IMDb-BEWERTUNG
4,1/10
433
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA pack of Rottweilers, bred and trained by the U.S. military to kill humans, escape to ravage the peaceful mountain resort town of Lake Lure. It is up to the local sheriff to protect his sma... Alles lesenA pack of Rottweilers, bred and trained by the U.S. military to kill humans, escape to ravage the peaceful mountain resort town of Lake Lure. It is up to the local sheriff to protect his small community.A pack of Rottweilers, bred and trained by the U.S. military to kill humans, escape to ravage the peaceful mountain resort town of Lake Lure. It is up to the local sheriff to protect his small community.
Elijah Perry
- Carl Dunnigan
- (as Jerry Rushing)
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DOGS OF HELL is about a top secret military project involving the killer canines of the title. These ruthless Rottweilers have surgical implants, making them ferocious fuzzballs of doom.
Oh no!
They're accidentally unleashed upon an unsuspecting populace!
Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!
Thankfully, many of them end up as dog chow.
Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.
Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.
The perfect movie for de-wrinkling one's brain...
Oh no!
They're accidentally unleashed upon an unsuspecting populace!
Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!
Thankfully, many of them end up as dog chow.
Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.
Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.
The perfect movie for de-wrinkling one's brain...
Next to approximately three dozen of other horror themes and subgenres, yours truly is also a giant fan of movies with killer dogs. After recently having seen the surprisingly decent 2015 Aussie effort "The Pack", my interest to seek out some older canine flicks got re-sparked, but then you are instantly confronted with the large number of truly bad titles that exist here. The early and mid-70s still spawned a few cool movies, like "Trapped" (1973), "Dogs" (1976) and "The Pack" (1977), but the 1980s excelled in horrible killer dog movies! The list is quite long already ("Mongrel", "Play Dead", "Monster Dog", "Humongous") and "Rottweiler" (a.k.a. "Dogs of Hell") may be added to it as well. Like with the others, the best thing about this film is the poster image, and everything else is beyond bad. The script is weak, the lead characters don't have any charisma, the acting performances are miserable, the few potentially exciting dog-attack sequences are poorly lit and fuzzy, and the whole thing is stuffed with irrelevant and downright dumb footage (like for example mud-wrestling contests and bar fights). US Military scientist Fletcher was assigned to train a pack of Rottweilers into becoming powerful army weapons, but at the beginning of the film we witness him begging to his superiors to abandon the entire project because the animals lost all their emotional capacities and developed a hatred against humans. The military top refuses, naturally, and the dogs escape during transportation. Apart from unstoppable fighting machines, these nasty puppies are apparently also Houdinis, since they manage to escape from a truck that immediately explodes after a collision. Now they are at large in a sort of mountain spa resort community, with only a lousy Sheriff and a couple of rednecks with guns as their opponents. I understand from the other reviews that lead actor/producer Earl Owensby enjoys some kind of cult reputation, but I certainly cannot guess where that comes from. His performance as the Sheriff is the worst of all (hardly could understand a word he was saying) and he also didn't bother to liberate any budget for the action scenes. Isn't that what producers are supposed to do? There are a few idiotic and senseless plot twists, like the devoted scientist suddenly turning into a madman, and far too many sentimental dialogues/monologues coming from people literally nobody cares about.
So, weren't there any good killer dog movies in the 80s then? Well, the adaptation of Stephen King's novel "Cujo" is enjoyable, but also certainly not a masterpiece. The only truly brilliant film that I would recommend in this genre is Samuel Fuller's "White Dog" (1982).
So, weren't there any good killer dog movies in the 80s then? Well, the adaptation of Stephen King's novel "Cujo" is enjoyable, but also certainly not a masterpiece. The only truly brilliant film that I would recommend in this genre is Samuel Fuller's "White Dog" (1982).
Amateurish, bloody, dimly-lit North Carolina production has the inimitable Earl Owensby as a mumbling, expressionless sheriff who must protect a town of unsuspecting yokels from an onslaught by a pack of aggressive rottweilers, trained by the government as special operations assassins, accidentally set free after the convoy transporting them overturns.
Filmed in 3-D, director Keeter (a frequent Owensby collaborator, e.g. "Wolfman") builds an effective (and bloody) climax as the rabid hounds systematically corral the occupants of a luxury country club then treat themselves to the buffet. Camera angles framed for the purpose of accentuating the 3-D effects obviously do little when you're watching this on your regular TV-set (as I did), and the action is at times so cloaked in darkness (not to mention the incoherent dialogue) that it's often difficult to follow what's happening.
If you accept that the flaws are attributable to its independent production values scale, and yet despite those constraints there's plenty of gory attack scenes and expensive looking explosions for those interested, then you might be persuaded to watch "Rottweiler" (aka "Dogs from Hell") at least once. Hard to locate, I got my copy as a VHS reject during the DVD revolution and I suspect the ex-rental market is the only place you'll find a copy, until someone enterprising (perhaps Owensby himself) decides to unlock the 3-D potential and re-release on DVD.
Filmed in 3-D, director Keeter (a frequent Owensby collaborator, e.g. "Wolfman") builds an effective (and bloody) climax as the rabid hounds systematically corral the occupants of a luxury country club then treat themselves to the buffet. Camera angles framed for the purpose of accentuating the 3-D effects obviously do little when you're watching this on your regular TV-set (as I did), and the action is at times so cloaked in darkness (not to mention the incoherent dialogue) that it's often difficult to follow what's happening.
If you accept that the flaws are attributable to its independent production values scale, and yet despite those constraints there's plenty of gory attack scenes and expensive looking explosions for those interested, then you might be persuaded to watch "Rottweiler" (aka "Dogs from Hell") at least once. Hard to locate, I got my copy as a VHS reject during the DVD revolution and I suspect the ex-rental market is the only place you'll find a copy, until someone enterprising (perhaps Owensby himself) decides to unlock the 3-D potential and re-release on DVD.
This film must be seen in the original widescreen 3-D process; as the excellent use of stereoscopic space is its only virtue. If you like cheesy horror flicks, you'll likely appreciate it a bit more. Earl is no actor, but he's fun in this silly little movie.
After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).
After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).
This movie is so stupid. I went through a lot to try to find this movie. I only could rent it anyway. Maybe it was just for rental because it was too bad enough to keep on the market for people to buy. You could not even see the dogs killing people as if they would switch the camera every minute. Being a horror movie genre fan, you would think the title had a good significance as to why I would want to see this movie really bad. I wonder are there any other killer dog movies that beat this one.
Wusstest du schon
- WissenswertesFirst of six 3D movies from producer Earl Owensby made during the early to mid-1980s. This 3D picture had a much wider theatrical release in cinemas compared to the later ones which included 'Hot Heir' (1984), 'Chain Gang' (1984), 'Hyperspace' (1984), 'Hit the Road Running' (1987) and 'Tales of the Third Dimension' (1984).
- VerbindungenFeatured in Earl Owensby, the Man... the Myth (1997)
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Details
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Bloodline - Zum Killen dressiert (1983) officially released in India in English?
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