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Margaret's Museum (1995) UK/Canada 114m, Colour Director: Mort Ransen; Cast: Helena Bonham Carter, Clive Russell, Craig Olejnik, Kate Nelligan, Kenneth Welsh, Andrea Morris

Margaret's Museum is a dark and tragic love story about a woman's grief and defiance after losing much of her family to the coal mines in Glace Bay Nova Scotia during the 1940s. Based on Sheldon Currie's 1979 novel entitled The Glace Bay Miners' Museum, Margaret's Museum is a beautifully photographed and wonderfully scored film with haunting and unforgettable images and melodies. A deeply moving and original film, Helena Bonham Carter and Clive Russell give remarkably convincing and heartfelt performances in this powerful film about life and death in small Canadian coal mining community (Klaus Ming September 2013).

I saw this first in the theatre, it didn't stay too long, so I was lucky. For the life of me I don't understand how these movies don't get the publicity they deserve. Saint Ralph comes to mind, C.R.A.Z.Y., and the "Hanging Garden" et al. Lovely homegrown efforts with a story line and casting and the kind of breathtaking scenery that doesn't leave your mind for a while.

This is eccentric in the extreme, you wonder where it is going from the outset when a woman leaves a little local museum in Glace Bay, Nova Scotia, screaming her head off.

The story unwinds charmingly and tragically. Helena Bonham Carter sinks her teeth into the role of the sniffling Margaret, all quirky and saucy who captures the heart of the drunken ex-miner bagpiper extraordinaire and Gaelic aficionado, Neil Currie, played by the devilish Clive Russell. Sparks fly, some highly erotic bits between the two. Kate Nelligan as Margaret's mother, plays a hardnosed sarcastic and bitter woman who has lost her husband and a son to the mines and is caring for her elderly father who can't breathe for the coal dust in his lungs.

I won't spoil the story, it winds to its sad and shocking conclusion in its own time, suffice to say that there are many lovely side bits ( a blossoming love story between Margaret's young brother and the daughter of the manager of the mine being one).

8 out of 10. Supporting cast and music were wonderful. A few little story holes that were slightly annoying - an uncle supposedly out on bail for arson back in his old job lickety split and a grandchild that had disappeared - but not enough to detract from an overall fine film. Even the second time around!

The setup: In a town where half the men die down the coalpit, Margaret MacNeil is quite happy being single. Until she meets Neil Currie, a charming and sincere bagpipe-playing, Gaelic-speaking dishwasher. But no matter what you do, you can't avoid the spectre of the pit forever.

The verdict: The characters in this film have a lot of depth, and that makes all the difference. In the end, the audience gets a casserole of film elements and little of the satisfaction that comes from watching these types of movies. This is a story about a place most people might not be able to conceive. It is a powerful film, but I doubt I will ever want to watch it again.

Margaret's Museum is a powerful movie which takes place in Glace Bay, Nova Scotia. It is a movie made from a short story written by Sheldon Currie.

Helena Bonham Carter and Kate Nelligan are sheer excellence in every which way. Also, Clive Russell, and all the other actors are brilliant and their roles are believable, and sometimes shocking. I forgot while watching this movie that it indeed is a movie .. it seem so very real.

The beginning of the movie will grab your attention completely; the middle explains almost everything; and the ending will shock you. Completely.

It was about time I finally watched a movie I had no idea in my wildest imagination what the ending would be like.

I love this movie and will watch it many, many times. I also think the photography, the music scores (Rankin Family), etc., are also excellent.

Do I rate this movie a 10? You bet!

I'm not sure anything new can be done with this type of story, but this movie doesn't really try. Director/co-writer Mort Ransen does try to make it somewhat fresh, I guess, by centering the story about a woman, and Helena Bonham Carter, as usual, is quite good in this role. I also liked Clive Russell, the humor he brought to the movie, and the chemistry he had with Carter. But as Carter's mother, Kate Nelligan (who I like) runs the gamut of expressions from A to B, and it just becomes too predictable.