Sunday Night at the Trocadero

I can't think of a worse musical short I've seen from Metro, hosted by REGINALD DENNY, the distinguished looking British actor. He's seen at a nightclub called the Trocadero, taking candid photos of the various celebrities enjoying a night out.

The soundtrack is appallingly bad, with none of the dialog understandable for the average viewer and full of name dropping remarks from Denny as he acknowledges the famous faces from the '30s.

Movie buffs will easily recognize some of them: Arthur (Dagwood) Lake, Dick Foran, John Howard, Chester Morris, Robert Benchley, Connie Boswell, Groucho Marx, Frank Morgan, Eric Blore, Glenda Farrell, and Frank McHugh.

The music performances are way below par. A trio of sisters is the worst act of all and the bandwagon of George Hamilton is so-so. Boswell's voice is fine but her choice of numbers is questionable, to say the least.

Pretty bad considering it coasts on its musical talent and it sounds as though it's coming from outer space, so bad is the soundtrack. Picture quality is fine though, but you might as well have a tin ear as far as the music is concerned.

Peter Lind Hayes as a hopeful picture discovery doing some imitations and mugging his way through bad material, at least shows promise as a standup comedian that he became later on.

Here's one of those "Hollywood stars" shorts. While some studios had specialty series like this -- particularly Columbia with its "Screen Snapshots", most studios dabbled, and when they dabbled in the 1930s, they called Lou Lewyn. He had cut his teeth on "Screen Snapshots", followed through with "The Voice of Hollywood" for Tiffany-Stahl, and then Paramount's "Hollywood on Parade." After that he went independent, with stars and aspiring players from every studio and rank.... and a couple of people of particular interest to fans of old movies, like Gaylord Carter, for decades the dean of silent film organists.

Anyway, it's some good music, some nice production numbers, and some stars in mufti. See if you recognize Groucho Marx without his painted-on eyebrows and mustache.

In the 1930s, MGM made quite a few short films designed to promote their B-list actors. Ostensibly, the film is set at some sort of nightclub and these lesser known actors and actresses supposedly hang out there and the cameras catch them 'as they really are'...or, at least as the publicity department WANTS them to be perceived. However, unlike many of them, this one is in black & white and there really are very few of the bigger stars of the day (whereas the other films usually had a handful of A-listers in addition to the up and coming B and C-listers). The biggest stars you see in this one are Groucho Marx, Robert Benchley, Chester Morris and Frank Morgan. In addition, like "Starlit Days at the Lido", the leading man in this one is Reginald Denny--who introduces some of the acts.

In addition to the mostly uninteresting cameos, you've got some nightclub performers--several of which really stink (especially the guy who was doing impersonations) or are only passably entertaining...at best. Oddly, there also is a bizarro fashion show featuring some of the strangest outfits I have ever seen! It all comes off as weird...and not especially entertaining. Only of interest to folks who want to see the stars...even if it is all staged.

By the way, the sound quality of this short is rather poor...making there one more reason not to watch.

Just watched this rarity on the A Night at the Opera DVD. It takes place at the title nightclub with many celebrities in attendance. One of them was Groucho Marx, here with then-wife Ruth Johnson, who's seen without his trademark greasepaint mustache and eyebrows. There are also much enjoyable music and dancing depicted. Connee Boswell provides an enjoyable number and then when The Brian Sisters develop stagefright, she also does a nice teaming with them. Unfortunately, there's also an unfunny impressionist and I mean unfunny both in who he impersonates and what lines he gives. Actually, many reviewers here also complained about how low the volume seemed to be so maybe that was my problem as well. Anyway, Sunday Night at the Trocadero is worth a look for the rare chance to see Groucho on film as he really looked off-screen during this period.

Kind of hokey, but some fun songs and dance numbers in here. George Hamilton is the emcee, and we start off with "Cuban Pete". The picture quality is quite good, but the sound is TERRIBLE... muted.. it stops and starts. some silly bits in between the dance numbers. Lots of big stars from the day popping up here and there... it was 1937, after all. "Anything but Love, Baby" by Connee Boswell, which is a VERY different version than we hear in ""Bringing up Baby". and some real silly, goofy bits, which may have been amusing at the time, but are pretty dated at this point. Fun to see some big names like Groucho Marx, Robert Benchley, Bert Wheeler, Eric Blore, and more. This one has some fun, old time big stars, but it's almost painful to sit through, with the poor sound quality. I would have turned it off, but I did want to see the film that came on after this. Shown in-between films on Turner Classic Movies. Directed by George Sidney, who had directed some biggies. Viva Las Vegas with Elvis, Scaramouche, Bye Bye Birdie, and Harvey Girls. interesting, for history's sake.