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Mysteriöse Kriminalgeschichten mit manchmal anderen Polizisten und vielen inzwischen berühmten Gesichtern.Mysteriöse Kriminalgeschichten mit manchmal anderen Polizisten und vielen inzwischen berühmten Gesichtern.Mysteriöse Kriminalgeschichten mit manchmal anderen Polizisten und vielen inzwischen berühmten Gesichtern.
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It was never a show! or a TV series! it was a cinema film series which was then sold to America as a TV series, and now everybody (for some reason) lists it as a TV series rather than a series of films!! But it was first released to British cinemas by Anglo-Amalgamated as second features between 1962-7, sometimes as a companion to the 'Carry-on' films. Most of the films are very enjoyable, as well as seeing actors like Steptoe & Son's Harry H. Corbett doing something totally different!, in his doing a straight role as a police inspector rather than his usual comedy or seeing Londoner Sir Michael Caine in 'Solo For Sparrow' (1962), with an Irish accent!! What else is new? These were over 30 features made for the 'Edgar Wallace' film series but then (for American TV) it was filled up to 50, so how many are true Edgar Wallace??? Writers like Richard Harris and Roger Marshall have said that none of the films were based on Edgar Wallace stories, but were all original in the same way as the colour series of 'The Saint' with Roger Moore that wasn't based on any Leslie Charteris' stories. It's also good to watch to see future stars at the start of their careers in small roles e.g. Wanda Ventham as a waitress in 'Solo For Sparrow' (1962), future 'Eastenders' and 'Carry On' star Barbara Windsor, as well as Kenneth Cope from 'Randall & Hopkirk (Deceased)' and Barbara Shelly in 'Deathtrap' (1962) with Kenneth Cope again in 'Change Partners' (1965). Great to watch.
A series of films with clever plot twists, surprises and the best of British. Looked upon as a TV series, but these were low budget B movies.
The quality does vary somewhat, when they're good, they're great, and episodes such as Change Partners, Ricochet and Playback are all terrific thrillers.
Return to Sender and Locker 69 are the only real clunkers, but in a way, both are still fairly watchable. Sometimes the format did get a little repetitive, and I'd argue that on a few instances there was just a lack of variety.
Expect to see some wonderful, well known faces, the likes of John Thaw, Michael Gough, William Hartnell and of course Michael Caine. Two of my personal favourite performances come from Barry Forster and Kenneth Cope.
That simple, but effective opening sequence still looks great, and that accompanying music still sounds wonderfully haunting.
I love the visuals, the clothes, cars, interiors etc, one thing always gets me, just how busy The High Streets aleUs are.
I'm still struggling to track down The Malpas mystery, for some reason it just seems impossible to track down, one day.
8/10.
The quality does vary somewhat, when they're good, they're great, and episodes such as Change Partners, Ricochet and Playback are all terrific thrillers.
Return to Sender and Locker 69 are the only real clunkers, but in a way, both are still fairly watchable. Sometimes the format did get a little repetitive, and I'd argue that on a few instances there was just a lack of variety.
Expect to see some wonderful, well known faces, the likes of John Thaw, Michael Gough, William Hartnell and of course Michael Caine. Two of my personal favourite performances come from Barry Forster and Kenneth Cope.
That simple, but effective opening sequence still looks great, and that accompanying music still sounds wonderfully haunting.
I love the visuals, the clothes, cars, interiors etc, one thing always gets me, just how busy The High Streets aleUs are.
I'm still struggling to track down The Malpas mystery, for some reason it just seems impossible to track down, one day.
8/10.
I remember my dad watching The Edgar Wallace Mystery Theatre on Australian TV in the 1960s along with the Perry Mason series. I also saw some installments on the big screen at the cinema as a second feature during the 1960s. Excellent production values, sets, top actors and sharp cinema quality black and white photography. Very good scripts with each episode having a good twist in the tail. The series is currently being repeated on early morning free to air TV in Australia. Still stands up as a good mystery anthology series and well worth a view.
Absolutely brilliant programme, watched many times and always enjoy, so much better imagination than a lot of rubbish on tv now.
The Edgar Wallace mysteries were originally cinema second features, supporting the big films - then were sold to television much later. So now they are often thought of as a TV series.
Whatever they are, they are sometimes excellent, sometimes routine, the same as any other long running series. What they do have are interesting casts - many big names at the start of their careers such as Barry Foster, Michael Caine, Patrick Allen, Harry H Corbett. There is also a fabulous theme tune Man of Mystery written by Ron Goodwin and performed by The Shadows.
These mysteries are always watchable and as they run less than an hour they have both time to develop plot and characters, and not to outstay their welcome.
Whatever they are, they are sometimes excellent, sometimes routine, the same as any other long running series. What they do have are interesting casts - many big names at the start of their careers such as Barry Foster, Michael Caine, Patrick Allen, Harry H Corbett. There is also a fabulous theme tune Man of Mystery written by Ron Goodwin and performed by The Shadows.
These mysteries are always watchable and as they run less than an hour they have both time to develop plot and characters, and not to outstay their welcome.
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- WissenswertesThe telephone played an important role in The Edgar Wallace Mystery series. However, the standard British phone ring of the day comprised two steady rings with a cadence of 0.4 sec on, 0.2 sec off, 0.4 sec on, then 2 sec off. Presumably, to save time and inject a sense of urgency into the proceedings, British telephone rings in both this and many other presentations of the day were frequently speed-up, sometimes to twice the normal rate.
- Alternative VersionenIn US each episode was cut to 45 minutes to fit hour-long commercial TV slots.
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