Ein unscheinbarer, alltäglicher Mann wird in eine Situation gezwungen, in der ihm befohlen wird, einen Politiker zu töten, um seine entführte Tochter zu retten.Ein unscheinbarer, alltäglicher Mann wird in eine Situation gezwungen, in der ihm befohlen wird, einen Politiker zu töten, um seine entführte Tochter zu retten.Ein unscheinbarer, alltäglicher Mann wird in eine Situation gezwungen, in der ihm befohlen wird, einen Politiker zu töten, um seine entführte Tochter zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
- Comestible Server
- (as Christopher Jacobs)
Empfohlene Bewertungen
Directed by John Badham (The Hard Way, Short Circuit, Stakeout) made an entertaining, clever if barely believable. suspense thriller that was filmed in "real time". Which it doesn't always paid off, especially the director used endless close-up of clocks. Which does at times makes this movie claustrophobic but not enough. This was one of the major box office flops and critical disappointments of 1995. But the picture plays surprisingly better on video and went on to have a sort of a cult following years later.
DVD has an fine anamorphic Widescreen (1.78:1) transfer and an good-Dolby Digital 5.1 Surround Sound. DVD's only extra is the theatrical trailer. What makes this flawed movie watchable is a game cast, sometimes amusing dark sense of humour and a few good moments of genuine suspense. But at times, the film nearly falls apart from the unlikely false plot moment near the third act and an unsatisfying conclusion. Despite all this, this is a well directed picture that certainly worth a look of this truly real mixed bag film. Written by Patrick Sheane Duncan (Courage Under Fire, A Home of Our Own, Mr. Holland's Opus). (*** ½/*****).
Although not as much a household name as the directors above, John Badham knows how to tell a suspenseful story as well as any of the other "kids on the block." Please look up his filmography and see all the countless house of excellent entertainment he has brought us; not only on the big screen but on television as well.
In "Nick of Time" John carefully guides us through one disaster after another. Johnny Depp conveys his frustration and fear that he might not be able to prevent any of the bad things that will happen.
Christopher Walken again proves that he is as comfortable being the "heavy" as he has been the "hero."
At a time when sometimes the good guys don't always win and the bad guys sometimes "get away with it," this is one cinematic thriller that should keep you on the edge of your seat the whole 90 minutes.
Johnny Depp plays an everyman accountant whose young daughter is kidnapped by villainous Christopher Walken and ordered to kill the Governor of California or else his daughter will die.
Walken gives him a gun and a time limit of 90 minutes and it has to be done when the Governor is giving a speech in a hotel.
Depp in an unusual role playing a normal guy has to keep his wits about him and try to find help but Walken and his cronies are watching his every move. Depp still manages to unravel a conspiracy.
The film may have a preposterous plot, surely there are easier ways to kill the Governor but the film kicks in quickly and director John Badham clearly brings a Hitchcockian sheen to the film. You seem the time motif regularly in the film and an increasingly frantic Depp as time goes on.
As the basis for a thriller it doesn't quite work - the real time concept falls apart a few times, but with this much talent on board it still holds it own. A throwback to the Hitchcock everyman thrillers of years ago, Depp plays his character well and you always believe he is just an ordinary man in an unbelievable situation rather than an action hero in the making while Walken does what he does best and plays the villain well.
The plot holds together well and you really find stuff out at the same time as Depp does. Some of the conspiracy stuff towards the end of the film is obvious and doesn't add anything to the film, but the main story revolving around Depp and Walken is tense enough to carry the film.
It doesn't contain any explosions or martial arts but the tension is good throughout. It's not a classic thriller but it's quite an original idea and plot and almost manages to keep the tension for the whole movie.
Wusstest du schon
- WissenswertesOne of the most remarkable film sequences involved one seamless take, during which Johnny Depp and Christopher Walken board a glass-walled elevator, and ride 35 floors to the top of Los Angeles' Bonaventure hotel. Crammed into the confines of the elevator with the actors were director John Badham, cinematographer Roy H. Wagner, focus-puller Todd Slyapich, sound mixer Willie D. Burton, boom operator Marvin E. Lewis, and script supervisor Barbara Thaxton. Given the fact that the elevator was glass from top to bottom, was lit by eight Kino Flo lamps, ensuring that camera and crew reflections were not captured on film, was quite an exercise in and of itself.
- PatzerOnce Gene Watson gets to the hotel and realizes who he's been sent to kill, he checks his watch. The watch in the closeup is a round watch. As we walks off and speaks to another person the watch on his arm becomes visible. It is a square faced watch.
- Zitate
[Mr. Smith tells Mr. Watson a story about a man he loved]
Mr. Smith: There was this guy... Big guy, Irish-Italian. Red-faced, black-haired, jolly son of a bitch... Wait a second, nobody could make me laugh like him. He made a science of collecting jokes. We closed more bars together than I could count. Now, he was a pal. I loved the crazy mick. I'm not ashamed to say that, but... He was a fuck-up. He had this image of himself. He thought he was a con man. Always trying to shave the edge. He was nickel and dime. I'll always miss him. Tell me why.
Gene Watson: Tell you why, what?
Mr. Smith: Tell me why I miss him.
Gene Watson: He's dead?
Mr. Smith: That's right. He is dead, but tell me why.
Gene Watson: How do I know? I don't...
Mr. Smith: Tell me why he's dead.
Gene Watson: Because you killed him.
Mr. Smith: That's right, I did. I killed him. He fucked up one too many times. So, I put a bullet in his eye. Then, I put two more into him just to make sure. Now, that was somebody I loved; I loved him! But I got the call, and I put him down like a sick animal. So... if you got doubts... about what's going to happen if you don't deliver, let me tell you something. I'll make gravy out of your little girl just to season that Black Irish cocksucker's meat. Now, you do what you're supposed to do, young man. You do it now.
- Alternative VersionenTelevision broadcast versions include one additional scene shortly before the final shot. Gene, his daughter, Huey, and the governor are all chatting in the aftermath of the mayhem. Huey asks what time it was, and Gene reveals that he had lost his watch.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Nick of Time
- Drehorte
- Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, Los Angeles, Kalifornien, USA(As the Bonaventure Hotel, a real world location.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 33.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.175.346 $
- Eröffnungswochenende in den USA und in Kanada
- 2.781.601 $
- 26. Nov. 1995
- Weltweiter Bruttoertrag
- 8.175.346 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1