Tôkaidô Yotsuya kaidan

Fast summery of the movie, it's about a samurai who wants a woman as his wife, Doea the unthinkable and then does it again.

It's a good plot and great acting in it. And the scenes are very good! Specially the final part and the scenes and how it's filmed are really nice. The last part of this movie really made the movie shine and it was really good stuff.

It's a good revenge movie, the main villians you really hope to die as mercyless and themselves were. I liked this movie a lot, even though I was sitting after half the movie wondering were the ghost stuff were suppose to happen and man didn't i have to wait long.

All in all, great horror movie.

This film essentially begins with a young samurai by the name of "Iemon Tamiya" (Shigeru Amachi) asking a more high-level samurai named "Samon Yotsuya" (Shinjiro Asano) to marry his daughter "Iwa Yotsuya). In response, Samon angrily refuses because he considers Iemon to be much too hedonistic and of low-moral character. Not surprisingly, this infuriates Iemon and, as if to prove Samon's point-he furiously draws his sword and kills the older man on the spot. Having witnessed the murder and wanting to capitalize on it, a cunning peasant named "Naosuke" (Shuntaro Emi) appears from the shadows and advises Iemon on exactly what to do next. Needless to say, Iemon listens quite intensely and in relatively little time he does, in fact, marry Iwa. Likewise, Naosuke also gets closer to realizing his ambition of marrying Iwa's sister "Sode" (Noriko Kitazawa) who was always out of reach for him due to his low status in life. However, what neither Iemon or Naosuke realize is that, eventually, their evil deeds will catch up to them--and when they do--they come in a most bizarre manner. Now, rather than reveal any more, I will just say that this was a good horror film which took a bit of time laying down the foundation of the story before really increasing in intensity later on. Admittedly, the costumes and makeup used pale in comparison to the CGI and special effects found in more modern films of today. No question about it. But even so, I thought that the overall movie was still quite entertaining, and I have rated it accordingly.

Tired of living in poverty with his wife, a samurai hatches a scheme to kill her off so he can marry a wealthier woman which he carries out successfully, but her ghost returns to torment him for the wrongful death and must find a way to stop it before he is condemned for eternity.

This is one of the most enjoyable and faithful variations of the story. Even though most of them are going to be pretty much similar to what happens, this one goes for a straight retelling of the story which comes off decently. With the first half retelling their life in poverty together, these reinforcements of the society gap between the two becomes heavily integrated with the original story which isn't that action-packed yet wholly sets up the ghostly vengeance later on. When the murder happens and the ghostly stuff starts to happen, it gets infinitely better through the use of actually having stuff happening as those allow this one to surprisingly become far more watchable. With the last part of the film taken up by this use of classic Gothic horror tropes as the visions of the two ghosts appearing around the huts or appearing out of the swamp, moaning and madness all start to come into play here in a series of long, extended scare scenes that take on a fine form of revenge against him and even does correct some flaws found here. It doesn't have too many flaws about it to hold it back. The first half of this film has absolutely nothing of any real value as a horror film at all, looking absolutely like a lame drama about the social standing rather than anything to do with a ghost story, and it makes for some utterly boring and not at all interesting times. The endless talks of him trying to get a better life, the prodding from his friend who knows too much and the interactions with the wife all compound together to make this a pretty bland part of the story. As well, the film also really looks it's age with the set-based look of the villages and the cramped, confined feel completely destroys the intent of being out in the countryside the way it should be. The positives counteract some of these issues but not all of them, leaving this as a rather interesting take on the story but overall not much else.

Rated Unrated/PG-13: Violence.

The classic tale of 'The Ghost of Yotsuya' is entertaining enough, and zips along in its 76 minute run time, but it didn't deliver any knockout blows. The story is fairly black and white, with a ronin and his sidekick committing murder to get the women they want, but the depth of the blackness in their hearts is surprising, and makes it effective. Personally, I didn't find their supernatural comeuppance all that frightening, and felt that director Nobuo Nakagawa relied too much on the shock value of visuals, instead of creating real tension. The visuals are decent, but they're also dated, and we rarely fail to see what's coming. The performances were also generally over-done, though I understand my perspective is from another culture. Anyway, fans of the genre will probably enjoy this one.

And who can fault Iwa's fury? Her husband Iemon murders her father to marry her, deceives her into parting from her sister, fathers her child, pays another man to seduce her, then administers a disfiguring poison so he can marry another woman. Yet Iemon is not wholly wicked - he suffers pangs of conscience, and most of his crimes are the result of his servant's goading. Whilst our sympathy goes to Iwa, our empathy extends to Iemon. The film is endowed with the dimensions of a classical tragedy, as the director undoubtedly intended. In fact, the picture's opening scenes are unabashedly stage-bound, before it shifts subtly into an engrossing cinematic experience. Although the story has been adapted to film many times in Japan, this is generally considered the definitive version.

Besides its dramatic power, this version of Ghost Story of Yotsuya is visually sumptuous and thrillingly scored, the scope compositions are masterly, and the female phantom's appearance is truly nightmarish.

This is easily the most accomplished, frightening and satisfying of Nakagawa's period ghost stories.