IMDb-BEWERTUNG
5,5/10
8842
IHRE BEWERTUNG
Mike reist durch Zeit und Dimensionen, um die Ursprünge des Tall Man zu finden.Mike reist durch Zeit und Dimensionen, um die Ursprünge des Tall Man zu finden.Mike reist durch Zeit und Dimensionen, um die Ursprünge des Tall Man zu finden.
Christopher L. Stone
- Music & Dwarf Creatures
- (Synchronisation)
- (as Christopher Stone)
Empfohlene Bewertungen
A horror movie that is fourth in a series should be terrible. This one actually stands on its own as a good movie, though perhaps not great as fourth in the series.
As other users have commented, this movie does not answer questions about the Phantasm series. It shows a little background on the tall man, and that's it.
On the other hand, looking at it as a stand-alone-movie, it works! It has very coherent and often beautiful art direction. There are very few characters (I assume to save money), but that works. It keeps the movie from bogging down in goofy dialogue and laughable characters like Phantasm III.
The movie actually gets rather artful at times. Just observe the desert scenes with the field of metal rods to see what I mean. The Tall Man doesn't seem too threatening in this one. He come across much more as a constant pressure instead of an acute danger.
The individual characters aren't really developed any more than the previous films. They are reaching archetypal roles of heros, seekers, fighters, etc.
This is not a slasher film. It almost is not a horror movie. Oddly enough, it is almost stepping out of its low-brow beginnings (except for the breast scene in the hotel) and nearly reaching art movie status. I would love to see Phantasm V taken further in this vein. Unfortunately, I think this is the last of the series. Enjoy it if you can find it!
As other users have commented, this movie does not answer questions about the Phantasm series. It shows a little background on the tall man, and that's it.
On the other hand, looking at it as a stand-alone-movie, it works! It has very coherent and often beautiful art direction. There are very few characters (I assume to save money), but that works. It keeps the movie from bogging down in goofy dialogue and laughable characters like Phantasm III.
The movie actually gets rather artful at times. Just observe the desert scenes with the field of metal rods to see what I mean. The Tall Man doesn't seem too threatening in this one. He come across much more as a constant pressure instead of an acute danger.
The individual characters aren't really developed any more than the previous films. They are reaching archetypal roles of heros, seekers, fighters, etc.
This is not a slasher film. It almost is not a horror movie. Oddly enough, it is almost stepping out of its low-brow beginnings (except for the breast scene in the hotel) and nearly reaching art movie status. I would love to see Phantasm V taken further in this vein. Unfortunately, I think this is the last of the series. Enjoy it if you can find it!
As Reggie (Reggie Bannister) searches for the missing Mike (A. Michael Baldwin), Mike himself travels through various dimensions and across time itself to learn the origins of the Tall Man (Angus Scrimm) in hopes of discovering a way to stop him once and for all.
The series attempts to return to its roots a bit, dropping most of the humor from the last two entries, and trying for the off-kilter dream-state of the first film. The film is helped a great deal by use of a lot of footage that was filmed for the original back in '79 but that was edited out, so we get several scenes of the characters as they were back then. The origin of the Tall Man is finally established (somewhat), and that will either be a good thing or a frustrating thing for fans of the series. The sections focusing on Reggie tread much of the usual territory, and there are a couple of over the top gags that will delight or disgust. The ending this time is even more ambiguous than usual. The next (and final?) sequel arrived 18 years later.
The series attempts to return to its roots a bit, dropping most of the humor from the last two entries, and trying for the off-kilter dream-state of the first film. The film is helped a great deal by use of a lot of footage that was filmed for the original back in '79 but that was edited out, so we get several scenes of the characters as they were back then. The origin of the Tall Man is finally established (somewhat), and that will either be a good thing or a frustrating thing for fans of the series. The sections focusing on Reggie tread much of the usual territory, and there are a couple of over the top gags that will delight or disgust. The ending this time is even more ambiguous than usual. The next (and final?) sequel arrived 18 years later.
What makes this series so consistent is the fact that the same writer/director, Don Coscarelli, is responsible for all four entries. Some phans prefer the second film for its tendency to lean more toward being an action film, while others like the cartoonish, over-the-top aspects of the third entry. Personally, I think this one (IV) is the best sequel. I love the fact that it is more in the moody, psychological vein of the original, which is by far the best in the series in my opinion. IV uses some beautiful locations- a rocky beach, a desert with intricate rock formations, and a completely unpopulated downtown Los Angeles (I'm assuming that's what city it is). These serve as really interesting backdrops for Mike, Reggie, Jody and the Tall Man (all the original actors returned, too). All this is beautifully shot by D.P. Chris Chomyn, who did a great job. The plot is not completely clear, but also not complex. The Tall Man is after Mike with the intent to turn him into another "Tall Man" sort-of undertaker. Meanwhile there's a subplot where Reggie encounters a beautiful female on the road (as he does in both other sequels). The dialogue is sparse and much of the meaning is implied. One of the most impressive things about the film is the way they were able to incorporate so much unused footage from the original (19 years earlier) into the story. Despite the time difference, the new film and the old footage work together perfectly, and that is a really cool thing to behold. The film actually ends with a flashback- a poignant and subtle scene that is unlike the endings of the other three movies, leaving the series with what could be a perfect close. But if Coscarelli and Co. want to come back and do another one, what Phantasm phan is gonna dispute it?! Not me!
This is one of my favorite series of movies. The other day, my wife, and I found ourselves watching all four 'Phantasms'. Unlike the 'Friday, the 13th' series, they all tried to be different, but at the same time be true to the concept. Even in the first movie, you walked away (in my case drove away since I saw it at a drive-in) saying to a point, what happened here? Didn't Reggie get killed, and Jody survive? That I think is part of the mystique of these movies. You find yourself discussing with your family, and friends what happened here. Hey, it came many times at at Christmas, and Thanksgiving at my house for quite a few years, NO KIDDING!
This one, I liked, but I'm a little disappointed with it. As I'm typing this up, I have the first one playing, and I still don't quite get IV. For one thing, the idea of explaining why the tall man doesn't die because he comes from different dimensions. Like 'Dr. Who', he travels through time, and space can appear at any time, or place. Okay, I'll buy that. But, why is he so hell-bent on capturing Mike? Does he have some kind of vendetta against Mike, and Jody's family? As Jody said in III,"seeing is easy, understanding takes a little more time." I'm getting a headache trying to understand. There must have been a ton of stuff on the cutting room floor, or someone found a great actor to play Mike from 1979, because a lot of this one bounces back to the first one as they try to tie all of this together.
I understand, unlike 'Star Wars', the complete story was not written out ahead of time, it was made up as it went as it went along. Don Coscarelli is good on keeping us guessing, and I see there one more coming, and judging by the title, this will be the last one, so PLEASE Mr. Coscarelli, If this is the last one, finish it up with style, don't keep me guessing!!!!
This one, I liked, but I'm a little disappointed with it. As I'm typing this up, I have the first one playing, and I still don't quite get IV. For one thing, the idea of explaining why the tall man doesn't die because he comes from different dimensions. Like 'Dr. Who', he travels through time, and space can appear at any time, or place. Okay, I'll buy that. But, why is he so hell-bent on capturing Mike? Does he have some kind of vendetta against Mike, and Jody's family? As Jody said in III,"seeing is easy, understanding takes a little more time." I'm getting a headache trying to understand. There must have been a ton of stuff on the cutting room floor, or someone found a great actor to play Mike from 1979, because a lot of this one bounces back to the first one as they try to tie all of this together.
I understand, unlike 'Star Wars', the complete story was not written out ahead of time, it was made up as it went as it went along. Don Coscarelli is good on keeping us guessing, and I see there one more coming, and judging by the title, this will be the last one, so PLEASE Mr. Coscarelli, If this is the last one, finish it up with style, don't keep me guessing!!!!
Just watched this series of movies for the first time, and was very disappointed at the ending of Oblivion, there was so much promise in the story and characters, even tho it was getting pretty silly. In the end they just "dropped the ball" on everything, so to speak..
I strongly recommend these movies to any horror/action movie fan, but its a huge shame the last movie was so.. just overall crappy. In lack of a better way of describing it. All the suspense and mystery was totally gone towards the end, and replaced with confusion and despair, as the movie suffered towards its inevitable credits text, leaving the viewer feeling sad and empty, almost betrayed.
I struggled to give this movie a 4 rating.
I strongly recommend these movies to any horror/action movie fan, but its a huge shame the last movie was so.. just overall crappy. In lack of a better way of describing it. All the suspense and mystery was totally gone towards the end, and replaced with confusion and despair, as the movie suffered towards its inevitable credits text, leaving the viewer feeling sad and empty, almost betrayed.
I struggled to give this movie a 4 rating.
Wusstest du schon
- WissenswertesAfter a very mixed fan reaction and some harsh criticism received in relation to Das Böse III (1994), Don Coscarelli decided that he had already gone too far in the action/comedy direction. Subsequently, he wanted to bring the saga "back to its roots" crafting a low budget sequel more focused in the horror and surrealist aspects of the story, in the vein of Das Böse (1979). At the same time, plenty of unused footage from the original film was located after having being lost for years. The conjunction of both things ultimately became the basis for Phantasm IV (1998).
- Patzer(at around 10 mins) When Reggie begins to change the tire on the Barracuda, the convertible top is down. A few minutes later when he stands up, the top is up.
- Crazy CreditsFinal credit (copyright notice): "This motion picture is protected under the laws of the United States and other countries. Unauthorised duplication, distribution, or exhibition may result in civil liability, criminal prosecution, and the wrath of The Tall Man."
- VerbindungenFeatured in Tarnation (2003)
- SoundtracksHave You Seen It?
Lyrics by Reggie Bannister
Performed by Reggie Bannister (as Reggie B) & the Jizz Wailin' Ya' Doggies
From the CD album "Fools Paradise"
Courtesy of Plan 10 Recordings
Executive Producer Terry J. Svejda
Produced by Doug Agee
Alpha Sound Services Geneva, Il.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Phantasm - Das Böse 4
- Drehorte
- Ventura, Kalifornien, USA(Civil War exteriors)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 650.000 $ (geschätzt)
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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