A Girl in Every Port

Groucho Marx made this film for his friend, producer Irwin Allen and they would work together again with co-star Marie Wilson in the overblown epic comedy THE STORY OF MANKIND. A GIRL IN EVERY PORT is an unfunny comedy starring funny people (William Bendix included) that perhaps were a bit beyond their prime (products of the studio system which had fallen apart they were dumped into TV with some success and took what ever they could get in low-budget theatrical garbage like this). Irwin Allen, who showed greatness in adventure and science fiction just didn't have the knack for a full blown comedy and had the good sense to quit producing comedies after making just a couple (though some would argue Irwin Allen's LOST IN SPACE became a camp comedy after the first year). Marie Wilson (best known as MY FRIEND IRMA) starred in another horse racing comedy called SWEEPSTAKES WINNER (1939). If you can catch that film on TCM it's a lot funnier and a much better year for movies.

Groucho Marx and William Bendix deserve much better material than what they are given here. A bad script with unfunny jokes gives these two talents nothing to work with. Why they ever agreed to do this film is one of the great mysteries of Hollywood!

"A Girl In Every Port" is the story of two navy buddies who are stuck with a bum horse and try with all of their brilliance to turn a buck in the end.

Although not a great comedy by any means, "A Girl In Every Port" still shines in its own right. We are able, once we acknowledge that this is a vehicle for Groucho, to disregard any technical flaws and view it on its primary aspects: acting and scripting. In terms of acting, this is the intersection of three type-cast performers at the height of their type. Groucho Marx, older than we all remember, had just begun "You Bet Your Life," and was beginning to establish himself as a solo performer. His wise-guy persona, without the foils of his brothers, stands up well on its own. Marie Wilson plays her part as spot on as ever. She is a trite as the "dumb blonde," but she is just so good at it that we can forgive the cliché and embrace the goofiness. Finally, William Bendix plays the dumb but lovable tough that we will always remember him as. Mix up these caricatures with a script full of one-liners in three varieties and we have successful lightness. Bendix and Wilson are able to be dumb together, but, of course, in their own way, and the naïveté of their characters is wonderful against the poison that Groucho Marx brings to the screen. The jokes are wicked, mostly, and the story, although confused, unintelligent, and played out, is decent enough to string along the performances of two great B-listers and one master of comedy.

"A Girl in Every Port" is one of the few solo efforts of Groucho Marx after 20 years of working almost exclusively with his brothers. It is probably one of the weakest films he was ever associated with. Occasionally his wit and his gift for free-association dialogue shines through, but there are also a couple of moments where his timing seems to have slowed down. The film also suffers from a needlessly convoluted plot (though, to its credit, the script acknowledges this flaw and even uses it as a target for some jokes), and the direction is generally flat. Still, the film is perfectly watchable and occasionally even entertaining. Let's face it, even Groucho at 80% speed is better than most comedians (of all eras) at 100%. And then there is also Marie Wilson. Unlike most comedies of its time where women usually have straight roles, she plays a good-hearted but extremely ditzy girl, with legs that go on for miles and breasts that nearly burst through her outfits. The scene where her bare shoulders keep getting exposed is actually kind of sensual. And Teddy Hart is pretty funny as the gangster "High Life". ** out of 4.

For fans of both Groucho Marx and William Bendix, A Girl In Every Port will give some good moments for fans of both. But as a comedy team the two have no real chemistry between them.

I'm sure that Howard Hughes running RKO at the time must have thought these two were very funny so why not get a film property for both. For those who asked how Bendix and Marx could have been in this film you don't need to be a genius to figure it out. Howard Hughes could write checks and make offers impossible to refuse.

The guys are a pair of aged sailors in Uncle Sam's navy and Bendix is left a racehorse, one that's consistently running out of the money. But he's got a twin that's stakes race quality and so the plot begins.

Marie Wilson is at her airhead best and both guys are panting hot and heavy. But she prefers Don DeFore who loves the sport of kings. And in the end he prefers her to cold society fish Dee Hartford.

Also trying to exploit the twin horses are shady trainer Gene Lockhart, shady jockey George E. Stone, and gangster Teddy Hart. They all get their little bits, a chance to strut their stuff.

Like in A Day At The Races which if memory serves Groucho Marx was also in, there's the climatic big race. I'm still trying to wonder where they got a jockey outfit for Bendix. More important how could his horse win with that kind of weight being carried? Secretariat couldn't have handled it.

A Girl In Every Port is a passably amusing comedy, fans of the leads should like it.