barbarella post-apocalyptic pajama party hasn't had a chance to deliver much...it seems to lack focus, and the pacing is extreme--likely due to the 30 minute formatting. It's a little (okay, okay, a lot) cliche, but seems well-intentioned. The premise has promise, and I have high hopes based on the cast.
Gina Torres (Hercules' dynamic pirate queen Nebula), Victoria Pratt (Xena's Amazon queen Cyane) and Jennifer Sky (Xena's aspiring but capable young Amazon Amarice) have been Raimi/Tapert favorites for several seasons of Xena/Hercules, but so far they have been too busy screaming, grimacing and performing quadruple somersaults to act human yet.
XWP/HLJ regular Joel (Strife/Deimos) Tobeck also joins the cast as the maniacal Creegan...and yes, you can recognize him even through the Mardi Gras make-up and prosthetic chin. It's actually refreshing to see him as the Supreme Menace as opposed to his XWP/HLJ characters, who are supremely annoying (in a psychotic, endearing sort of way.)
And so, All Hail the Futuristic/ Ancient Madcap Epic formulas so beloved by the Raimis...in effect a sort of Pythonesque Terry Jones/Michael Palin tribute. And hey, there's a reason Sam Raimi sometimes credits himself as Alan Smithee, Jr., folks.
---By the Way, that theme music...what were they thinking?
Gina Torres (Hercules' dynamic pirate queen Nebula), Victoria Pratt (Xena's Amazon queen Cyane) and Jennifer Sky (Xena's aspiring but capable young Amazon Amarice) have been Raimi/Tapert favorites for several seasons of Xena/Hercules, but so far they have been too busy screaming, grimacing and performing quadruple somersaults to act human yet.
XWP/HLJ regular Joel (Strife/Deimos) Tobeck also joins the cast as the maniacal Creegan...and yes, you can recognize him even through the Mardi Gras make-up and prosthetic chin. It's actually refreshing to see him as the Supreme Menace as opposed to his XWP/HLJ characters, who are supremely annoying (in a psychotic, endearing sort of way.)
And so, All Hail the Futuristic/ Ancient Madcap Epic formulas so beloved by the Raimis...in effect a sort of Pythonesque Terry Jones/Michael Palin tribute. And hey, there's a reason Sam Raimi sometimes credits himself as Alan Smithee, Jr., folks.
---By the Way, that theme music...what were they thinking?
The same producers made Hercules and Xena. They were both action shows, but with strong emphasis on the dramatic battle between good and evil. Cleo, on the other hand, is a comic book come to life. Sure, it doesn't have the deep, brooding style of story-telling its predecessors had, but it's not supposed to. It was designed to be a companion to the hilarious "Jack of all Trades" starring the great Bruce Campbell (known as "Back to Back Action").
The Cleo woman are tough and strong, and yes, scantily-clad, just as comic book characters usually are. Unfortunately, some fans tuned the show out early because they took it too seriously. Understandably, the half-hour shows were dominated by constant laser battles and fist-fights. But the later shows were an hour long, allowing the characters to develop and grow. That helped build the drama and made the action scenes more effective.
Having the "Cleo" character (Jennifer Sky) be an exotic dancer from today added contrast and humor. And I'm not surprised that Gina Torres and Victoria Pratt are on new shows. They are both fine screen presences. So, relax, enjoy the comic book action and don't take it too seriously.
The Cleo woman are tough and strong, and yes, scantily-clad, just as comic book characters usually are. Unfortunately, some fans tuned the show out early because they took it too seriously. Understandably, the half-hour shows were dominated by constant laser battles and fist-fights. But the later shows were an hour long, allowing the characters to develop and grow. That helped build the drama and made the action scenes more effective.
Having the "Cleo" character (Jennifer Sky) be an exotic dancer from today added contrast and humor. And I'm not surprised that Gina Torres and Victoria Pratt are on new shows. They are both fine screen presences. So, relax, enjoy the comic book action and don't take it too seriously.
On my quest to watch everything done by Sam Raimi and/or Bruce Campbell, I luckily stumbled over this pulp gem: finest sci-fi with more than just one touch of trash.
Hot looking half-naked girls fight for the right cause - and the special effects look all trashy and marvelous, if that sounds good to you, this one is waiting for you.
Everyone I told about this show (especially females) was most skeptical of its quality (to say the least), but quality is one thing Cleopatra 2525 had in surplus. After watching an episode or two however they began to see that this was much more than simple "eye candy" for men, this show had depth. Women are shown to be intelligent, powerful, and excellent leaders in this show more than any Sci-Fi series at the time. This show should be seen by all women for its pure self-esteem boosting qualities (my wife loves Sarge), "girl power" is in full force here (apologies for the cliché). Many people that thought the show was silly or degrading to women probably only saw the commercials for it, or a few minutes of the actual show (if even that) and never gave it a chance.
The show had a "pure Sci-Fi" storyline which never drifted into the paranormal (i.e. always had a science explanation without ghosts, esp, god, etc.) which was a breath of fresh air in the midst of the many idiotic shows of the time that turned to the Paranormal to explain their plot devices. As an example, when someone was "out of phase/invisible" and could walk through walls the writers went to great lengths to explain why they didn't fall through the floor to the center of the earth (ever hear another Sci-Fi or Paranormal show even try to explain that). All the villains had motives (known or unknown) and were never presented as simply `evil'. This show had great storylines, characters with depth, unique and creative set designs, gadgets, and special effects to die for. The means of transportation was a blast to witness (shaft travel) as well. The actresses were not just extremely attractive, but extremely talented as well. This was the ONLY show I made a point to record when I would be elsewhere, and I can proudly say I never missed an episode. My wife loves the show as well, although she can't stand the theme song and tries to make me mute it.
The series unfolded in a way I have not seen since Babylon 5 (another great show, but a bit on the Paranormal side of Sci-Fi) another of my favorites. The entire series was building up to a spectacular revelation, but was cancelled for reasons unknown (after constantly being moved to increasingly inconvenient time slots that is). I can't help but wonder that if the PR for the show emphasized the Sci-Fi qualities more than the attractive women (and attractive though they are) they might not have given so many the misguided ideas that probably led to the changes in time slots, and ultimately cancellation.
I give Cleopatra 2525 a 9 out of 10.
Cleo, Hel, and Sarge, you will always hold a special place in my Sci-Fi heart. >
The show had a "pure Sci-Fi" storyline which never drifted into the paranormal (i.e. always had a science explanation without ghosts, esp, god, etc.) which was a breath of fresh air in the midst of the many idiotic shows of the time that turned to the Paranormal to explain their plot devices. As an example, when someone was "out of phase/invisible" and could walk through walls the writers went to great lengths to explain why they didn't fall through the floor to the center of the earth (ever hear another Sci-Fi or Paranormal show even try to explain that). All the villains had motives (known or unknown) and were never presented as simply `evil'. This show had great storylines, characters with depth, unique and creative set designs, gadgets, and special effects to die for. The means of transportation was a blast to witness (shaft travel) as well. The actresses were not just extremely attractive, but extremely talented as well. This was the ONLY show I made a point to record when I would be elsewhere, and I can proudly say I never missed an episode. My wife loves the show as well, although she can't stand the theme song and tries to make me mute it.
The series unfolded in a way I have not seen since Babylon 5 (another great show, but a bit on the Paranormal side of Sci-Fi) another of my favorites. The entire series was building up to a spectacular revelation, but was cancelled for reasons unknown (after constantly being moved to increasingly inconvenient time slots that is). I can't help but wonder that if the PR for the show emphasized the Sci-Fi qualities more than the attractive women (and attractive though they are) they might not have given so many the misguided ideas that probably led to the changes in time slots, and ultimately cancellation.
I give Cleopatra 2525 a 9 out of 10.
Cleo, Hel, and Sarge, you will always hold a special place in my Sci-Fi heart. >
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- WissenswertesAfter Jack of All Trades (2000) was canceled, Cleopatra 2525 episodes became longer in order to fill its runtime. In all, six episodes of season 2 (the last six of the series) were increased to a 45 minute runtime.
- Alternative VersionenOriginally broadcast as one-hour double-feature called "Back2Back Action". The first show was "Jack of All Trades" (2000).
- VerbindungenFeatured in WatchMojo: Top 10 Worst Live Action Superhero TV Shows (2018)
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