Strays

Strays (1997) is a movie that I recently watched on Tubi. The storyline follows three friends that share an apartment in Manhattan. They each live their own lives making ends meet, selling drugs and womanizing. When one of the friends wants to change his lifestyle, not be known as just a drug dealer and have an actual relationship, the other friends push back and call him crazy.

This movie is written by, directed by and stars Vin Diesel (xXx) and also stars Mike Epps (Friday After Next), Suzanne Lanza (Dexter), Joey Dedio (Captain Planet) and F. Valentino Morales (The Fast and Furious).

The storyline for this had some potential with unique storyline, characters and circumstances. The cast delivers solid performances and Mike Epps was hilarious, though painfully underutilized. Vin Diesel delivers a relatable performance and easy character to root for. There were some scenes that were odd, whether it was Diesel turning down ladies begging to have sex with him or showing up to a party with nothing but a wife beater on.

Overall, this movie has some potential and worthwhile writing that is worth a watch. I would score this a 6/10 and strongly recommend it.

Review: Although the movie seems cheap and it doesn't really start off that well, it does end up with a moral to the story and it's good to see Vin Diesel really act. We are all used to seeing Diesel play the tough guy in his big budget movies, but in this film he shows that he has a heart and that bullets can't always bounce off of his body. All of the cast look like there on steroids, except for Mike Epps, and it has a deep undertone of a band of brothers who grow up doing everything together. Personally, I hated the beginning, but when the storyline kicks in its pretty average. If you keep in mind that this was made with a very low budget, totally by Vin Diesel, it is well put together but it's not a classic like earlier Scorsese movies, which it did remind me of. Average!

Round-Up: After watching Riddick last week, it's amazing to see how far Diesel has come. It's a shame that Diesel doesn't show his acting skills more in his movies because he actually can act. At this point, we all know what to expect from his films. They all seem to be big budget action movies which shows that he has become type casted. Maybe he needs to go back to the drawing board to show that he doesn't have to show his muscles and kick ass in all of his films. As for the other cast, you can tell that this is the first time that they have been in front of a camera, but the chemistry between the cast seemed very real.

I recommend this movie to people who want to see an early Vin Diesel trying to get out of the hood and falling in love. 3/10

Sometimes the combination of good writing, good direction and good casting collides into a great movie. Writer/Director Vin Diesel stars as Rick, the emotional center to a very strong ensemble of acquired family. The older brother who is finally facing the future, Rick tries to develop a new life while still taking care of his circle of strays. He rebels from his sex-filled nights against Salvatore, a womanizing freeloader and his drug-providing past with Fred, his not so bright cousin. Their unending loyalty keeps the "family" strong, even when he falls in love with a midwestern outsider, Heather. Perceptive and extremely witty writing keeps the pace throughout the film, and his chemistry with Fred, played beautifully by Joey Dedio, is worth the price of the ticket alone.

This movie rang very true to me. Excellent dialog for the most part. There were some funny parts as well, but mostly it was an honest portrayal of a similar kind of life I used to live. This is as good as anything Spike Lee has done on a similar low budget and your hat as to go off to Vin Diesel for the effort. The only small negative, as others have mentioned, was some of the confrontational language was a bit exaggerated and unnecessary. One really great scene was Vin Diesel singing "If I only had a heart" from the Wizard of Oz... that just plain worked. The interracial friendships were heartening and rang true.

STRAYS (or DOORMEN as his script was initially titled) marks the entry of Vin Diesel (AKA Mark Sinclair Vincent) into the film world in a very small budget (under $50,000.), independent 1997 movie he wrote, directed and acted the major role. To appreciate this very realistic, modest, slice of New York life the film presents, it helps to watch the features added to the DVD (the film is released to the public for the first time): interviews with the cast and with Diesel give a sensitive and heartwarming background that enhances the movie experience. Though Diesel studied acting and worked in theater in New York prior to this film, it was not until he made his own film that he captured the attention of the people who make things happen. And now that Vin Diesel is a major Hollywood presence it is fascinating to see this initial opener.

The plot is simple enough: Rick (Diesel) is a minor drug dealer who also works as a bouncer with his buddy Tony (F. Valentino Morales), and hangs with Fred (Joey Dedio) and his 'brother' (Mike Epps, in his first role in film). The guys live mainly for easy sex and camaraderie - all of the have been raised by mothers without knowing their fathers (thus, are 'strays'). As Rick matures he grows tired of his shallow lifestyle, misses the connection with his mother he never developed, and is prime bait for a relationship. Into his life steps Heather (Suzanne Lanza), a wholesome Midwestern girl, the two have a mutual attraction, but as their courtship dance progresses Heather disapproves of Rick's at times gang-like behavior and his drug dealing. They come together in an extended park bench conversation (excellent writing) during which they realize they each have repairs to do on their previous lives before they can enter a serious relationship.

One aspect of this little film that makes it a cut above the many others like it is the quality of natural acting Diesel draws from his cast: uncredited female actors who provide the sex interest for the men are variably excellent, and Morales, Dedio and Lanza are particularly strong in their commitment to ensemble acting. The script is fairly strong, though the barrage of expletives becomes tiresome after a while. Yet in the end, Diesel establishes his skills as a serious actor and as a fine director and writer, and for the chance to see one of Hollywood's major talents in his nascent stage, this film is well worth watching. Grady Harp