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The housewife Claire Cooper (Annette Bening) is married with the pilot Paul Cooper (Aidan Quinn) and their little daughter Rebecca (Katie Sagona) is their pride and joy. When a stranger kidnaps a girl, Claire dreams about the man but Detective Jack Kay (Paul Guilfoyle) ignores her concerns. But when Rebecca disappears during a school play, Claire learns that her visions were actually premonitions and she is connected to the killer through her dreams. She has a nervous breakdown and tries to commit suicide. Her psychologist Dr. Silverman (Stephen Rea) sends her to a mental institution and soon she finds that her husband will be the next victim of the serial-killer. Further, the serial-killer was interned in the same cell in the hospital where she is. Will Claire be able to save Paul?

"In Dreams" is a deceptive Neil Jordan's movie. The messy story is boring and Annette Bening is hysterical most of the time. There is no explanation for the connection between Claire Cooper and Vivian Thompson and the conclusion is terrible. My vote is four.

Title (Brazil): "A Premonição" ("The Premonition")

This film was indeed a nightmare - a solid cast with a very poor script and a lot of pretty pictures and great sets. An art director's dream come true.

So here's this cool opening premise of an underwater ghost-town that just kind of gets lost somewhere along the way. I was intrigued at the beginning, and by the end (with the Carrie-esque sequence) I was howling at what a mess this film had become. Can't quite figure out how this obviously upper middle class woman gets put in an asylum that makes Cuckoo's Nest's digs look like the Ritz. Guess Mr. Jordan decided that would look better.

I enjoyed the previous comments about how the apple factory happened to have such fresh product since the only occupant was a crazed Anthony Perkins wanna-be. I too had questions about that little stretch. Of course you must suspend some disbelief for any horror film - but this one just asked a little too much of the audience. Rent it if you want to see Annette Benning embarrass herself but look good doing it.

So what are we to make of Neil Jordan's 'In Dreams' and the wide and varied responses to it?

The film bombed just about everywhere in the world and yet looking through the user's comments on this website there are those who passionately adore it and those who passionately detest it.

I fall into the first camp.

For a start, it's a psychological horror movie that is genuinely scary and emotionally draining in a way that few films are these days.

Okay, the plot stretches belief but then again, I give you almost every mainstream horror movie made.

Compare it with the Sixth Sense which is equally far fetched but much less demanding.

You will see Jordan has turned out a much darker, more disturbing, more meaningful and more interesting multi-layered film.

Also, it has the advantage of not having Bruce Willis in it, turning in the sort of wooden performance he trotted out in The Sixth Sense.

In Dreams just stretches its audience.

Jordan and fellow scriptwriter, Bruce Robinson cleverly play with their audience's perceptions of their main character.

Is Claire genuinely going through these horrific experiences or is she going mad?

There is also a terrible cruel streak running through the film - especially in its treatment of its heroine and her family - which is so unusual and refreshing for a Hollywood film (perhaps this is the main reason why audiences and critics were so alienated by it, they're just not used to it).

Visually, Jordan's movie is sumptuous - the rich reds and greens, the autumnal colours, the ghostly underwater sequences.

And there are also the performances.

Bening, in probably her most neurotic role ever, is as compelling as always.

Aidan Quinn is suitably solid in the role of her troubled, if flawed husband.

Stephen Rea turns in another subtle performance as the psychiatrist. Paul Guilfoyle is also effective as the cop.

And then, there's Robert Downey Junior - so over the top you're waiting for him to crash land with one hell of a thump.

But then again, OTT is nothing new to this genre. I give you Jack Nicholson in The Shining, Anthony Hopkins in Silence of the Lambs, Anthony Perkins in Psycho!

In Dreams is a multilayered film, attacking you visually, mentally and emotionally on a number of levels.

First, there is the nature of dreams and reality, madness and sanity, fairytales and fact.

Secondly, you can read it as a love letter to Hitchcock. There is so much Hitchcock in this film - Rebecca, Psycho, The Birds, Marnie, Notorious, Suspicion (they're all alluded to here and many, many more of the Great Master's movies).

Thirdly, there's many recurrent themes and imagery from Jordan's own work in here.

We have the psychologically disturbed boy from The Butcher Boy, cross dressing, gender bending in The Crying Game, holding captives in a gothic forest from the same film, even the famous run through the forest, the leap from a dam in We're No Angels, the tortured monster a la Interview with the Vampire.

Fourthly, there's the apples, those damned red apples that keep troubling everyone. Shades of Adam and Eve? Fairytales like Snow White?

In Dreams may not be Jordan's finest work but there is plenty in here to enjoy and to discover on repeated viewings.

The movie is uncomfortable viewing at times but gloriously over the top.

Time will tell how 'In Dreams' will be viewed in the context of Jordan's overall work and whether it will be a cult movie.

I think the biggest surprise of all is that it got through the Hollywood studio system. Full marks to Dreamworks for doing so.

Apples, Apples, Apples, that's what everyone keeps saying about this film. Perhaps it was a little overdone, but did anyone ever stop to think that the apples were representative of Clair's fear. The apple, the most innocent of all things, a fruit, as the repository of one's own nightmares and fears is creepy enough in itself. Many regard the scene where Clair is frantically throwing apples from a pile on the cupboard into the garburator of the sink as funny. I didn't I was well enough into the film, that the moment actually felt creepy. Jordan's vicious left/right pans of the camera reinforced her feeling of panic or anxiety around the apples.

To mention a couple of the other good points about "In Dreams", there were a couple of ingenious cross cutting scenes created. The first is a cross cut sequence involving Clair who is now in the mental hospital and her husband who goes to the motel that she dreamed about to find the dog. Another wonderful cross-cut sequence involves the escape from the institution. In her dreams, Clair follows Vivian (who had spent time in the exact same room as Clair) out of the institution, and there is much cross-cutting between the past and the present. Much suspense was built in the production of this scene. I don't want to give away any of the ending, but trust me, it scared me lifeless. This is definitely not Neil Jordan's best work, certainly "The Crying Game" is his masterpiece, but nevertheless, this is an original horror suspense film that delivers a punch!

I've liked pretty much all of Annette Bening's movies, although I did think that Neil Jordan's "In Dreams" should have come out as a little bit more given what all seems to have gone into it. As it is, I've seen lots of movies that portray people's dreams being more than just dreams and possibly showing something evil. This one isn't terrible, but I've seen this sort of thing so many times that there's nothing really new here. The movie's main strength is it's dreary, nearly Gothic setting.

So, it's worth seeing maybe once. The movie just might give you a different impression of Annette Bening, plus co-stars Aidan Quinn and Robert Downey Jr.

So just remember what Roy Orbison sang...