IMDb-BEWERTUNG
4,4/10
1033
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA serial killer in San Francisco murders without motive or apparent pattern and taunts the police with phone calls and letters.A serial killer in San Francisco murders without motive or apparent pattern and taunts the police with phone calls and letters.A serial killer in San Francisco murders without motive or apparent pattern and taunts the police with phone calls and letters.
Doodles Weaver
- Doc
- (as Doddles Weaver)
Manny Cardoza
- Hippy
- (as Manny Cordoza)
Empfohlene Bewertungen
Though an obvious exploitation flick, this cheap indie does have its moments. The first part is rather amusing, before the slash and bleed takes over. The obnoxious Grover (Jones) is a middle-age pretender of the type not often given central focus. His efforts at being a wig-wearing stud, however, appear to pad the runtime. Still, his romantic misadventures remain oddly entertaining. Then too, many of the camera angles show imagination, along with some jarring editing. And I agree that the group sing before a murder is genuinely creepy and the movie's high or low point. Nonetheless, the script appears erratic and pointless at times. And, to put it charitably, the acting sort of comes and goes, at best. Also, I could have done without Zodiac's lecture at the end. All in all, some elements show promise, but overall results fail to rise above erratic exploitation.
(In passing—as a fan of true crime, I recall reading a couple accounts of the murders. But it's been awhile. Nonetheless, I recall certain features in the film that coincide with actual episodes. Namely, the lakeside murder of the two youngsters by a hooded stranger; the murdered couple in lovers' lane; and detectives consulting a psychic once the Bay Area became alarmed. The remainder of the killings I don't recall as actual, and suspect that some are the result of cinematic imagination.)
(In passing—as a fan of true crime, I recall reading a couple accounts of the murders. But it's been awhile. Nonetheless, I recall certain features in the film that coincide with actual episodes. Namely, the lakeside murder of the two youngsters by a hooded stranger; the murdered couple in lovers' lane; and detectives consulting a psychic once the Bay Area became alarmed. The remainder of the killings I don't recall as actual, and suspect that some are the result of cinematic imagination.)
I must admit I had to laugh out loud when Doodles Weaver, a long-time comic actor, appeared in a small part as the Zodiac Killer's next door neighbor.Doodles was a holdover from the Fifties' Golden Age of Television and he had the funniest lines in this movie. Some of the murder scenes were rather intense and I felt that movie held my attention. The Zodiac in this movie had no real m.o for the police to follow and this perhaps explains why he was never captured in real life. I found it interesting that the murderer in this movie carried around his disguises (wig, fake glasses with a plastic nose and, most noticeably, a black executioner outfit. The attack of the young couple is very graphic and still quite powerful after all of these years. If you're interested in the real-life Zodiac case, you'll need to take this movie with a grain of salt!
A cheapo expose on the Zodiac murders that occurred in the San Francisco Bay area in 1968 and 1969 that benefits from its year of release in 1971, not too far removed, the stringent budget which lends the project a degree of authenticity, as well as the focus on who the film portrays as the killer, a postal clerk who loves rabbits, and buries one that died near a cross, in a strikingly bizarre scene. Compared with the film that came out in 2007, this one stands up pretty well, especially for connoisseurs of films like this, no-budget but an eye for creativity. It made it on to the TCM Underground films, a wise decision by the program director.
A slapdash indie production made to cash in on, and potentially aid in the capture of the still-unidentified "Zodiac" killer who paralyzed the San Francisco Bay Area with fear for two years. In this illusory concoction, the killer's identity is no mystery, as we are introduced to him formally as a seemingly mild-mannered mail carrier who loves his pet guinea pigs, and occasionally worships at a chintzy Satanic altar in his apartment.
Despite some intermittent unintended chuckles, this film actually imparts a few fairly potent violent murder scenarios. It might actually be worth a look for patient crime thriller and grindhouse horror enthusiasts, with the understanding that it has little foothold in factuality. Additionally, the backstory of its production makes it something of a novelty, as it was hoped that the film might rouse the interest of the killer, potentially leading to his identification and apprehension. Though this plan ultimately failed, I like to think that he did see the film...he'd surely be pretty miffed that his evil reign of terror was reduced to cheesy, low-budget exploitation fodder(*snicker...).
4.5/10.
Despite some intermittent unintended chuckles, this film actually imparts a few fairly potent violent murder scenarios. It might actually be worth a look for patient crime thriller and grindhouse horror enthusiasts, with the understanding that it has little foothold in factuality. Additionally, the backstory of its production makes it something of a novelty, as it was hoped that the film might rouse the interest of the killer, potentially leading to his identification and apprehension. Though this plan ultimately failed, I like to think that he did see the film...he'd surely be pretty miffed that his evil reign of terror was reduced to cheesy, low-budget exploitation fodder(*snicker...).
4.5/10.
The Zodiac Killer (1971)
** (out of 4)
San Francisco finds itself under attack due to a string of murders where people are shot for no apparent reason. The film introduces us to a "what if" scenario as we meet several people who may or may not be the serial killer.
It's important to remember that when THE ZODIAC KILLER was released, the city itself was still under terror from the real thing. Obviously this has exploitation written all over it but one might be shocked that director Tom Hanson doesn't go over-the-top with the sleaze and instead it tries to take a serious approach on the subject. On the whole this isn't the best movie ever made but it features enough to make it worth viewing for fans of the genre.
What I enjoy most about the film is that it perfectly captures the time that it is set. There have been a lot of movies that tackled the subject but this here is the only one that takes place where the crimes happened. There's a surreal nature to the film that works extremely well and I thought the atmosphere was quite good. You really do feel as if you're watching a documentary on the real Zodiac because of how good the setting is. The film also benefits from some memorable death scenes. None of them, with the exception of a knife attack, are all that graphic but at the same time they are memorable.
With that said, there are some major flaws throughout the picture. The biggest is the fact that the film really drags at 85-minutes. The pacing of the movie is quite poor and it just drags to the point where you'll be wanting to scream for them to speed things up. The performances are also rather poor to say the least and some of the dialogue is even worse. One could also argue that the film doesn't have the greatest of stories but at the same time you have to give them credit for making a film in hopes of catching a real killer!
** (out of 4)
San Francisco finds itself under attack due to a string of murders where people are shot for no apparent reason. The film introduces us to a "what if" scenario as we meet several people who may or may not be the serial killer.
It's important to remember that when THE ZODIAC KILLER was released, the city itself was still under terror from the real thing. Obviously this has exploitation written all over it but one might be shocked that director Tom Hanson doesn't go over-the-top with the sleaze and instead it tries to take a serious approach on the subject. On the whole this isn't the best movie ever made but it features enough to make it worth viewing for fans of the genre.
What I enjoy most about the film is that it perfectly captures the time that it is set. There have been a lot of movies that tackled the subject but this here is the only one that takes place where the crimes happened. There's a surreal nature to the film that works extremely well and I thought the atmosphere was quite good. You really do feel as if you're watching a documentary on the real Zodiac because of how good the setting is. The film also benefits from some memorable death scenes. None of them, with the exception of a knife attack, are all that graphic but at the same time they are memorable.
With that said, there are some major flaws throughout the picture. The biggest is the fact that the film really drags at 85-minutes. The pacing of the movie is quite poor and it just drags to the point where you'll be wanting to scream for them to speed things up. The performances are also rather poor to say the least and some of the dialogue is even worse. One could also argue that the film doesn't have the greatest of stories but at the same time you have to give them credit for making a film in hopes of catching a real killer!
Wusstest du schon
- WissenswertesDirector Tom Hanson rented the Golden Gate Theater in San Francisco and premiered the film on April 7th, 1971 with the intention of luring the real Zodiac Killer to one of the screenings. Kawasaki sponsored the event, and offered a motorcycle as a prize to the audience member who wrote the best answer to "I believe the Zodiac kills because..." on yellow cards that were handed out at the door. Hanson set up a team of people to analyze each entry for handwriting that matched that of the killer, and planned to confront them in the lobby if a match was found.
One particular night, Hanson encountered a man who according to him closely resembled the famous wanted poster sketch and had submitted more than one entry, despite warning the staff against providing multiple ones per person. Due to the fact that the employee who was concealed in the submission box was incapacitated; Hanson had some other employees present seize the man, who reportedly didn't even act surprised when grabbed. Hanson then personally confronted him, claiming to be Zodiac victim Paul Stine's brother. The man nonchalantly responded that he was sorry to hear about Stine's murder, and ultimately, he was let go. The next day, Hanson found that the man was staying in a nearby hotel, and was apparently a Vietnam veteran. He was convinced that the man was The Zodiac and even claims to have received several letters from the killer later on, which were confiscated by the Police. Since the contest to win the motorcycle was largely a sham, no one ever "won" the prize, and Hanson eventually gave it away to a friend of his.
- PatzerThe police car that responds to the cabbie murder has no insignia on the door.
- VerbindungenEdited into The Green Fog (2017)
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Details
Box Office
- Budget
- 13.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 34 $
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By what name was The Zodiac Killer (1971) officially released in India in English?
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