Bloodline - Zum Killen dressiert

This film must be seen in the original widescreen 3-D process; as the excellent use of stereoscopic space is its only virtue. If you like cheesy horror flicks, you'll likely appreciate it a bit more. Earl is no actor, but he's fun in this silly little movie.

After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).

Dogs of Hell (1983)

* 1/2 (out of 4)

The evil U.S. government have created Rottweilers that are trained to attack and kill humans. A truckload of them are going through a small town when the truck crashes and sends the dogs on a killing spree, which has Sheriff Hank Willis (Earl Owensby) having to take control.

This here was the first of six pictures that Owensby would produce in 3D but to my knowledge there has never been a home video of this version. Most copies out there are from the video and are full screen and don't look the greatest so it's hard to judge the effects obviously but at the same time there were very few things that "jumped" at the screen outside an early scene involving a dart.

As far as the rest of the movie goes, it's really no different than films like THE PACK or DOGS. This one here contains a certain regional atmosphere, which is a plus and it's always fun seeing that charm of Owensby but outside of this there's really not too much here to recommend. The biggest problem is that the film has the majority of the attacks off the screen so we get the cheap effect of a dog growling and then the aftermath of the attack.

DOGS OF HELL has a certain low-budget appeal but there's just not enough here to make it interesting enough to recommend. That is unless you're a fan of Owensby.

An unbelievably bad effort by independent producer Earl Owensby, not just for the fact it rips off "The Pack" and "Dogs". It's unbelievable in its ineptness, starting with photography so poor (especially during the night sequences) that the movie looks like it was shot in 8 MM. The attack sequences are very lazy - mostly we just HEAR the attacks instead of seeing them, and when we DO see them, it's only for a split second. We do see the aftermath of the attacks, though the poor makeup jobs aren't any compensation. The main problem with the movie is that it's simply BORING for the most part, devoting most of the running time to showing these country folk talking to each other and going around the area. I can't see ANY reason why this could be of interest to anyone, even if someone happened to star or work on the movie. If you want to see a killer dog movie, see "The Pack". Heck, even see "Dogs" over this; though it's not very good, it's a masterpiece next to "Dogs Of Hell"!

yup... it's kind of fun to watch "Dogs of Hell" if you like to watch movies that were originally intended to be in 3D and pretend to be wow-ed by the scenes where they intend to shoot, throw, or point things out at you. Originally released as "Rottweiler" in 1982, you can see how the entire movie is relying on the fact that at some point they're gonna throw something towards the camera. As I watched it I thought after the first hour that I'd rented a movie called "Mystery Dog" because you never actually saw what was attacking these 80's act-bots (so amazing how they could manage to have such 2-dimensional actors in a 3D movie). And the dogs you eventually see look like your neighbor's dogs do when the kids tease it...hardly a fright. But it wasn't as though the film were a real disappointment as I hadn't expected much. The highlight of the movie for me was when the sherriff would shoot the dogs with his big ol' 44. You'd see the picture cut away from a snarling rottweiler to a cheap, paper machete casting of a rottweiler's head that would then explode throwing bologna, chocolate milk, stale beer and whatever else they decided would look like dog brains all over the place. Yup. "Dogs of Hell" was a moderately humorous way to neglect quality time and a gem if you're into watching obscure movies that don't diserve to be remembered just because you know they wont be.

Independent star / producer Earl Owensby 3D fable "Rottweiler: Dogs from Hell" is a trashy, but mildly fun cheap-jack little animals run amok horror enterprise. I saw this one when I was only a kid and certain scenes had stayed in my head. I couldn't remember the title, where I only found it out recently. Came across a copy and when watching it the memories came flooding back. Don't remember it being as dodgy as it was, but it remained diverting enough.

A pack of Rottweilers are trained by the military for warfare, but these vicious killing machines are accidentally released within a small mountain community when the truck they are in crashes. Soon bodies start piling up and it's up to sheriff Hank Willis (Owensby) to put an end to this carnage.

Outside this systematic set-up (that has shades of "Jaws"); there are the small-town dramas to give it that genuine sense of community. Such distractions as angst teenagers (father and son issues), catfish talk, reflective time and women mud wrestling… these kinds of things feel like nothing more than filler. There's too much of it. When it came to the dog attacks, it's rather sloppy or off-screen with crude blood effects being splashed about. However when Owensby uses his magnum on the dogs; we are treated with graphic head imploding shots. There were one or two effectively minor intense set-pieces that spring out some calculative tension. Also we get plenty of POV shots from the dogs, as well growling which sounds more like someone's stomach is churning behind the camera… maybe that's where the panting arrived from too. Nonetheless is didn't sound as bad the daggy music score with its weepy piano pieces… which always felt it was going to cut to a sequence of someone playing a piano. It was just that odd in its placement. The performances are pretty much one-note, but Owensby equips himself quite well despite the script coming off as blunt and clumsy. Low-grade shoddiness, but sort of entertaining in that.