The Snow Woman

As a big fan of Kwaidan I was really excited to see a new version of this. In Kwaidan the Snow Woman sequence is only about forty minutes, but here it's a full movie! So how does it compare! It blows the sequence away (even though I prefer Kwaidan as a whole) The woodcutters are expanded, and you get to see the Snow woman in more action sequences; sometimes it even resembles a slasher movie. What a fantastic idea! You got a ton of creepy atmosphere in the form of the scares and the Japanese folklore feel. I highly recommend you get Radiance's 4k release of this, a ton of character, alot of spookiness!

Three years after an adaptation in 1965's KWAIDAN, the classic Japanese ghost story of the yuki-onna (snow woman) gets a feature-length telling. While Tokuzo Tanaka's film might feel a little redundant after the wonderful adaptation of the story in KWAIDAN, KAIDAN YUKI JOROU is still well worth a look for fans of Japanese folk horror.

Extending the tale to eighty minutes doesn't feel like stretching it too thin; the feature-length story gets to focus more time on character development and crafting emotional connections, which helps the climax reach surprisingly emotive heights. You almost forget it's a horror flick in the middle, with the vibe lying somewhere between fantasy and family drama, but these portions don't drag like they could have.

The film is beautifully shot and has some wonderfully memorable visual moments, especially near the end. These '60s Japanese horrors do such a wonderful job creating a spooky atmosphere, which is amplified by the setting and time period. It's like you're seven years old, telling ghost stories around the fire, except you're in rural Japan and wearing a kimono for some reason.

It is rather predictable and features a lot of the missteps of Japanese cinema from this time period (overacting, a tendency towards ham-fisted asides and monologues, etc.), but if you enjoyed the likes of KWAIDAN and ONIBABA, this should tickle your fancy.

After taking refuge from a deadly blizzard, a sculptor (Akira Ishihama) encounters a beautiful yuki-onna (a demonic 'Snow Woman') who spares his life if he promises never to tell anyone about the encounter. Soon after, Yuki, a lovely young woman (Shiho Fujimura), travelling alone and with no family, appears in his village. The sculptor is captivated by the mysterious women and soon marries her, but not before she catches the lecherous eye of a cruel, dishonorable samurai. This is one of several film versions of the frosty fable, others being 'The Woman of the Snow', one story in Masaki Kobayashi's excellent supernatural anthology 'Kwaidan' (1964), another being 'Snow/Woman' (2000) an awful, bargain-basement 'pinkie', worth watching solely for the cute, and occasionally naked, white-witch. Tokuzo Tanaka's 1968 version is creepily surreal at times, especially the scenes where the otherworldly woman with the golden eyes seems to glide over the snow. Shiho Fujimura makes for an enchanting yokai, the story is engaging, the music good (the film was scored by Akira Ifukube, the composer behind many of Toho's great kaiju themes) and the special effects (the witch's demonic eyes and the preternatural 'freezing') are nicely done. Slow moving and subtle by modern horror-film standards but still an excellent candidate for a midnight viewing with a fine bottle of sake or Japanese whisky to keep you warm when the spectral snow starts to fall.

I recently watched the Japanese film Ghost Story of the Snow Witch (1968) on a streaming service. The plot follows a wood craftsman caught in a snowstorm while searching for the perfect tree. Seeking refuge in an abandoned home, they encounter a witch who kills the craftsman and strikes a deadly deal with the apprentice, promising a return if the pact is ever broken.

Directed by Tokuzô Tanaka (Zatoichi the Fugitive) and featuring performances from Shiho Fujimura (Zatoichi's Cane Sword), Akira Ishihama (Harakiri), Mizuho Suzuki (Akira), and Taketoshi Naitô (Lone Wolf and Cub: Sword of Vengeance).

The portrayal of the witch is remarkably impressive for its time, with intense and well-crafted eyes giving her an almost owl-like appearance at times. 🦉 The witch's allure is gorgeous, even surpassing human form flashback scenes, adds to the film's appeal. The unfolding backstory captivates, and the cinematography, particularly during the era, stands out. The depiction of the snowstorm and landscape shots left a lasting impression. The storyline weaves several intriguing twists until a satisfying conclusion.

In summary, Ghost Story of the Snow Witch offers a unique and engaging witch narrative well worth your time. I'd score this a 7.5-8/10 and strongly recommend it.

A wonderful story told so well in this adaptation. It is so much more than a horror story. It is a story of love and compassion but with great sadness. It captures the imagination in a way that the Japanese are true masters at.

I want more of these kind of movies!