The Weirdo

Donnie (Steve Burington) is an emotionally stunted young man who lives in a shack behind an old lady's house. As she warns a family friend: "Be careful how you move with Donnie. He becomes easily frightened of any sudden movement. And never, never raise your voice to him or he might become violent." Donnie eventually finds love when he meets the gimpy Jenny (Jessica Straus), but things get crazy after some bullies taunt him and Donnie visits his alcoholic mother.

I came to Milligan late in life and I believe this is the fifth film of his I've seen. Like Donnie, his films are truly special. The first hour of this is pretty much a solid drama, but not without laughs like the three muscle-bound bullies (one being culturally confused as he sports a big Rebel flag on the back of his jacket in California) or laughable dialogue delivered in the worst possible way. My favorite is when a priest is trying to warn Jenny about Donnie and we get this exchange.

Jenny: My mother and father died in an automobile accident when I was very young. I was lucky. I was asleep in the backseat. They were killed instantly. The doctor said that my spine was permanently injured and I would never walk again. But I worked very hard and now I'm able to walk.

Priest: I know. And you walk very well.

Of course, things pick up in the final half hour when Donnie finally snaps. His encounter with his mother is one for the ages and ends with a sequence that had me dying. It looks like Milligan wanted to make more Donnie exploits given the title and open ending, but we sadly never got them.

The Weirdo tells the story of Donny, a simple young man mistreated by almost everyone but his aunt. He finds love and happiness with a slightly crippled lass named Jenny, but you just know things aren't going to turn out all sunshine and good times. Though broadly a horror film, and certainly drawing on classic genre themes and situations, much of The Weirdo is occupied by brooding drama, heavy on dialogue as Milligan piles up his dysfunctional concerns. Lots of typical Milligan stuff seems to be there, a loathsome priest, an even more loathsome mother, retarded people and constant mean spirited behaviour from most of the characters, the film is an essay in casual grinding cruelty, innocent simplicity slowly broken down till mad and murderous climax, an avalanche of deliriously inept slaying packing quite the punch. The climatic shenanigans I pretty much expected, what took me rather by surprise in the film though was how moving it is. The writing seems really to care about Donny and Jenny, they are in a terribly sad situation and the film never seems to be exploiting them. The small, committed cast and unfussy direction help out here, although the film has an everytown setting and the action moves around a number of different places it always feels claustrophobic, this gives it a sense of inevitability, that Donny will be wronged for no good reason wherever he turns. There's a sincerity and compassion here that really works despite the oddity and comically broad touches like the abundance of slapping, happily this feeling is backed up by some decent acting. Steve Burington does good, sympathetic work as Donny, slow and seemingly simple, pitiable rather than pathetic and with an edge of menace. In fact throughout the film I kept being reminded of some or other similar if not near identical turn in a different movie, just out of reach of my recollection. Jessica Strauss is sweet, childlike but lovable as Jenny and her relationship with Donny comes off as unforced and natural as such a set up was ever likely to be. Sure it's a bit of a fairy tale, but they work well together and are rather touching. Naomi Sherwood is Donny's aunt and comes across a nice enough old gal, doing her best in a situation she never asked for and probably didn't ever want. The rest of the cast is basically just a set of hateful meanies, caricatures but delivered with gusto, with a shout out due to Lyn Caryl, doing great malign work as Donny's near unfeasibly spiteful mother. The ending of this one probably would have been better with a less schlocky approach and the film is ultimately a bit formulaic, but I had a rather fine time with it on the whole. Not by any means a great film and probably not even a "good" film in the conventional sense, this is still worth a look for Milligan fans and 80's oddity addicts I think.

If this seems a lot different from the rest of Milligan's sparse 80s output, it's because this is actually a remake of a mid-70s Milligan film that was lost. In many ways it is the ultimate Milligan film, undone by the same elements that did in Milligan's last few films: the gritty, sleazy ensembles of "The Ghastly Ones" and "Fleshpot on 42nd Street" are replaced by bland actors from the fringes of respectable Hollywood. Beyond that the crazy, manic energy of Milligan's early films, the screaming actors, traumatic camera-work, and canned background music are long gone, replaced by a modicum of "professionalism".

Unlike his other 80s films, however, there are lots of early Milligan elements: horrible, evil mothers, sadistic and cruel authority figures, freaks (I guess Donnie's crippled girlfriend counts), and Milligan's own obvious identification with the doomed monster. The weirdo, Donnie, is basically a harmless borderline retard a la Hal Borske in "The Ghastly Ones" who is bullied and humiliated before taking his revenge in an oddly satisfying but shoddy manner. If you've read "The Ghastly One" and actually like some of Milligan's films, parts might strike you as almost touching, since so much of Milligan himself seems to be on display here, but that said the high-school cast, awkward dialog, silly 80s gang, and characters who arbitrarily change at the drop of a plot point don't really help matters. Definitely not "the worst film" ever (none of Milligan's films are even close to that), but too lumbering and leaden for its own good. Too bad the original is "lost", I'd love to see it.

THE WEIRDO (2+ outta 5 stars) You know, sometimes there are movies that have terrible acting, bad scripts, a silly story AND lousy direction... and I *still* kinda like 'em. "The Weirdo" is one of those movies... sort of like a cross between "Psycho" and "Marty". As poor as almost every element of this film is... I think it still comes through that the people involved *cared* about what they were doing. So what if the actors have trouble getting their lines out? So what if you can guess everything that's going to happen about 20 minutes before it does happen? So what if the scenes of violence look ridiculously fake? Okay, so I wouldn't exactly recommend this movie to anyone... but I heartily defend its right to exist! The story involves Donnie, the "weirdo" who is constantly harassed by punk teens, busybody townsfolk and an abusive mother. No one ever talks to him... or treats him like a human being... so he is filled with all this repressed rage. Suddenly he meets a pretty young crippled girl who takes an instant liking to him (being somewhat of an outcast herself). They fall in love.. but, too late. All the years of abuse have made Donnie resentful and, ultimately, psychotically violent to those who have wronged him. He goes on a bloody rampage of revenge until he is suddenly beaten to death by the angry townsfolk... or... IS he dead???

Andy Milligan films are not for everyone; I'm not even sure if they're for me, and I've already seen quite a few. That said, The Weirdo appears to be one of the directors more accessible efforts, with an air of professionalism not evident in the others I have seen. Now don't get me wrong - this is still rough and ready, low-budget fare - but the story flows nicely and the characters are well developed, Mr. Milligan clearly making an effort to emotionally engage his audience.

Heading the cast is Steve Burington as autistic young man Donnie Raymond, who lives in a shed belonging to well-meaning Miss Martins (Naomi Sherwood), for whom he runs errands. Subject to regular bullying by three local thugs - Nails (Shawn Player), Vic (Dennis Robbins) and Dean (Patrick Thomas) - Donnie leads a relatively lonely existence until he is befriended by fellow outcast, pretty disabled 18-year-old Jenny (Jessica Straus). The young couple's friendship blossoms into love, and so Donnie is rightfully upset when his uncaring mother (Lynne Caryl), who lives on the other side of town, tries to send him to Mississippi, having agreed to sell him to sleazoid Cycil Price (Carroll Oden). Donnie finally snaps, decapitating his mother with a meat cleaver, and kills Price with a pole; he also takes care of pervy priest Reverand Cummings (John Rand), and his meddling wife (Janet Roberts), who also stand in the way of his relationship with Jenny. Ultimately, Donnie turns his rage towards the trio of bullies who have made his life a misery, before - in true classic horror film fashion - he is attacked by an angry mob.

Although The Weirdo still suffers from amateurish acting and extreme budgetary restraints (the gore effects are especially cheap), for once Milligan seems to really care about his characters, telling a surprisingly moving tale of doomed love and inevitable tragedy (albeit one with an admittedly silly and violent final act). While I'm not suggesting that this film will make a dedicated Milligan fan out of anyone, those with a tolerance for z-grade trash will probably find something to like about The Weirdo, even if it's only the fact that it's far more entertaining than The Rats Are Coming! The Werewolves Are Here! (which I consider to be completely worthless).