Nachdem ein Mann von seiner Schwägerin hypnotisiert worden ist, beginnt er, eindringliche Visionen des Geistes eines Mädchens zu sehen, und ein Geheimnis beginnt sich um ihn zu entfalten.Nachdem ein Mann von seiner Schwägerin hypnotisiert worden ist, beginnt er, eindringliche Visionen des Geistes eines Mädchens zu sehen, und ein Geheimnis beginnt sich um ihn zu entfalten.Nachdem ein Mann von seiner Schwägerin hypnotisiert worden ist, beginnt er, eindringliche Visionen des Geistes eines Mädchens zu sehen, und ein Geheimnis beginnt sich um ihn zu entfalten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 5 Nominierungen insgesamt
Jennifer Morrison
- Samantha
- (as a different name)
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10Mr Dread
(A) The Sixth Sense and Stir of Echoes must have been the two movies of '99 that I enjoyed the most. Both had good scripts and stories; they were interesting, mysterious, dark, weird -- those are my kinds of movies! They are also a proof that the mysteriousness of ghosts is something we will never tire of or not think to be intriguing.
Stir of Echoes was somewhat similar to Sixth Sense but it was also in many was DIFFERENT. First of all, it (SOE) is dealing with hypnosis and has a more 'criminal' as well as supernatural theme.
This movie is spectacular and the reason it was not recognized as such, is because it was released just a few weeks after The Sixth Sense - a movie which had already satisfied the audience with its supernatural theme. And because The Sixth Sense was such a hit, Stir of Echoes was shoved aside and didn't get the recognition it deserved. Don't get me wrong! I loved Sixth Sense, but this movie is also very good and if you liked The Sixth Sense, I highly recommend you see it!
Stir of Echoes was somewhat similar to Sixth Sense but it was also in many was DIFFERENT. First of all, it (SOE) is dealing with hypnosis and has a more 'criminal' as well as supernatural theme.
This movie is spectacular and the reason it was not recognized as such, is because it was released just a few weeks after The Sixth Sense - a movie which had already satisfied the audience with its supernatural theme. And because The Sixth Sense was such a hit, Stir of Echoes was shoved aside and didn't get the recognition it deserved. Don't get me wrong! I loved Sixth Sense, but this movie is also very good and if you liked The Sixth Sense, I highly recommend you see it!
I have always admired and marveled at Kevin Bacon's versatility as an actor. From the likable fish-out-of-water guy who trips the light-fantastic through a piece of fluff like FOOTLOOSE, to putting everything on the line to play a pedophile in the unnerving THE WOODSMAN, there's hardly anything he can't - or won't do - to show his amazing range.
That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.
He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.
Obviously, the old adage "be careful what you wish for" went right over Tom's head.
At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.
A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.
In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.
When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...
That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.
He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.
Obviously, the old adage "be careful what you wish for" went right over Tom's head.
At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.
A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.
In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.
When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...
Stir of Echoes is a very good horror thriller in the traditional sense. It's the story of a guy who gets hypnotised and develops precognitive psychic abilities which he can't control.
Kevin Bacon is excellent and shows he can be a leading man, while the rest of the cast performs well. Sets, special effects and cinematography are all very good - nothing flashy but solid.
It has shocks and suspense, especially in the first half, and although it could be accused of being a little clichéd, it never strays too far into the 'seen it all before' category.
The second half of the film turns into a more traditional thriller but still holds up well, unlike similarly themed movies such as 'What Lies Beneath.' This is because it is pleasingly short, lasting around 90 minutes (the correct length for a film of this type). There are some plot strands that aren't explained, but this can be forgiven because of the film's running time.
Although not mind blowing, it has a decent payoff at the end and left me satisfied that I'd just watched a good movie. Not a great one, but a good one. Pick this one up cheap on DVD.
Kevin Bacon is excellent and shows he can be a leading man, while the rest of the cast performs well. Sets, special effects and cinematography are all very good - nothing flashy but solid.
It has shocks and suspense, especially in the first half, and although it could be accused of being a little clichéd, it never strays too far into the 'seen it all before' category.
The second half of the film turns into a more traditional thriller but still holds up well, unlike similarly themed movies such as 'What Lies Beneath.' This is because it is pleasingly short, lasting around 90 minutes (the correct length for a film of this type). There are some plot strands that aren't explained, but this can be forgiven because of the film's running time.
Although not mind blowing, it has a decent payoff at the end and left me satisfied that I'd just watched a good movie. Not a great one, but a good one. Pick this one up cheap on DVD.
The biggest problem with Stir of Echoes is the timing of the release. As we all know it was released at the same time as The Sixth Sense and the subject matter is coincidentaly very simular. This film not quite as good as the Bruce Willis classic because i dont think the twist is quite as dramatic. The thing that compares favourably to The Sixth Sense is that Stir Of Echoes is thoroughly entertaining from the first minute. Kevin Bacon Stars as a father who is hypnotised by his sister in law, which results in the opening of his mind to the spirit of a girl who was murdered in his house. His son already had the powers to speak to dead people and together they try to solve why the girl keeps contacting them. The young boy is brilliant in the roll as is Kevin Bacon and the whole film keeps you on the edge of the seat. The way this is filmed is stunning, especially when he is first hypnotised, i nearly went under myself! A Very entertaining movie. 8 out of 10.
When I review a movie I don't go into plot; you can read that anywhere. I'm a screenwriter myself so I tend to write about idiosyncratic things that you'd not look for, but your mind sees. The film has a fresh story, is beautifully lit, artistically shot, and is worth the watch. In the trivia section, one of the contributors has it exactly correct: what they would do is slow the film speed down as much as possible and have the actress walk as normally as she can. Then they speed the film up to regular speed and all the little mannerisms come out in an eerie sort of ghostly ethereal way. It's not used much - Hitchcock would have loved this technique. Lots of fortuitous things happen, like when Bacon kicks a bucket through a window which was accidental but Bacon had the presence of mind to stay in character thus the shot made the movie. The direction was better than average the acting better than average. Ileana Douglas is always good Bacon is usually good or Erbe is underrated and too seldom cast so you had the makings already of a film that you knew had potential. Add the weird twist and Jennifer Morrison, AKA Doctor Cameron from the show "House", and you have a movie that is great to watch on a rainy Sunday afternoon. I recommend it.
Wusstest du schon
- WissenswertesIn the scene where Tom gets angry after digging in the backyard, and kicks the bucket towards the wall, it was not supposed to hit and break the window. This was a "happy accident", and it was used in the film, as Kevin Bacon stayed in character, and continued the scene.
- PatzerDigging in the basement he uses an air compressor when the Jack-Hammer is a Bosch Brute, an electric model.
- Alternative VersionenOn the DVD director's commentary, David Koepp states that for the home video release, the two scenes where words appear blurred on a theatre screen were blurred even more with digital effects. He states that this is because on video, what the text said was obvious well before it should be known to the audience.
- SoundtracksNothing But The Shell
Performed by Steve Wynn
Written by Steve Wynn and Eric Ambel
Courtesy of Zero Hour Records
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- Ecos mortales
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- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.142.914 $
- Eröffnungswochenende in den USA und in Kanada
- 5.811.664 $
- 12. Sept. 1999
- Weltweiter Bruttoertrag
- 21.142.914 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
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- Seitenverhältnis
- 1.85 : 1
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What is the Japanese language plot outline for Echoes - Stimmen aus der Zwischenwelt (1999)?
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