Das Böse II

I can't say I really liked Coscarelli's follow up to "Phantasm" much, at least I can't say I enjoyed the first hour a whole lot. Where the original film is like a waking nightmare, this is a pretty routine horror action flick filled with weird plot gaps and silly ideas. But then the last half hour happened, and I have to say I begrudgingly endorse this flick ... but only for the gleefully outrageous gory climax.

I saw "Phantasm II" before watching any of the other Phantasm movies, and despite its shortcomings, it converted me into a fan of the series. While it has an effective atmosphere and an interesting array of characters, the plot certainly could have been more carefully written. There is one part where Mike risks his life handling a very dangerous flying sphere and uses it as a key to open some weird door, but the movie fails to show the purpose of opening that door. Sure, it shows you what lies behind the door, but that's it! Mike and his friends don't really do anything in there! Also, the Tall Man goes through the trouble of luring Liz into a trap, but he just throws her against a wall once he catches her. If Liz was such a threat to his evil plans (as the plot asserts), then wouldn't the Tall Man want to make sure she's dead? Still, when you have a couple psychics, an ex-ice cream vendor, a mysterious hitchhiker, an army of dwarves, flying spheres and a rather omnipotent--and scary-looking--old guy called the Tall Man rolled into one picture, the movie promises to be interesting, and it delivers for the most part.

Compared to the other Phantasm movies, I liked "Phantasm II" better than "Phantasm III" and "Phantasm: Oblivion," but it's not quite as good as the original Phantasm.

WELL.... You GET.... What You PAY for!

You will HAVE TO INVEST an Hour and a 1/2 of Your life in PHANTASM II.... I would say.... OK... Fair Enough!

BUT BEFORE DIVING IN....

FIRST... Let us FOCUS on the Title's Content and Context:

When I saw PHANTASM in a theater in 1979, I liked it so much (9*), I went back a week later and saw it again! I missed Phantasm II while I was living in Colombia, So I decided to take a delayed-by-25-years look! My psyche was all set to enjoy PHANTASM II to the max! I hadn't seen much in the horror/terror genre in recent years, because I really don't like the direction the genre has been going in throughout the past 1/4 century. 8 to 9* was what I was hoping for...I was somewhat disappointed, but will give it 7.5*.

Let's talk about P-2 for a moment...The whole film is based around sustaining a mood of imminent danger, a foreboding atmosphere. If you agree to go along with it, providing suspension of disbelief, you'll probably get a nice kick out of P-2. IMHO elements of the film, music, sound effects, lighting, pacing, etc., all contribute well to that end. So if you are genre-friendly , let's bump my 7.5* UP to 8*! If the horror/terror genre usually isn't your cup of tea, well let's round DOWN to 6*...Fair enough? In this case, I'd say having seen the original PHANTASM would add tend to add a Star to rating P-2, so it does help, but isn't absolutely indispensable.

I really had forgotten how much gruesome gore there was in the original. There's probably even more here, but a lot less than in recent offerings, undoubtedly influenced by PHANTASM 1 and 2, like the SAW franchise (YECH!) As is typically the case in "B" movies, the acting and dialog usually leave a lot to be desired, but, hey, we don't watch these scouting for potential Oscar-nominees, now do we?!?

Bottom-line: ALL of you who are, or have been horror/terror film buffs; a semi-cult classic you won't want to miss, or that you'll want to REDUX! If not in the above group...MAYBE NOT!

In either case...ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!

In the tradition of other horror movie franchises, Phantasm takes the action route for this sequel. The horror and sci-fi are still there but there's more combat, stuff blowing-up and gore than there was before. I suppose it does keep things fresh but it does get a bit too tongue-in-cheek sometimes. Kinda like Evil Dead II, I'm not sure if this really fits in with the tone set by the first film.

Phantasm II begins right after where the first film left off. The freaky dwarfs have invaded Mike's home and Reggie must foil the Tall Man's attempts at kidnapping him. Flash forward seven years and Mike is in a mental institution. He is released upon admitting that the whole Phantasm experience was made up only to find that in his absence the Tall Man has been plundering many of America's small towns and thousands of graves are empty.

After the Tall Man kills Reggie's family in a gas explosion, Reg teams up with Mike to hunt him down and kick his head in...again. All they have to do is follow the trail of dead people, right? And this time they are ready for whatever outlandish tricks he's ready to play on them, armed to the teeth with quadruple-barrelled shotguns, flame-throwers and chainsaws. Complicating matters are Mike's inexplicable visions of the future and psychic connections to a mysterious girl he has never met before.

As before, the Tall Man is the best thing in the film. Angus Scrimm is so wonderfully silent and unholy that no matter how slick and entertaining the rest of the film is he'll come out on top.

Don Coscarelli was given a budget 10 times that of the original by Universal, but they did interfere with production quite a lot, much to his annoyance. They said that only one of the original cast members could return, so he chose Reggie Bannister and re-cast Mike with James LeGros (after turning down Brad Pitt!). It does kind of ruin the continuity a bit but it's not terribly distracting.

They also demanded a more simple and linear story, so don't expect any of the bizarre dream sequences and flashbacks. If you're a big fan of the first this might seem disappointing but you know how studios love to think less of their audiences.

The higher budget helps Phantasm to have a bigger scope than the original. The first half of the film feels like a road movie with lots of pretty scenery while the rest is kind of like a low-rent Ghostbusters/Lost Boys clone. Which sounds like a negative point, but the hokey tone of the film vanishes when it heads off into HP Lovecraft territory.

If you're looking for answers as to what the first film was all about then you won't find many. In fact it raises more questions than anything else. But it's still a fun ride. I'm just kind of annoyed that the music took the more generic synth approach that was common in the 80's instead of the funky 70's beats we got before. The main Phantasm theme is still there for your enjoyment however and gets a great finish on the end credits.

It's been many years since the events of the first film, and the now grown Mike (James Le Gros) reunites with old friend Reggie (Reggie Bannister) to wage war against the otherworldly Tall Man (Angus Scrimm) and his plot to harvest the dead for nefarious purposes. Mike is also aided by psychic girl Liz (Paula Irvine), with whom he has a mental connection.

In the 9 years between the first and this sequel, Phantasm had developed quite a cult following, and with the horror market booming, Universal gave director Coscarelli a much larger budget to work with. The result is an entertaining, if derivative, continuation. The narrative is much more linear but no less outlandish, as the Tall Man and his minions lay waste to entire towns. This being an 80's film, stuff has to blow up real good, with several giant fireballs exploding into the air, as well as a fetishistic weaponry montage. There's also some gratuitous nudity on display, and inventively gory effects from Greg Nicotero and Robert Kurtzman, among others. Coscarelli had obviously watched Sam Raimi's Evil Dead films a few times, as this lifts some camera shots from those, as well as emulating their horror-meets-black-comedy tone. Still, as far horror sequels go, this is one of the better ones, in my opinion, and it has developed its own cult following, as well as influencing future efforts from others (Eric Kripke, the creator of the long-running TV series Supernatural, borrowed a few things from this.