Der Titan mit der eisernen Faust

Among Italian peplums of the period around 1960, there were some concerned with Roman legend, including "Coriolano, eroe senza patria", which was also helmed by Giorgio Ferroni. "Il colosso di Roma" is another example.

After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.

As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.

Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.

Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.

As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.

It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.

Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.

4/10

I am in agreement with the reviewer who says that most peplum pictures involving the Roman Empire start with the era of Julius Caesar and go through the pagan and Christian eras and then the fall. There are very few involving the original kingdom which was simply Rome and its suburbs and the Republic that came from it.

Modern historians are not in general agreement as to what constitutes myth and what constitutes fact in the early days. Two stories of the early Republic are combined into one film in Hero Of Rome starring former Tarzan Gordon Scott.

Scott plays Mucius Scaveola, the last name translated means left handed. He became such for an act of incredible bravura. When he went into the camp of the Etruscan king who was besieging Rome and missed assassinating him. When captured and ordered to be put to death, Mucius thrust his right hand, his sword hand into a flame and held it there for several seconds. The Etruscan king was so impressed he set him free.

The second story is the overthrow of King Tarquinis the seventh and last king of Rome. Tarquinis simply went into exile and out of history like Francois Villon or Jean Lafitte. But here the two stories are combined and as these stories are legend, the Italian filmmakers just did a little legend combining.

According to Wikipedia the Roman history Livy is the source for all of this. No other sources survive so his word has to be taken. Nevertheless Scott does a good job and Hero Of Rome is definitely a cut above the glut of peplum pictures from the early Sixties.

This Italian sword and sandal film tells a story from the early history of Rome. It's about the transition to the Roman Republic. It was directed by Giorgio FERRONI, who also made WHO BREAKS...PAYS (1975) with Brad HARRIS and Giancarlo PRETE.

In 510 B. C. In the 4th century BC, the Etruscan king Lucius Tarquinius Superbus (Massimo SERATO) is expelled from Rome, which of course he cannot tolerate. He seeks support from his colleague King Porsenna (Roldano LUPI) in order to recapture Rome together. But the Romans are very motivated to defend their new freedom. The hardened fighter Gaius Mucius (Gordon SCOTT) sets out to eliminate the opposing kings. When that goes wrong, he holds his right fist into the fire and is henceforth nicknamed Scaevola (left-handed). Of course, that's not the end of the story, because Mucius, who is only left-handed, is still urgently needed...

After leaving Hollywood, Gordon SCOTT made one sword and sandal film after another at Rome's CINECITTA. This is quite successful in the numerous fight scenes, but offers too few surprises to be remembered for a long time. Gabriella PALLOTTA, Gabriele ANTONINI and Maria Pia CONTE can be seen in other roles.

The king Tarquinio is banished from Roma . Mucio Scevola (Gordon Scott) married to Clelia goes to Porsena's headquarter and demonstrates his courage by burning himself a hand , for that reason is named Scevola (the left-handed) . Tarquinio (Massimo Serato) unites to Lars Porsena (Roldano Lupi) , king of Etruscos . They ask to Romans as hostages a group of young women (Gabriella Pallota , Maria Pia Conte). But Aronte(Antonini) , Porsena's son , enamored to Valena (Pia Conte) frees her and she passes the river Tiber . Meantime , Scevola hides his hand into an iron glove and begins the fighting .

This is an enjoyable sword and sandals movie with historical backstage , action , a love story , battles and spectacular scenarios . Gordon Scott is top-notch , as the historic hero who finds many dangerous situations while attempting to save Rome and his true love , Clelia , of several risks . Strong and robust Gordon Scott was a magnificent muscle-man . He was one along with Ed Fury , Brad Harris , Kirk Morris , Reg Park , Mark Forest , among others , whom to seek fame and fortune acting absurdly as muscle mythological figures , but anybody topped Steve Reeves and Gordon Scott in popularity . He played another historical character : ¨Coroliano , hero without country¨ with battle stock shots taken from this one and directed again by Giorgo Ferroni , a Peplum expert (Conquest of Micenas , Trojan war) . The motion picture is based on true events but has not prospect historical . The real deeds are the following : Tarquino(534-509, B.C.) was the seventh and last king of Roma and he governs tyrannically . The rape of Lucrecia by his son caused a riot and he was overthrown , the Roman Republic was proclaimed and he actually disappeared . Rating : Better than average Peplum fodder and better than most Sword and Sandals movies , thanks to Gordon Scott and slick direction by Giorgo Ferroni .