Der Saustall

This is one of my favorite films. After all these years, it holds up beautifully. It's surreal, funny, tragic, strange, and somehow all holds together.

Noiret is wonderful, and a great foil for Huppert, with his hang-dog looks and understated acting. Although he plays a policeman, Noiret's character makes his own decisions about justice without the need for pesky government interference.

Isabelle Huppert and Stephane Audran are also perfect in their roles.

The cinematography is superb, with beautiful shots of Africa.

It's hard to categorize this movie, but Coup de Torchon is a must see! I think I've seen it 4 times.

Bertrand Tavernier once again shows why he's one of his country's most challenging directors with this disturbing dark comedy, loosely adapted from a Jim Thompson novel ('POP 1280') but relocated to French Equatorial Africa just before World War II. The story follows a lazy, ineffective police chief in a dusty colonial city, who begins to manipulate his tormentors in much the same way they earlier abused him, discovering along the way the omnipotence of his position and the immunity provided by his reputation as an incompetent buffoon. After suffering the indignities of a natural born doormat all his life, he strikes back with a vengeance, slowly descending into a rational madness that commands sympathy while simultaneously provoking moral outrage (at one point he callously murders the innocent native servant who mistakenly witnessed on of his killings). Tavernier builds the tension from his characters rather than from the plot, using touches of unsettling black humor to further blur the line dividing comedy and tragedy.

Looking at the slew of negative comments that this movie has racked up I can't help wondering what drew these people to it in the first place. What drew ME were the names attached to it, Tavernier, one of THE great contemporary French directors, Phillipe Noiret and Isabelle Huppert, two all-time GREAT French actors. Okay, everyone has the occasional off day but when you get to THIS level of writing, acting, directing, even the bad ones eclipse by a country mile the BEST of such joke talents as Godard and Tarentino and this particular entry is far from bad if anybody asks you. So I'm left with the inescapable conclusion that all these whingers must have wandered into the movie theater thinking they were going to see Gidget Goes Hawaian or How To Stuff A Wild Bikini in which case it is easy to understand their misgivings. For the record this is an excellent example of The Biter Bit aka The Worm Turns and all the ingredients are out of the right bottle and come together in a heady and satisfying brew. 8/10

Bertrand Tavernier has taken the novel "TOP 1280" by Jim Thompson set in North Carolina and produced a riveting French film noir set in Senegal in 1938. At that time it was a French colony that exhibited similar social and racial patterns as in the American South. The use of color and humor add a new dimension to the genre. Tavernier in his comments about the film on the DVD talks about the change in the light in the late afternoon in west Africa. It becomes less intense so he uses pastel colors. Note the light blue walls and the pink shirt of Philippe Noiret who is superb as the village policeman Cordier. Isabelle Huppert who plays the mistress of Cordier with intensity and humor and the other actors make this a must see film. There is much humor in the film but be aware that there are many violent scenes. This is French film noir at it's best.

Jim Thompson meets Joseph Conrad in a small, dusty town in Senegal. The writing is excellent throughout, delving into themes that most films would never have the guts to handle. Brutal, darkly humorous and brilliantly done. A great, great film noir. Not a movie for those easily offended (though one they should probably see and learn from.)