Vidocq

Yet another "Galliwood" movie, with all the typical French pluses and minuses. On the plus side, it is more original than most Hollywood movies: I particularly like the spectacular, original and surrealistic photography (powerfully blended with digital computer animation). On the negative side, the story is perhaps a bit dull and incoherent; though it is still more inventive than most stories from the same genre. In overall, this is an enjoyable piece. It would deserve much more attention (and financial success) than it actually receives, but "Galliwood" suffers from the lack of effective marketing infrastructure.

I've seen this movie through cable this afternoon. It was a real surprise. I admit I cannot get through the plot thoroughly since it was in French. But being a French movie is a real plus here. The story took place in 1830 France. The country was in disarray after repeated changes in government. The setting is dark and depressing. Everywhere you can see people are suffering. It's in their attitudes, their clothes, their environment. This is not something you will see in other movies of this period. Characters' movement are splendid, especially the Chinese/French woman whose name I forgot. Her movement makes this movie looks like art. I know that this movie is a horror film, but it's an artful horror. The plus side of being French is that it doesn't stick to the Hollywood-style horror. Its emphasis on emotions and audiences' feelings make this movie outstanding comparing to Hollywood's. Summay: This movie is definitely R (violence, nudity, I guess). So, it your are over 18, give it a try. You'll find it enjoyable even if you're not horror fan. However, if you dislike the genre, this one may not be powerful enough to change your mind.

Want to see Gérard Depardieu in a steampunk action fantasy? Then you'll want to watch Dark Portals: The Chronicles of Vidocq. It's a bit weird, but lots of foreign movies are weird, just as I'm sure lots of American movies are weird to non-Americans.

If you're into the fantasy genre, you've probably seen lots of movies like this. A mysterious killer who never allows anyone to see his face. The hero killed off in the first five minutes, falling into a fiery pit and leaving the other characters the rest of the running time to solve his murder. That old strudel. This isn't my usual film fare, but I'll watch literally anything with Gérard in it, so the scenes he was in were worth it.

DLM warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. Be on the lookout for swirling cameras that will make you sick. In other words, "Don't Look, Mom!"

It takes place in 1830 in Paris. Vidocq is the name of the main character who's based on an actual French historical figure that's considered one of the pioneers of scientific police (think CSI). He's played by probably the most famous French actor living today: Gérard Depardieu. Rather originally, the title character dies in the first 5 minutes of the film. The rest of the story alternates between the investigation of a journalist retracing Vidocq's steps and flashbacks of Vidocq's last case. The original screenplay was written by best-selling French mystery writer, Jean-Christophe Grangé. It was his first original screenplay, and he says it will be his last, and not because he wasn't happy with it. This last case of Vidocq involves the murder of notables by lightning strike. The journalist's investigation takes us from person to person in a rather linear fashion. The investigation itself is not particularly gripping, but there are a couple of big twists at the end. The "bad guy" sports a very cool mirror mask. The fantastical elements originate from the mirror mask person, not everything is real or scientifically explained.

The special effects in general, with a couple of exceptions, are pretty well done, particularly the mask's reflections. It's apparently the first commercial feature film made completely with a digital camera (as opposed to a camera with film). This means that the picture quality, at the time, was crisper than usual, also giving it an unusual look. Lots of work has been done on lighting and colours. The colours are very vivid and favour the colours red, yellow and green. The decors are a mix of real life and digital trickery, they usually look very good and unlike your standard American films. Despite taking place in the 19th century, the editing is modern and very fast, with lots of very quick close-ups. I personally didn't like that style of frenetic cutting because the cuts often seemed unnecessary and made things either less involving or a little harder to assimilate. The characters seemed a bit on the shallow side to me, but then it's more about action, mystery and suspense with a touch of fantastical. Vidocq was compared to the film Seven but in 1830. It's nowhere near as good in any regard, except perhaps for visual style, very different anyway.

The director, Pitof, was a special effects supervisor for most of his career (City of Lost Children, Alien IV) and his following project was directing the infamous Catwoman. It's likely he got that job because of Vidocq. I find that the director Pitof is not very good at telling a story, has trouble with pacing and making us care about the characters. Vidocq is worth renting (or buying cheap) for the spiffy visuals alone. Overall, the movie is not bad but not memorable either. It's likely that a more talented director (Burton, Fincher, Jeunet, etc) with the same material could have done a lot better.

Rating: 6 out of 10 (Good) P.S. There are no portals, dark or otherwise.

This French film was much criticized for wasting it´s visuals in just an action adventure story wich i think its the most unffair thing it can be said on such a masterpiece like this. When an action movie has an empty plot, evcerybody complains, when it has a good plot everybody says it should have been better and not waste its potential. Are you critics nuts ?!! Some attack this movie claiming that its nothing like french a Matrix wannabe. Well i wish Matrix had been such a good movie and had such a good story as VIDOCQ has. And if this is just an imitation, i want a sequel ! As for the Sony Camera style, well it was filmed with one, what do you expect ?! Is that a bad thing ?! It made me want to go out and buy one just to try and make a movie like this. And those closeups look great and realy show how the personalities of some of the characters are distorted and nuts. Brilliant editing also.

I loved the story, the actors and graphicaly is one of the most inovative movies ive seen in recent years. It was not an expensive production, but looks better than most of Hollyood Blockbusters of the last 20 years at least. The genius of this movie is in actualy making us believe that much more money was spent on it than what actualy was. This is the proof you don´t need a big budget to make a big film. All it takes is imagination.

Visualy it couldn´t have been better. The settings are amazing, the computer graphics blend in and add to the visual feel and the atmosphere is incredible. Great action sequences, great mistery and great characters. Above all an original concept wich is something that Hollywood can´t say that it has nowadays.

I´ve loved this movie so much that i bought it from the French Amazon store just a couple of hours ago and i only saw it at the theater last night. It´s a double dvd edition and it has plenty of extra material and i can´t wait to get my hands on it.

One of the best European "fantasy" movies since La Citée des Enfants Perdus and another great french movie. French cinema nowadays has been a great alternative from Hollywood crap. Merci French guys ! :) After seeing such crap as the latest Arnie Shwarzenneger movie its great to have a REAL GOOD movie to watch and see how real cinema should be. Hollywood take notes. No, realy. Take notes, this is how you make a very interesting action movie with style but also with substance.

VIDOCQ is a true masterpiece. More please !