IMDb-BEWERTUNG
7,3/10
5250
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA humorously musical retelling of the Biblical story of Joseph.A humorously musical retelling of the Biblical story of Joseph.A humorously musical retelling of the Biblical story of Joseph.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Nicholas Colicos
- Reuben
- (as Nicolas Colicos)
David J. Higgins
- Levi
- (as David J Higgins)
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Nearly thirty years ago, the church choir I was a member of staged an entertainment evening, the first half of which was a 45-minute 'sung story' called Joseph and His Amazing Technicolour Dreamcoat. Nearly thirty years on, and I have a chance to show my own children what a wondrous musical this was and continues to be.
I also have to confess that, when I first heard of this release, I was one of those people who went 'Donny Osmond???!!??'. Again, this was coloured by memories of 30-odd years of knowing him as a 70's teenybopper, but I have to admit that I was very pleasently surprised by his performance here. The years he spent playing Joseph on stage show in his performance, and it also made me forget Jason Donovan or Philip Schofield in the part.
The film succeeds both by acknowledging the most recent stage productions, and returning to its roots. It was originally written as a school stage show, and the prologue in the assembly hall returns to it to the original setting. Having the teachers (and yes, I took a double take on Joan Collins on the piano) go on to be the singers and actors grounds the film, and the opening up of the stage setting is done without ever letting you forget it was a stage show.
The support cast are all good - it's especially satisfying to see the likes of Richard Attenborough and Christopher Biggins doing musicals again after nearly 30 years as well. Joan Collins has a whale of a time as Mrs Potiphar, and Pharaoh gets down and rocks with the best of them. Maria Freidman as the narrator shows her vocal range to perfection - currently she is the main attraction in the stage show of Witches of Eastwick.
All in all, good family fun, and worth watching with your kids.
I also have to confess that, when I first heard of this release, I was one of those people who went 'Donny Osmond???!!??'. Again, this was coloured by memories of 30-odd years of knowing him as a 70's teenybopper, but I have to admit that I was very pleasently surprised by his performance here. The years he spent playing Joseph on stage show in his performance, and it also made me forget Jason Donovan or Philip Schofield in the part.
The film succeeds both by acknowledging the most recent stage productions, and returning to its roots. It was originally written as a school stage show, and the prologue in the assembly hall returns to it to the original setting. Having the teachers (and yes, I took a double take on Joan Collins on the piano) go on to be the singers and actors grounds the film, and the opening up of the stage setting is done without ever letting you forget it was a stage show.
The support cast are all good - it's especially satisfying to see the likes of Richard Attenborough and Christopher Biggins doing musicals again after nearly 30 years as well. Joan Collins has a whale of a time as Mrs Potiphar, and Pharaoh gets down and rocks with the best of them. Maria Freidman as the narrator shows her vocal range to perfection - currently she is the main attraction in the stage show of Witches of Eastwick.
All in all, good family fun, and worth watching with your kids.
Those hoping to see a direct translation of the stage show might be slightly dissapointed. It has lost some of it's wit and charm, but has replaced them with an exuberance reminisant of the old time film musicals, where everyone looked as if they were having the time of their lives. This is what shines through mostly about this video. The feeling that the people involved knew they wanted it to be special, and they have succeded.
They have opened the show up slightly, with the opening set in a school and all the main cast as the teachers. They've added some rather snazzy special effects which on this occassion don't overwhelm the whole film, but help to draw the viewer into the world which they create. There are some wonderful cameos from a few familiar faces and the largely unknown cast of Brothers and Wives shine, with a few stand out performances from some of them. One of the girls reminds me of a young Joyce Grenfell.
Then we have our Two principals Donny Osmond and Maria Friedman. There were a few raised eyebrows when it was announced that Donny would be playing the lead role, but all misgivings are swept away as he makes the part all his very own, with a mixture of playful charm and vitality. Maria Friedman is a screen star in the making, with a charisma that makes her seem a natural for the screen. She has been wowing audiences in the West End for sometime now, but I'm sure that soon Tinseltown will take her and make her the star she should be.
There is very little wrong with this production and I'm sure that it will have been in many peoples Christmas stocking. So while it may not be a gem, you can safely say it is a rough diamond, which in many cases shines much brighter.
They have opened the show up slightly, with the opening set in a school and all the main cast as the teachers. They've added some rather snazzy special effects which on this occassion don't overwhelm the whole film, but help to draw the viewer into the world which they create. There are some wonderful cameos from a few familiar faces and the largely unknown cast of Brothers and Wives shine, with a few stand out performances from some of them. One of the girls reminds me of a young Joyce Grenfell.
Then we have our Two principals Donny Osmond and Maria Friedman. There were a few raised eyebrows when it was announced that Donny would be playing the lead role, but all misgivings are swept away as he makes the part all his very own, with a mixture of playful charm and vitality. Maria Friedman is a screen star in the making, with a charisma that makes her seem a natural for the screen. She has been wowing audiences in the West End for sometime now, but I'm sure that soon Tinseltown will take her and make her the star she should be.
There is very little wrong with this production and I'm sure that it will have been in many peoples Christmas stocking. So while it may not be a gem, you can safely say it is a rough diamond, which in many cases shines much brighter.
This musical provides everything. I have been a fan of the music of Joseph for many years but I never saw it on stage. As soon as I saw that this production was being made I was very wary of televising a theatrical show but boy was I wrong. The special effects, colors, sound and quality of this production are amazing.
This is the retelling of the biblical story of Joseph and tries a variety of musical numbers, from the Elvis Pharaoh, to the Calypso Judah and the French brothers. All these numbers are in amazing colors.
This really is worth a look, entertaining and very re-watchable!
This is the retelling of the biblical story of Joseph and tries a variety of musical numbers, from the Elvis Pharaoh, to the Calypso Judah and the French brothers. All these numbers are in amazing colors.
This really is worth a look, entertaining and very re-watchable!
This is one of the best musicals on video that I have found. Unlike some film versions of Broadway greats (such as the Fantasticks), the producers of this film maintained, as far as I know, the lyrics and music from the stage show, and presented it in an enhanced theatrical manner. The frame story and visible stage lights kept a live feel to the film, and many live-theatre conventions made this a joy for a theatre buff to watch.
I felt that the kids were a wonderful addition. Their voices (especially in Any Dream Will Do) provided a chillingly beautiful dimension to the sound, which was, without exception, superb. The narrator was great, and, I must say, just the sort of teacher I would have like to have had in grade school. The frame story tied the show to its roots as a childrens' production, which helped. The film works on several levels, as a kids show, and as an adult show, for those who care to consider the issues at hand.
The sets were fabulous, especially the transformation of Potifer's house and the jail cell by the addition of colors in the walls and floor. Stunning.
The formatting, too, must recieve a mention. A full-fledged DVD release with extra features, full widescreen, and immaculate sound were very welcome indeed.
Nicely done on the whole.
I felt that the kids were a wonderful addition. Their voices (especially in Any Dream Will Do) provided a chillingly beautiful dimension to the sound, which was, without exception, superb. The narrator was great, and, I must say, just the sort of teacher I would have like to have had in grade school. The frame story tied the show to its roots as a childrens' production, which helped. The film works on several levels, as a kids show, and as an adult show, for those who care to consider the issues at hand.
The sets were fabulous, especially the transformation of Potifer's house and the jail cell by the addition of colors in the walls and floor. Stunning.
The formatting, too, must recieve a mention. A full-fledged DVD release with extra features, full widescreen, and immaculate sound were very welcome indeed.
Nicely done on the whole.
This filmed version of the popular stage play stars Donny Osmond, who is very funny in the role that made him even more adored than he was as youngest of the singing Osmond Brothers. Cleverly filmed as a classroom presentation with the students as the chorus, the biblically based story of attempted fratricide and the importance of hope and forgiveness is told entirely in music, with Maria Friedman as the narrator and Joan Collins as the greedy wife of of the Potiphar, captain of the Egyptian palace guard. This is not the benign show it might appear to be at first, and it mixes up time and cultural references in dreamlike fashion. This Tim Rice and Andrew Lloyd Weber creation is not aimed at the wee ones; children are probably ready to see it about the time they are ready to learn how much violence and sex there really is in the Bible.
Wusstest du schon
- WissenswertesDespite all of the children in the school being around eight or nine, Maria Friedman's son Toby Sams Friedman, then four, was among the school children. He is the boy to whom she directly sings at the beginning.
- PatzerDuring 'The Song of the King' Joseph says "I got the bit about the corn, but I'm not to sure about the cows. So if you could just give it to me one more time, Mr Pharaoh man." Pharaoh then proceeds to sing the verse about the corn again, and not the cows. This is in fact not an error. Pharaoh, an impatient man repeats the last line while Joseph checks for the correct answer in the Bible (held by the Narrator). The same is true for the stage productions.
- Zitate
Joseph: Please stop, I don't believe in free love!
Mrs. Potiphar: Pity.
- Crazy CreditsEnding credits feature clips of each actor with real name listed and then of that actor in his/her character with that name listed as well. The credits of each of the 11 brothers appear in the same order as they are mentioned during the 'Jacob & Sons Song' scene: Reuben, Simeon, Levi, Naphtali, Isaachar, Asher, Dan, Zebulun, Gad, Benjamin, Judah
- VerbindungenFeatured in Lindsay Ellis' Essay Collection: Why is Cats? (2020)
- SoundtracksPrologue - You Are What You Feel
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Performed by Maria Friedman
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Great Performances: Joseph and the Amazing Technicolor Dreamcoat
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 16 Min.(76 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.55 : 1
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