Gentlemenkillers

This film is full of many wonderful characters from the mainstream 50's British cinematic comedy era. The film centres on the criminal gangs of London being double crossed in their criminal activities by a bunch of foreign criminal gang members who impersonate Metropolitan Police Officers.

They turn up at the scene of the crime and then disappear with the stolen goods leaving the criminals in limbo waiting to be arrested by the real police.

Arthur Mullard, Peter Sellers, Lionel Jeffries, Bernard Cribbens and many more make this a gem of a title to watch. Some of the film was produced around Teddington, South West London, the scene of the mass arrest at the railroad level crossing was filmed in a Teddington street called Fairfax Road.

The crossing was taken out of use many years ago but the building on which Peter Sellers and his cohorts sat observing the proceedings is still in place adjacent to the point where the crossing was.

The area where the Jaguar car driven by Mullard screams over the bridge is the railway road bridge at Strawberry Hill (not far from Teddington).

I humbly give this film 9 out of 10, but then maybe I'm biased as I just love old British comedies such as this. Produced by Romulus Films and distributed by British Lion Films, what could be better?

Amusing comedy has a peculiar trio of Aussie swindlers being chased by Scotland Yard , and they are also thieves because having been posing as policemen and confiscating pillage from apprehended robbers . The Australian bunch being informed by Valerie (Nanette Newman) , Pearly's fiancée (Peter Sellers) , the leader of a group of inept crooks . Then , the criminal band organize a convention among the main robbers (Peter Sellers , Bernard Cribbins) and scheme a twisted plan . After that , there happens a meeting between robbing chiefs and cops (Lionel Jeffries , John Le Musurier) which takes place at a merry-go-round . Later on , they set up a trap to track them down.

Agreeable spoof comedy in ¨Ealing¨ style , it packs some very funny and wacky moments . This is a classic British comedy of the 60s in the wake of ¨Lavender hill mob¨ that is clearly its inspiration . Enjoyable script divides his satirical jibes between the underworld crooks and police . It contains sympathetic performances from Peter Sellers , Bernard Cribbins and special mention for Lionel Jeffries as an unfortunate cop . Secondary intervention by Dennis Price as an educated crook and cameo role by Michael Caine at the Police Station. Furthermore , Graham Stark as a likable thief , formerly becoming himself into usual ¨Pink Panther¨ series . Atmospheric score by Richard Rodney Bennett with jazzy sound on the main titles . Appropriate cinematography in black and white by Ernest Steward. The picture was well and originally directed by Cliff Owen . He is a habitual director for television and an expert on comedy as he proved in ¨ No sex please : we're British¨, ¨The bawdy adventures of Tom Jones¨ , ¨A man could get killed¨ and several others. The flick will appeal to Peter Sellers fans and Brit comedy enthusiasts . Rating : Good and better than average English comedy . This is one of the few enduringly funny films in British cinema of the Sixties . Essential and indispensable seeing .

"The Wrong Arm of the Law" is a sort of comic British take on the famous German crime film, "M". In that Fritz Lang classic, the criminals and the police are both out to stop a murderer whose activities are making things difficult for both of them. However, where "M" was a serious crime thriller, "The Wrong Arm of the Law" is pure comedy.

And what a comedy it is, with a clever script and a first-rate cast, headed up by the superlative Peter Sellers. Known for the astounding range of the characters he could play, in this film Sellers slips effortlessly between portraying effete French couturier Charles Jules and cockney crime-boss "Pearly" Gates. In fact, Sellars slips between the two characters so effortlessly that it is easy to take for granted just how brilliant an actor he actually was. Sellers is an absolute treat to watch, and his performance should be required viewing by all aspiring actors as a lesson in how it should be done.

London's crooks are finding that no matter what job they pull, the London Constabulary are waiting to feel their collars. All of which comes as a great surprise to the police as they know nothing about it. It appears that a new firm of antipodean crooks are on the manor, who are not only stealing from London's finest thieves, they are also impersonating police officers in the process. There's only one thing for it, the constabulary and the villains must unite to restore the standard police/criminal workings in London!

The British Crime Crooks Caper, when it comes to film, is a long and distinguished list, comprising of brilliant stuff like Ask A Policeman 1938, much loved stuff like The Italian Job 1969 and enjoyable fare like Too Many Crooks 1959. The Wrong Arm Of The Law 1963 falls into the latter category, hugely enjoyable with sharp scripting and performances to match. Boosted by the considerable writing talents of Ray Galton & Alan Simpson, the picture manages to steer well clear of being overtly twee, something that Crooks In Cloisters was guilty of the following year.

The humour on show here by and large comes courtesy of the unlikely alliance between London's good and bad elements, a code and adherence to rival ethics brings about some delightful mirth. Both parties are fierce rivals but there is still unwritten rules that both sides must follow, and thankfully the astute pen scribbling from Galton & Simpson creates some smashing set pieces and quite ridiculous {in a good way} scenarios. All of which would have gone to waste if the cast did not fulfil the scripts potential, but when you got Peter Sellers, Bernard Cribbins and a quite fabulous Lionel Jeffries fronting your movie, you are definitely in good hands. The Wrong Arm Of The Law is highly recommended to anyone who loves an old fashioned British comedy. 7.5/10

Peter Sellers is, unusually, the quiet at the center of the storm that makes up the plot of this wonderfully funny film. He plays Pearly Gates, a criminal (and women's wear salesman), who learns that an Australian gang is dressing up as policemen, intercepting Pearly's mob in mid-theft and making off with the goods. He joins forces not only with the leader of a rival gang, who are also suffering from the Australian competition, but also with the police, who don't want their reputation besmirched.

Sellers is very good, but top acting honors go to Lionel Jefferies as the hopelessly idiotic policeman trying to prove himself by catching the criminals. Jefferies and Bernard Cribbins, as Nervous (the rival gang's leader), give expertly larger-than-life performances while getting their biggest laughs with throwaway lines and subtle bits of business (like Nervous finishing up his negotiations with Pearly by pulling out some family snaps). Cliff Owen's direction is very sharp and very fast, and allows a cast of experienced character actors to do their best work. Dennis Price displays flawless timing and delivery in a small, unbilled cameo. This film might just be a hidden classic.