IMDb-BEWERTUNG
8,0/10
7182
IHRE BEWERTUNG
Der Deutsch-Amerikaner Dieter Dengler spricht über seinen Dienst als US-Marinepilot im Vietnamkrieg. Dengler besucht auch die Orte, an denen er gefangen genommen wurde.Der Deutsch-Amerikaner Dieter Dengler spricht über seinen Dienst als US-Marinepilot im Vietnamkrieg. Dengler besucht auch die Orte, an denen er gefangen genommen wurde.Der Deutsch-Amerikaner Dieter Dengler spricht über seinen Dienst als US-Marinepilot im Vietnamkrieg. Dengler besucht auch die Orte, an denen er gefangen genommen wurde.
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- Für 1 Primetime Emmy nominiert
- 5 Gewinne & 3 Nominierungen insgesamt
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The movie is mainly a monologue, with glimpses of Dieter's life nowadays, but built in its central section around the somewhat bizarre device of having him return to the jungle with a band of Vietnamese who partly reenact his experiences - he demonstrates torture techniques, the march through the jungle etc. Herzog is too much a filmmaker to be satisfied with mere memories it seems - he must also see: although with full knowledge that this form of retrospective seeing will be inescapably somewhat bizarre. Dieter's past traumas and current stability (although he's still preoccupied by the idea of closed doors and is still hoarding vast unneeded emergency food supplies - the former seems a bit staged, but that's part of the intrigue) seem to chime with Herzog's own past glories and now relative reduced state, and the title with its obviously childish edge has an air of longing and acknowledgment of past fantasies and their fatal possibilities. But despite the true pain of the monologue, Herzog doesn't dwell on adversity, but rather on the ultimate grandeur (for example, the final image of thousands of military planes parked in the desert) - in which context his movie seems to fall short of the true cosmic resonance of some of Errol Morris' work. But he coaxes Dieter's story expertly and has the classic strengths of a good story-teller, and the movie's quite fascinating even if it doesn't completely gel in all respects.
This documentary film from the great film-maker Werner Herzog, tells the story of Dieter Dengler, who grew up in Germany with a passion for flight. Emigrating to the US he joins the Army in order to become a pilot, during the Vietnam War.
Dieter's incredible story is told in his own words. Most of the film involves Dieter in the various locations of his story, describing what happened to him. Dieter comes across as very likable and good-natured. With his eye for the telling detail and surreal moment, Herzog once again explores the mysteries of the world and human nature.
This is a humorous, powerful and deeply moving work and is well worth catching.
Dieter's incredible story is told in his own words. Most of the film involves Dieter in the various locations of his story, describing what happened to him. Dieter comes across as very likable and good-natured. With his eye for the telling detail and surreal moment, Herzog once again explores the mysteries of the world and human nature.
This is a humorous, powerful and deeply moving work and is well worth catching.
Wow.this is a touching story! First i saw 'Rescue Dawn'.I didn't 'like' it. And now i have seen the person , Dieter Dengler , about whom this story is being told by Herzog.Very Impressing.Dieter is a driven human being who encountered the most opposite emotions in his live on this earth.what an extraordinary life this person has led. His tale about the capture by the Patet Lao/Vietcong and thus his suffering is horrifying but what's most impressive is his incredible will to survive.How could he find the strenght ? In a haunting way , Dieter is telling us in full flowing sentences about his terrible ordeal during his captivity... he is a great storyteller and Herzog does him the justice this brave man deserves.
In my opinion.'Little Dieter needs to fly ' tells it all ! , leaving nothing to the imagination , thus making ' Rescue dawn ' a superfluous film. The horror doesn't get more real than in the words of Dieter Dengler himself.He totally succeeds in painting the picture.
In my opinion.'Little Dieter needs to fly ' tells it all ! , leaving nothing to the imagination , thus making ' Rescue dawn ' a superfluous film. The horror doesn't get more real than in the words of Dieter Dengler himself.He totally succeeds in painting the picture.
After I finished watching this intriguing documentary, I wondered; how much of Little Dieter was in Herzog, and vice versa? For Werner Herzog(and Dieter likewise) seemed capable of evoking a whole spectrum of human emotions in his works, however idiosyncratic they looked on the surface.
In this story of an American immigrant from Germany, who piloted a plane in Nam, got shot down, interned, escaped and survived, we got to see how the man lived, before, during and after this arduous period of ordeal. All that insurmountable pain and uphill battles might not have fazed the man, but it certainly took its toll. Memories of these experiences continue to haunt his being. Case in point, due in part to enduring that period of torture and starvation, the man now stocked his cellar with lotsa food in case he's ever locked in....
Could the above have been a reason why Herzog chose to film this man? A man seemingly steeped in personality dysfunctions but was in fact merely a wounded man living his life, the only way he knew how? Could it be that Dieter's story also somehow mirrored Herzog's life and outlook? Damned if I am to know the answers to these universal mysteries...
Much had been said about the questionable sanity of Werner Herzog. But during my intensive devouring of his films over this last week, I began to see a pattern unravelling. This man had many profound insights to share with us all about humanity. And they often transcended intellectual boundaries. Through those intangibly twisted tales he weaved, he conveyed his ideas to us all lucidly, impactfully. And he did them all without ever gauzing the profusion in his bleeding heart. This man was never afraid of showing his earnest emotions nor was he afraid of breaking cinematic conventions. If one cared enough to be touched by the man, he or she will do so without safety nets. I did. Nice.
Yes, its no longer fashionable in these times of impenetrable cynicism to embrace a man like Werner Herzog. But I am fascinated by this psycho visionary nonetheless. And I will follow the man to the very pits of wherever he's heading. As long as its somewhere I'm willing to go, that is....heh.
In this story of an American immigrant from Germany, who piloted a plane in Nam, got shot down, interned, escaped and survived, we got to see how the man lived, before, during and after this arduous period of ordeal. All that insurmountable pain and uphill battles might not have fazed the man, but it certainly took its toll. Memories of these experiences continue to haunt his being. Case in point, due in part to enduring that period of torture and starvation, the man now stocked his cellar with lotsa food in case he's ever locked in....
Could the above have been a reason why Herzog chose to film this man? A man seemingly steeped in personality dysfunctions but was in fact merely a wounded man living his life, the only way he knew how? Could it be that Dieter's story also somehow mirrored Herzog's life and outlook? Damned if I am to know the answers to these universal mysteries...
Much had been said about the questionable sanity of Werner Herzog. But during my intensive devouring of his films over this last week, I began to see a pattern unravelling. This man had many profound insights to share with us all about humanity. And they often transcended intellectual boundaries. Through those intangibly twisted tales he weaved, he conveyed his ideas to us all lucidly, impactfully. And he did them all without ever gauzing the profusion in his bleeding heart. This man was never afraid of showing his earnest emotions nor was he afraid of breaking cinematic conventions. If one cared enough to be touched by the man, he or she will do so without safety nets. I did. Nice.
Yes, its no longer fashionable in these times of impenetrable cynicism to embrace a man like Werner Herzog. But I am fascinated by this psycho visionary nonetheless. And I will follow the man to the very pits of wherever he's heading. As long as its somewhere I'm willing to go, that is....heh.
Your jaw will drop to the floor about 3 minutes into the movie......and you won't pick it up again until the end. Drips with irony......as only real life stories can. A masterpiece. A must see in theatre, on video.......any which way you can. Seek it out. If you have seen Crumb and liked it, see this too. If you haven't, then see Crumb also. Truth murders fiction. This is the only 10/10 rating I have ever given a movie.
Wusstest du schon
- WissenswertesThe exotic-sounding music heard during the "native" sequences is Tuvan overtone music, sometimes called "throat music." It enables the singer to sound as if he had two or more voices.
- PatzerThe Movie Poster shows what's actually a German Luftwaffe aircraft painted with US markings.
- Alternative VersionenThe DVD release adds an epilogue which tells of Dieter Dengler's death from ALS in February 2001 and shows footage of his burial at Arlington National Cemetary.
- VerbindungenFeatured in Storyville: Little Dieter Needs to Fly (1997)
- SoundtracksBuciumeana
Written by Béla Bartók
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