Blood Frenzy

A Los Angeles psychologist takes six troubled patients (three men and three women) out to an isolated mine in the arid wasteland, but the situation turns ugly when someone's neck is slashed.

"Blood Frenzy" (1987) has an engaging set-up and a unique location for a slasher. While the tone is too exaggerated and mixed with droll humor to take very seriously, the characters are fleshed out enough to make them interesting.

Masculine Tony Montero is effective as a Vietnam Vet with PTSD while petite Lisa Savage is a highlight on the female front. Meanwhile Lisa Loring (Wednesday from The Addams Family) is striking as an adult and very good at playing a biyatch. Actually, she might do it too well, not to mention she hams it up a little too much in the last act.

An eye-rolling sapphic episode in a dirty cave (off camera, for the most part) dooms any possibility of taking the flick seriously. Why Sure! Still, there are some positives if you like 80's slashers and don't mind low-budget ones released direct-to-video. Think "Sands of the Kalahari" if it were a low-rent slasher.

The film runs 1 hour, 27 minutes, and was shot entirely on location at Calico Mines, Barstow, SoCal, which is a 2-hour drive northeast of Los Angeles in the Mojave Desert.

GRADE: C.

A four is generous. This is a mediocre low-budget slasher with poor gore effects (that it inexplicably dwells on, so you really have time to appreciate how unconvincingly rubbery that neck-slashing looks) and dumb characters. The premise is entertaining--a psychiatrist takes a group of patients out to the desert for presumably healing encounter-group-type work--but even by the usual know-nothing standards for such subjects, "Blood Frenzy" really botches it. The characters are all one-note caricatures of various conditions (nymphomania, alcoholism, frigidity, anger management, post- Vietnam PTSD, and what seems to be simply a case of "bitchy lesbian"), and it's ridiculous that anyone would think they could all be treated together. But OK, it's a slasher film, we're not here for realism.

The "name" actor here is Lisa Loring, who plays the lesbian, which in this kind of movie of course means she's a "man-hater" and puts the make on every woman in sight. (She also wears too much makeup that still seems to be perfectly fresh after a couple days' desert camping and various travails...but there I go, looking for realism again.) Hoo man, she is terrible. She starts out yelling and just gets hammier. The other actors are adequate given their silly roles and sometimes sillier dialogue.

You don't expect a lot from a movie like this, but it really does a poor job of building any suspense, delivering shocks, and other horror basics. By comparison "The Hills Have Eyes" is a masterpiece of complex plotting (among other virtues), if we're talking stuck-and-terrorized-in-the-desert movies in general. Why DID I give it a four? Well, you know--we'll all seen worse.

A female psychotherapist and her small group of emotionally troubled patients trek into the middle of the desert(where it's free to film a movie) for some solitude, and a bit of therapeutic soul-purging and brain-picking. Once settled at their destination, members of the group begin to disappear, leaving the others to nervously unravel the mystery while eyeing each-other suspiciously.

A fairly pissant little production, BLOOD FRENZY isn't exactly a marvel of filmmaking genius, but there are scores of truly wretched titles from the slasher canon which make it at least seem somewhat more substantial than it actually is. Formulaic, featureless, and for the most part watchable, this is a nondescript film which serves up the barest meat-and-potatoes provisions and makes zero attempt to distinguish itself with fresh ideas or impressive showmanship.

BLOOD FRENZY should manage to appease most undemanding slash-cinema enthusiasts, but mostly in a tap-water flavored sort of way. 4/10

BLOOD FRENZY is a SOV (shot-on-video) horror film I'd heard lots of good things about, yet after I watched it, I have to say that I feel it is overrated, which might be the first time I've ever said that about a SOV movie!

A psychiatrist takes six of her patients in an RV out in the desert for a little isolation therapy, where each will confront his/her problems in an attempt to fix them. However, someone begins killing them in bloody ways, leaving an old jack-in-the-box as their calling card. Is it someone in the group? Or is it someone else?

BLOOD FRENZY started off strong, yet petered out during the last half or so. One of the film's strong suits is the entertaining and three-dimensional characters. I can't really pinpoint many really likable characters, but as quirky as the bunch was, I thought they were all believable, due, in part, to the strong performances given by the cast.

The writing was above average, and I feel the desert setting is a sadly underused setting in slashers. There's a good amount of bloodshed and some realistic throat slashings, including a really good opening murder.

Unfortunately, BLOOD FRENZY became a little too repetitive for its own good. The murders seemed like they were all the same, and even the characters grew to be a bore. Throughout the film, the tone was serious yet a bit goofy at the same time. During the climactic showdown, it just turns to all out goofiness, which really doesn't work in the film's favor.

The movie also features Lisa Loring (Wednesday from THE ADDAMS FAMILY), who would go on to be in the much more entertaining slasher (this time in the snow!) ICED (1988). As it stands, I'd say it's worth seeking out, but don't expect much out of it.

A late entry in the '80s cycle of slasher movies, Blood Frenzy sees psychiatrist Dr. Barbara Shelley (Wendy MacDonald) driving to the desert to conduct a spot of confrontational therapy with six of her deeply troubled patients: macho douche-bag Dave (Hank Garrett), Vietnam veteran Rick (Tony Montero), bitter man-hater Dory (Lisa 'Wednesday Addams' Loring), sexy blonde nymphomaniac Cassie (Lisa Savage), alcoholic Crawford (John Clark), and Jean (Monica Silveria), who has a fear of being touched. No prizes for guessing that one of the group is a lot more disturbed than the rest and proceeds to kill off the others one-by-one, slashing their throats with a knife and gashing their stomachs.

This relatively obscure slasher starts with a gory prologue in which a drunken father tries to punish his child with his belt, paying the price for his abusive ways when the kid gets the upper hand and rips open pop's neck with a gardening tool! The desert-bound action leading up to the other murders is, by comparison, rather mundane—assorted bickering between the patients, with sex maniac Carrie trying to calm the situation by sleeping with the men (AND, later in the film, a woman)—but hang on in there: once the killer gets their game on, Blood Frenzy more than lives up to its title, the claret flowing freely throughout with plenty of throat cutting and a demented finale that features a juicy knife in the neck, a pick-axe in the back and an impaling on a wooden stake.