IMDb-BEWERTUNG
8,8/10
10.534
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.
- Regie
- Drehbuch
- Hauptbesetzung
Stephen John Davis
- Don Attilio ("Il Muto")
- (as Stephen Davis)
Empfohlene Bewertungen
I just this version of Phantom of the Opera last night with one of my dearest friends and I have to say I thoroughly enjoyed it! Pretty much this is the best version I have seen so far! Everyone did a fabulous job at portraying their characters especially Ramin and Sierra. Towards the end of the show, my friend and I completely lost it because of the intense emotions that the two literally put into their characters so well that their performance will tug on your heartstrings. Ramin is by far the best Phantom in my opinion. He blew me away by not just his voice but the emotions he put into his character, showing his character's sensitive side and vulnerability with just a dose of sexuality. I do put him as my favorite above Gerard Butler's Phantom (Gerard was very good in the 2004 movie version, but he didn't have that intense emotion that Ramin has). Sierra was excellent and the best Christine I have seen so far (Emmy Rossum was also very good in the 2004 version, but sounded more classical than operatic to me). Towards the end, Sierra's emotions got the best of me and I did see she fought really hard to stay in character when she sang one last time to the Phantom. I have always been not a fan of Raoul and I still am not,but the guy who played him in this version has an amazing voice and played his character well! I think he exaggerated his performance just a tiny bit, but at least he didn't have an emotional breakdown on stage. For the lady who played Carlotta was hilarious and she is right up there next to Minnie Driver's 2004 version. It was great having Carlotta as the snobbish but sort of comedy reliever that makes the story less intense. All in all, like I said everyone on the stage performed well into their characters and I truly want to see them perform in other Broadway roles as well. Well worth watching on Netflix and be sure to have a box of tissues near you...just in case.
10Hitchcoc
Assuming one likes this musical (and few don't), I believe this is the finest film presentation of all, far surpassing the big budget movie of a few years ago (which I thought was pretty good). As others have said, the staging is magnificent with backlighting and projection enhancing the performances. The singing and acting are superb. Costuming goes beyond the pale. Also, we get the closeups one cannot have in a live performance. We get to see the emotional expression of the actors. There is little time wasted on minutiae as the play goes forward. Some of the highlights are the duet "All I Ask of You" and the magnificent "Masquerade." The three principles are all at the top of their game in this 25th anniversary performance at the Royal Albert Hall. It is a visual and auditory delight and I am excited that the play I have seen numerous times is there for the viewing.
I nearly bypassed picking up the Phantom of the Opera (POTO) 25th Anniversary DVD because I was unfamiliar with Ramin Karimloo (Phantom) and Sierra Boggess (Christine). So I took a chance and brought the DVD home. What a surprising delight! POTO 25 was filmed before a live audience at the Royal Albert Hall in London. The cameras bring the viewer up close and personal to the happenings on stage.
Ramin and Sierra had starred in Andrew Lloyd Webber's POTO sequel, Love Never Dies (LND), just before the POTO 25 event. Their chemistry bonding had already been established during LND, so they sizzled on stage during POTO 25. Their voices compliment each other so magnificently, and their faces (especially Sierra's) portray the vast array of emotions during their songs. They are incredible! They make you believe that you are witnessing something very, very, once-in-a-lifetime special, because you are!
So, I have been transformed from an unfamiliar viewer in the beginning, to a full-fledged obsessive drum beater for Ramin and Sierra in their remarkable POTO 25 performances. Sierra is a true to life Angel of Music; her voice, radiant beauty, emotional energy, and sensational acting talent will mesmerize you. She is such a wonderful inspiration to all those aspiring to be stage actors and singers. Ramin is a powerful Phantom who brilliantly brings to life a lonely, disfigured composer who falls in love with Christine.
POTO 25 is beautiful acting, singing, costuming, stage setting all rolled up into a full orchestra, mind-blowing experience you should not miss! Crank up the volume and thoroughly enjoy this masterpiece.
Ramin and Sierra are pure magic together. They have made people (including me) cry during this wonderful production. Sierra's voice and emotional impact can, and probably will, cause shivers to run up and down your spine at times. Yes, she really is this amazing.
I watch my favorite parts of POTO 25 several times a week. It never fails to lift my spirits and to appreciate the spectacular talent on display whenever I wish. Bravo, Ramin and Sierra!!!!!
Ramin and Sierra had starred in Andrew Lloyd Webber's POTO sequel, Love Never Dies (LND), just before the POTO 25 event. Their chemistry bonding had already been established during LND, so they sizzled on stage during POTO 25. Their voices compliment each other so magnificently, and their faces (especially Sierra's) portray the vast array of emotions during their songs. They are incredible! They make you believe that you are witnessing something very, very, once-in-a-lifetime special, because you are!
So, I have been transformed from an unfamiliar viewer in the beginning, to a full-fledged obsessive drum beater for Ramin and Sierra in their remarkable POTO 25 performances. Sierra is a true to life Angel of Music; her voice, radiant beauty, emotional energy, and sensational acting talent will mesmerize you. She is such a wonderful inspiration to all those aspiring to be stage actors and singers. Ramin is a powerful Phantom who brilliantly brings to life a lonely, disfigured composer who falls in love with Christine.
POTO 25 is beautiful acting, singing, costuming, stage setting all rolled up into a full orchestra, mind-blowing experience you should not miss! Crank up the volume and thoroughly enjoy this masterpiece.
Ramin and Sierra are pure magic together. They have made people (including me) cry during this wonderful production. Sierra's voice and emotional impact can, and probably will, cause shivers to run up and down your spine at times. Yes, she really is this amazing.
I watch my favorite parts of POTO 25 several times a week. It never fails to lift my spirits and to appreciate the spectacular talent on display whenever I wish. Bravo, Ramin and Sierra!!!!!
The Phantom of the Opera is one of my personal favourites, and for me easily Andrew Lloyd Webber's best musical(though I do have a soft spot for Joseph). Anybody who loves The Phantom of the Opera will fall in love with this Royal Albert Hall performance, and while I didn't hate the 2004 film as much as others did this performance is a huge improvement. The costumes and sets are sumptuous and exquisite to look at. The camera work allows you to admire the production design and does so unobtrusively, often it has a very cinematic look which I loved without feeling overblown. The sound is resonant and clear, giving the feeling that you are actually there at the ROH watching it live. The orchestra give the score the powerful sweep it should have, a great thing in itself as it is one of those musicals where every song works. The chorus enunciate clearly and have a vibrant and carefully-blended sound. The stage direction is hugely compelling all the way, you are thrilled, terrified and moved to tears throughout and you do empathise with the characters and are fully engaged in Phantom and Christine's love-hate relationship. Nothing feels overdone or stillborn, you do miss the falling chandelier set-piece but at the same time you can understand considering the venue why it wasn't done. The singing is fantastic, embracing the somewhat exposed- from my experience having performed at ROH with various choruses at 3 Christmas concerts, one concert as a guest choir and 2 prom performances- acoustic.
Ramin Karimloo is an incredibly powerful Phantom, imposing in stature, somewhat scary, somewhat seductive and very affecting, and he has a gorgeous voice, one of the most beautiful of anybody in the role in my opinion. His make-up is genuinely hideous, and Music of the Night is really heartfelt. Sierra Boggess' Christine is alluring, charming and her stage presence is as moving as Karimloo's. Her soprano voice is bright and lyrical with no breathy sound(despite some of her breathing having a gasping quality), and I personally prefer her high notes to Sarah Brightman's finding them much clearer. Wishing You Were Somehow Here Again had me weeping buckets. Raoul is I agree more abrasive than usual, but Hadley Fraser still sings beautifully- especially in All I Ask of You- and doesn't forget to act. All the supporting roles are filled solidly, but I want to really credit Kiera Duffy, she is every bit the Prima-Donna diva Carlotta ought to be but displays also a sympathetic and vulnerable side that I have rarely if ever seen from past Carlottas, most of which are basically caricatures. We are also given the bonus of having the likes of Sarah Brightman, John Owen Jones, Anthony Warlow and Colm Wilkinson performing, Michael Crawford doesn't sing but it was still a pleasure to see him. I was less taken by Peter Joback, it is a rather a lightweight sound and sounds rather nasal, a sound that is not very easy to warm to. But he isn't enough to bring down the performance in any way because everything else is so good. The appearance also of Andrew Lloyd Webber himself was also very touching. In conclusion, amazing, if you love The Phantom of the Opera this is everything you could possibly want and more.
10/10 Bethany Cox
Ramin Karimloo is an incredibly powerful Phantom, imposing in stature, somewhat scary, somewhat seductive and very affecting, and he has a gorgeous voice, one of the most beautiful of anybody in the role in my opinion. His make-up is genuinely hideous, and Music of the Night is really heartfelt. Sierra Boggess' Christine is alluring, charming and her stage presence is as moving as Karimloo's. Her soprano voice is bright and lyrical with no breathy sound(despite some of her breathing having a gasping quality), and I personally prefer her high notes to Sarah Brightman's finding them much clearer. Wishing You Were Somehow Here Again had me weeping buckets. Raoul is I agree more abrasive than usual, but Hadley Fraser still sings beautifully- especially in All I Ask of You- and doesn't forget to act. All the supporting roles are filled solidly, but I want to really credit Kiera Duffy, she is every bit the Prima-Donna diva Carlotta ought to be but displays also a sympathetic and vulnerable side that I have rarely if ever seen from past Carlottas, most of which are basically caricatures. We are also given the bonus of having the likes of Sarah Brightman, John Owen Jones, Anthony Warlow and Colm Wilkinson performing, Michael Crawford doesn't sing but it was still a pleasure to see him. I was less taken by Peter Joback, it is a rather a lightweight sound and sounds rather nasal, a sound that is not very easy to warm to. But he isn't enough to bring down the performance in any way because everything else is so good. The appearance also of Andrew Lloyd Webber himself was also very touching. In conclusion, amazing, if you love The Phantom of the Opera this is everything you could possibly want and more.
10/10 Bethany Cox
I have loved "The Phantom of the Opera" for many years and listen to the soundtrack album with Michael Crawford and Sarah Brightman almost religiously. I began watching this with great worry, remembering how underwhelmed and disappointed I felt with the 2004 film adaptation. Imagine my delight when I discovered this even better than the original cast!
Ramin Karimloo and Sierra Bogges are both incredible actors and singers and are absolute magic together, as well as individually. Ramin has the passion and soul the Phantom needs and Sierra has the voice of an angel and makes feel every note she sings.
For years, I have had to put up with people telling me that Joel Schumacher's utterly redundant 2004 adaptation was actually brilliant; or that they cannot afford to see the real show. Well, the 25th anniversary concert exposes the 2004 adaptation for the diabolical mess that it is, with it's far superior singing, acting and set. And the fact that it is available on DVD means the 2004 film can shoved into the deep hole it belongs in.
Simply perfect, there is no excuse to miss this. Watch it and let it's music caress your soul.
Ramin Karimloo and Sierra Bogges are both incredible actors and singers and are absolute magic together, as well as individually. Ramin has the passion and soul the Phantom needs and Sierra has the voice of an angel and makes feel every note she sings.
For years, I have had to put up with people telling me that Joel Schumacher's utterly redundant 2004 adaptation was actually brilliant; or that they cannot afford to see the real show. Well, the 25th anniversary concert exposes the 2004 adaptation for the diabolical mess that it is, with it's far superior singing, acting and set. And the fact that it is available on DVD means the 2004 film can shoved into the deep hole it belongs in.
Simply perfect, there is no excuse to miss this. Watch it and let it's music caress your soul.
Wusstest du schon
- WissenswertesColm Wilkinson, (one of four Phantoms performing encore) was in fact the first ever Phantom, who originated this role. It happened in 1985 at Sydmonton Festival - typical place of Andrew's Webber Lloyd previews of his musicals. Wilkinson might had been first Phantom on stage, but later that year, he had chosen to be first Jean Valjean in Les Miserables, another role played by Ramin Karimloo.
- PatzerRamin Karimloo's tattoo (on his wrist) is visible in one of the close-ups during "Music of the Night".
- Zitate
Raoul: [singing] I love her! Does that mean nothing? I love her. Show some compassion!
The Phantom: The world showed no compassion to me!
- VerbindungenFollowed by Love Never Dies (2012)
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