Toorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um ei... Alles lesenToorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um einen genetisch veränderten Messias hervorzubringen.Toorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um einen genetisch veränderten Messias hervorzubringen.
- Auszeichnungen
- 1 Nominierung insgesamt
- Neolite MIB
- (as Pete Thias)
Empfohlene Bewertungen
Director Mathieu Kassovitz has been in the business for a while now and is a well complete actor as well and still something about this project went wrong. The story itself seems solid - and somewhat I can imagine the book being just great - but the movie looks rushed with only the most important and visual parts shown.
Actually, it's a kind of annoying experience as you can see how really good it could have been if they only did a better job on the background and the storytelling instead of mixing everything from the book in an action packed movie. Now being totally honest, the action isn't great at all thanks to the shaky hand cam effect (The Bourne Legacy I guess ...) and uninspired choreography. Same goes for the acting : Depardieu and Wilson are easily the worst : they would have read the script for the first time it wouldn't have surprise me.
Considering all the good material it certainly feels like a misproduction, someone said the director and actor Vin Diesel were having different opinions and I do hope the latter won because if Kassovitz did it the way he wanted I'd be really disappointed.
We've been awarded with such great movies around the same kind of subject (Children of Men to name one) that this one seems pale compared to those.
Do you like headaches? Do you wake up everyday saying "Today sure is a great day to see a movie that could have been great, but I'd rather be confused!" Well then go see this movie! I don't really know what else to say, you can't really rate a movie as good, or bad, unless there is a movie to rate. It was so jumbled around with drastic scene changes, a plot that you don't even understand at the end of the movie, and uhhh, be prepared to be in an altered state of mind when you go to see it, maybe then you'll think you get it. Otherwise you're gonna hate this movie.
The setting is the world in ruins after nuclear war. Vin Diesel comes in as the anti-hero, terrorist hired to deliver a "package" to the US. Enter Michelle Yeoh as the protector and chaperone to the package. She's excellent in her role as a nun in a seemingly peaceful cult spouting lines such as, "just because we are peaceful, doesn't mean we are weak." There are some nifty special effects and enough mystery at the beginning to make me believe the film is going to get 7 stars.
Except for some futuristic technology, that's about it for the good parts of the film.
As for the bad parts, have you ever seen The Simpsons episode with Mel Gibson? The last half hour of Babylon AD is treated like Homer Simpson's version of Mr. Smith Goes to Washington. I'm not kidding. It was shockingly bad and truly follows Homer's vision.
I'm still not quite sure what point the movie was trying to make. The story becomes so muddled and the acting is so bad at times that I had no idea what was going on. About 3/4 through the movie, one of the most awkward sexual tension scenes is thrown in for the hell of it. There's no build to it and it makes absolutely no sense, which unfortunately becomes the recurring theme until the end.
First off, Babylon begs three questions: 1) what did director Mathieu Kassovitz do to make the studio so mad, 2) what is Gerard Depardeau doing in this movie, and 3) what happened to Vin Diesel's career? I'll answer all of those. Except number 2. I have no idea what he was thinking.
Director Kassovitz is certainly talented - there's no denying that. There are some moments where the film shines with beautiful shots, decent visuals, and some daring moves from the director of Gothika, but in the end, the editing process is so obviously influenced by the studio wanting to tone down the movie and keep it 'simple' that it really hurt the movie in the end, and it's very easy to see why the director is mad. If the movie has a director's cut, I'll give it another shot on DVD.
Vin, Vin, Vin...what happened, buddy? Five years ago you were the KING of action, and now...ugh. Diesel needs the next Fast and Furious movie to be awesome...for his credibility's sake. Scratch that. He just needs it, okay? I really felt no attachment to his character in this, even though you're supposed to go on this transcontinental adventure with him and feel what he feels, that's totally impossible because Diesel allows no room to feel what he's thinking. Michelle Yeoh, always the bright spot of movies, is a healthy addition to the film, while Melanie Thierry is absolutely gorgeous (so no complaints here). Again, I have no idea what some people were thinking. *slaps Gerard Depardeau and Charlotte Rampling*
The film is more of an apocalyptic thriller than an action thriller, and delves in to the realm of science fiction more than a few times. I especially liked Kassovitz's vision of a futuristic New York. Though not as scary as Francis Lawrence's vision in 'I Am Legend', it was still pretty dark, brooding, and intense. What action is in the movie is exciting. Though the snowmobile chase sort of came out of nowhere, it was still well done. It seems as if Vin has to have something like that in all of his films.
All in all, Babylon A.D. serves as a great example as to why studios are losing their minds *glares at the people who made Disaster Movie*, and should just let the directors and actors do their jobs correctly. There's a longer cut of this movie, I'm sure of it, and that cut will have better action, more development, and more explanation for the seemingly mind boggling events in the film. If said longer cut comes out, I'll give it a chance, and you should too. My real meaning? Wait for the DVD if you're interested at least a little.
Wusstest du schon
- WissenswertesWhen the film was released, director Mathieu Kassovitz called it a "bad episode of 24: Twenty Four (2001)." In an interview with amctv.com, Kassovitz said that 20th Century Fox interfered throughout production, and he never had a chance to shoot a scene the way it was scripted, or the way he wanted it to be.
- PatzerWhen we are first introduced to Auroa, you can see she has her tongue pierced with a gold barbell in a couple of close-ups when she is talking. Her character would obviously not have had her tongue pierced for many reasons, not the least being she has never ventured out into the world. In later shots, the piercing is no longer there.
- Zitate
Sister Rebeka: Aurora could speak when she was two years old.
Toorop: Oh, a lot of kids speak at two.
Sister Rebeka: Not 19 different languages.
- Alternative Versionen20th Century Fox and Studio Canal released this film in different countries separately (since it is a co-production between the two companies). However, the version released by Fox (released for example in the United States and Great Britain) runs 90 minutes whereas the Studio Canal versions runs 101 minutes (released for example in France and Germany).
- SoundtracksDeuces
Written by RZA (as Robert Diggs) and Shavo Odadjian
Performed by Achozen
Courtesy of UrSession Records, Wu Music Group and Columbia Records
Published by Universal Music Careers and Allyomusic (BMI)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Misión Babilonia
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.532.572 $
- Eröffnungswochenende in den USA und in Kanada
- 9.484.627 $
- 31. Aug. 2008
- Weltweiter Bruttoertrag
- 72.109.200 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1