IMDb-BEWERTUNG
6,7/10
1456
IHRE BEWERTUNG
Ein hochpreisiges Callgirl, schockiert über den Tod ihrer Mutter, beschließt, aus dem Geschäft auszusteigen und ein Kind zu bekommen.Ein hochpreisiges Callgirl, schockiert über den Tod ihrer Mutter, beschließt, aus dem Geschäft auszusteigen und ein Kind zu bekommen.Ein hochpreisiges Callgirl, schockiert über den Tod ihrer Mutter, beschließt, aus dem Geschäft auszusteigen und ein Kind zu bekommen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Brenda Denmark
- Woman at Book Stand
- (as Brenda Thomas Denmark)
Empfohlene Bewertungen
It is an intriguing film, told from a woman's point of view. This film allows the viewer time to think which is a big thing. It allowed me to become involved. It is well directed and has unpretentious camera work. Claire is a sensitive woman trying to escape her present, and her past. The action is paced well and does not push a lot of dialog onto us. Like the main character, Claire, the characters draw their reactions to situations at the same time as we do, giving us time to draw our own conclusions. Vincent D'Onofrio plays Elton, the caring lover, discovering the unusual woman. I thought he played his character with great depth, and I really like finding his old films before TV. The Irish pimp, Cain, played by Colm Mearey played his role straight enough. The film shows the world of high-class prostitution with sex scenes that are never voyeuristic but tasteful, again from Claire's viewpoint. And there are nice locations like Manhattan as well as gritty ones.
i would like to add one comment to this film, the only one that is presently listed being a negative comment. this is among the three best films i have seen in recent years. clearly lodge kerrigan has a good grasp on what cinematography is, and this film shows his personal interpretation of that very substance. kathleen kartlidge is wonderful and vincent d'onofrio very touching. i do not know if anyone has paid good attention to the soundtrack. it is very subtly constructed to indicate the actresses' mindstates, and it is a very unique way of using sound to add meaning.
I've seen Claire Dolan in Paris in the theatre. It is a very brutal film, but also very powerful. I think that the director is talented, although the ending left me wanting a bit more. It's a very honest film about prostitution, and sometimes chillingly real. I was disturbed by the violence. It is very well done, with great, believable actors.
Claire Dolan (Katrin Cartlidge) is a prostitute. Like many of them, she really doesn't like sex at all, or even most men, and sees it as a job. She's in debt to her pimp, Roland Cain (Colm Meaney) after he helps pay the medical bills of Claire's dying mother. When her mother passes on, Claire runs off and starts working in a salon, and meets a nice cabby named Elton (Vincent D'Onofrio). But Cain finds her, and he wants his money.
Lodge H. Kerrigan has not directed many films, but if they are as good as this one, I would like to see them. He captures how sterile the sex Claire has is, and shows how she really doesn't enjoy it. I was a bit shocked by how many of the men spoke to Claire. I was taught not to talk to women that way, but then again, guys going to prostitutes probably aren't exactly classy people anyway. Kerrigan does great work with reflections throughout this film, and the ending with Roland and Elton talking on the street gives closure in it's own way.
The acting was awesome. I didn't know Kartlidge could be so prickly, and I would never have imagined Meaney playing a guy who could yell like that. D'Onofrio is a good actor who wasn't given much to work with, although in his last scene with Claire he is far more disturbing than I think any other actor could be, which was what Kerrigan needed. Good, but not for the squeamish, as the movie is about a prostitute and is graphic.
Lodge H. Kerrigan has not directed many films, but if they are as good as this one, I would like to see them. He captures how sterile the sex Claire has is, and shows how she really doesn't enjoy it. I was a bit shocked by how many of the men spoke to Claire. I was taught not to talk to women that way, but then again, guys going to prostitutes probably aren't exactly classy people anyway. Kerrigan does great work with reflections throughout this film, and the ending with Roland and Elton talking on the street gives closure in it's own way.
The acting was awesome. I didn't know Kartlidge could be so prickly, and I would never have imagined Meaney playing a guy who could yell like that. D'Onofrio is a good actor who wasn't given much to work with, although in his last scene with Claire he is far more disturbing than I think any other actor could be, which was what Kerrigan needed. Good, but not for the squeamish, as the movie is about a prostitute and is graphic.
One's first impression might be that the characters and scenes in this movie are simply too cold and emotionless. However, a careful study reveals the "seething" emotions going on in each player; from the pimp Cain who "seethes" with a misogynistic disdain of the women working for him to Elton (played with excellence by Vincent D'Onofrio) who seethes with longing to fulfill something greater in life than just being a cab driver (the attempted mugging scene whereafter he breaks down is just superb!). I think that the final two scenes of the movie--one between a "converted", pregnant Claire being approached by a former john, the other between the Cain and Elton with his wife -- excellently display the tormented, soulful emotions of the characters involved in this story.
Wusstest du schon
- SoundtracksI'll Never Be the Same
Written by Gus Kahn, Matty Malneck, Frank Signorelli
Performed by Coleman Hawkins (tenor sax), Ernie Royal (trumpet), Eddie Bert (trombone),
Joe 'Earl' Knight (piano), Sidney Gross (guitar), Wendell Marshall (bass), Osie Johnson (drums)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 9.480 $
- Weltweiter Bruttoertrag
- 9.480 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
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