IMDb-BEWERTUNG
6,9/10
6343
IHRE BEWERTUNG
Ein Kopfgeldjäger aus Montana und ein Anthropologe entdecken einen Stamm von amerikanischen Ureinwohnern, die in einer vom Rest der Welt isolierten Siedlung leben.Ein Kopfgeldjäger aus Montana und ein Anthropologe entdecken einen Stamm von amerikanischen Ureinwohnern, die in einer vom Rest der Welt isolierten Siedlung leben.Ein Kopfgeldjäger aus Montana und ein Anthropologe entdecken einen Stamm von amerikanischen Ureinwohnern, die in einer vom Rest der Welt isolierten Siedlung leben.
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I have rarely seen a movie where certain scenes run chills down my spine.
One scene in particular is the one where Lillian, and Lewis, first encounter the Native Americans. They were so dynamically beautiful, as well an intimidating in their native costumes, and paint, and their horses were painted, and decorated to the hilt. This scene didn't only send chills up my spine, but much to the credit of Tab Murphy, it brought tears to my eyes, as also did other scenes in the movie.
Yellow Wolf, who was played by Steve Reevis, was I think aware of the changing world beyond his own, and up until now the only way he could prevent the outside world from infiltrating his own was to do away with its representatives, Which meant of course killing them. Modern technology was advancing, and it was inevitable that they would be discovered in time, unless someone they could trust from the outside world could help them. As the story ended, I hoped that Lillian, and Lewis, would be the trusted folks from that outside world who would be able to help keep their existence hidden.
A beautiful story with a beautiful cast. See it if you can. you won't be disappointed.
One scene in particular is the one where Lillian, and Lewis, first encounter the Native Americans. They were so dynamically beautiful, as well an intimidating in their native costumes, and paint, and their horses were painted, and decorated to the hilt. This scene didn't only send chills up my spine, but much to the credit of Tab Murphy, it brought tears to my eyes, as also did other scenes in the movie.
Yellow Wolf, who was played by Steve Reevis, was I think aware of the changing world beyond his own, and up until now the only way he could prevent the outside world from infiltrating his own was to do away with its representatives, Which meant of course killing them. Modern technology was advancing, and it was inevitable that they would be discovered in time, unless someone they could trust from the outside world could help them. As the story ended, I hoped that Lillian, and Lewis, would be the trusted folks from that outside world who would be able to help keep their existence hidden.
A beautiful story with a beautiful cast. See it if you can. you won't be disappointed.
Sometimes when you're stuck in a hotel room, on a rainy day, your movie viewing options are severely limited. You have to take what you can and so it was that I took in "Last of the Dogmen" more than a quarter century after its release.
It quickly becomes clear that this isn't some forgotten classic but it's not a straight to cable clunker either. Instead it's a workmanlike affair that combines the lone bounty hunter with something of a paean to a lost time when real Native American tribes roamed the western states. The latter angle emerges when we discover that somehow actual Indians are still living in the mountains, apart from the modern era, and circumstances are conspiring to expose their existence.
What's particularly nice about the film is that it doesn't stray much from this core story. There isn't some epic romance, apart from with Nature, but there could be. Equally the central protagonist doesn't make any grand speeches, and he's neither good nor bad, but his actions speak for him. The outside world also isn't portrayed as particularly malevolent but more somewhat less than careful.
This is all great but somehow the arrival of the lost tribe just isn't as awesome as you would expect. They are suspicious of course but they don't feel especially alien and like refugees from the past. Instead they become comfortable with the strangers very quickly and their existence causes barely a ripple. It's a shame because the moment of contact could have been delivered with real impact.
So there's plenty to like with "Last of the Dogmen" and it's definitely worth your time should you stumble across it. But is it worth making a special effort to enjoy? Probably not unless you really fancy a story that doesn't try to be all things to everyone. It sticks to the script and there's nothing wrong with that.
It quickly becomes clear that this isn't some forgotten classic but it's not a straight to cable clunker either. Instead it's a workmanlike affair that combines the lone bounty hunter with something of a paean to a lost time when real Native American tribes roamed the western states. The latter angle emerges when we discover that somehow actual Indians are still living in the mountains, apart from the modern era, and circumstances are conspiring to expose their existence.
What's particularly nice about the film is that it doesn't stray much from this core story. There isn't some epic romance, apart from with Nature, but there could be. Equally the central protagonist doesn't make any grand speeches, and he's neither good nor bad, but his actions speak for him. The outside world also isn't portrayed as particularly malevolent but more somewhat less than careful.
This is all great but somehow the arrival of the lost tribe just isn't as awesome as you would expect. They are suspicious of course but they don't feel especially alien and like refugees from the past. Instead they become comfortable with the strangers very quickly and their existence causes barely a ripple. It's a shame because the moment of contact could have been delivered with real impact.
So there's plenty to like with "Last of the Dogmen" and it's definitely worth your time should you stumble across it. But is it worth making a special effort to enjoy? Probably not unless you really fancy a story that doesn't try to be all things to everyone. It sticks to the script and there's nothing wrong with that.
This movie reminds me a lot of "Lost Horizon". The scenery is beautiful and anyone that's ever been up in that area can attest to it. It's both a chick flick and a guy's movie because of the great mix of emotion, excitement and action. A couple of things in the movie are a little hard to swallow, but so are a lot of things in James Bond or Indiana Jones pic's, and it never stopped anyone from liking them. Tape it or rent it if you haven't seen it, you won't be disappointed.
If you can get past the premise, this is a really good movie. It has all of the elements you could ask for. The cinematography is stunning. After seeing this movie, I started looking at real estate in Banff. There is romance with good and believable chemistry between the leads, well done and believable conflict between Gates and his father in law, humor, commentary on the American West in the form of a moral lecture, and the initial conflict between the two Alpha males that turns to respect and then friendship.
The unlikely star of the movie is really the dog; I don't know if that was intentional or not, but it will make you want to get a dog like that.
My favorite and most disturbing scene is the dream sequence. For better or worse, you can actually see our bloody history with the Indians playing out all over again. That perhaps is the most striking thing about this movie: You can really imagine that perhaps we have not moved forward as a society or culture when it comes to dealing with anything that we do not understand or refuse to learn about.
The unlikely star of the movie is really the dog; I don't know if that was intentional or not, but it will make you want to get a dog like that.
My favorite and most disturbing scene is the dream sequence. For better or worse, you can actually see our bloody history with the Indians playing out all over again. That perhaps is the most striking thing about this movie: You can really imagine that perhaps we have not moved forward as a society or culture when it comes to dealing with anything that we do not understand or refuse to learn about.
Last of the Dogmen is written and directed by Tab Murphy. It stars Tom Berenger, Barbara Hershey, Kurtwood Smith and Steve Reevis. Music is scored by David Arnold and cinematography by Karl Walter Lindenlaub.
When three convicts escape from prison and head into the Montana mountains, the local law enforcer hires skillful tracker/bounty hunter Lewis Gates (Berenger) to go find them. What he finds is torn clothes, blood and an Indian arrow. After spying someone in the trees it leads Gates to an investigation on the possibility of a lost tribe of Cheyenne Indians living in the mountains.
A thoroughly enjoyable contemporary Western, even if it's cribbing clichés from a number of films and TV episodes of the past. Formula of story is simple, grizzled tracker man Berenger and prim anthropologist Hershey are poles apart, but into the mountains they go in search of a hidden tribe of Cheyenne. That they find them is a given, since the title says it all, but what unfolds is a burgeoning relationship between the two, while much understanding and soul searching involving the "alien" Cheyenne makes for a good chunk of the narrative. There's observations galore in here about the advancement of time, different cultures etc, and a nod to the Sand Creek Massacre, while a back story sub-plot involving Kurtwood Smith is deftly handled; if a little redundant in the grand scheme of things.
Anyone who has seen the likes of The African Queen, Dances With Wolves and the Twilight Zone Episode: A Hundred Yards Over The Rim, wont be particularly surprised by what transpires in eventuality. But Berenger and Hershey make for a nice duo to be in the company of, while Kip the dog steals the film from both of them! Though story is set in Montana, film was shot on location in Alberta and British Columbia, and here is the film's trump card, where Lindenlaub's photography is quite simply stunning. In fact his work, and that of Arnold, whose score darts in and out of the landscape, deserves to be in an "A" grade movie. It rounds out as very watchable, a professional picture that just about manages to sustain interest and good will for the two hours run time. 7/10
When three convicts escape from prison and head into the Montana mountains, the local law enforcer hires skillful tracker/bounty hunter Lewis Gates (Berenger) to go find them. What he finds is torn clothes, blood and an Indian arrow. After spying someone in the trees it leads Gates to an investigation on the possibility of a lost tribe of Cheyenne Indians living in the mountains.
A thoroughly enjoyable contemporary Western, even if it's cribbing clichés from a number of films and TV episodes of the past. Formula of story is simple, grizzled tracker man Berenger and prim anthropologist Hershey are poles apart, but into the mountains they go in search of a hidden tribe of Cheyenne. That they find them is a given, since the title says it all, but what unfolds is a burgeoning relationship between the two, while much understanding and soul searching involving the "alien" Cheyenne makes for a good chunk of the narrative. There's observations galore in here about the advancement of time, different cultures etc, and a nod to the Sand Creek Massacre, while a back story sub-plot involving Kurtwood Smith is deftly handled; if a little redundant in the grand scheme of things.
Anyone who has seen the likes of The African Queen, Dances With Wolves and the Twilight Zone Episode: A Hundred Yards Over The Rim, wont be particularly surprised by what transpires in eventuality. But Berenger and Hershey make for a nice duo to be in the company of, while Kip the dog steals the film from both of them! Though story is set in Montana, film was shot on location in Alberta and British Columbia, and here is the film's trump card, where Lindenlaub's photography is quite simply stunning. In fact his work, and that of Arnold, whose score darts in and out of the landscape, deserves to be in an "A" grade movie. It rounds out as very watchable, a professional picture that just about manages to sustain interest and good will for the two hours run time. 7/10
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- WissenswertesThe American theatrical and home video releases of this film included narration by Wilford Brimley (in third-person), which is absent from the UK version. DVD users can select "Director's Cut" in the DVD options, to watch the movie minus the narration.
- PatzerAlthough it is claimed in the film that the Cheyenne Dog Soldiers were among the Cheyenne and Arapaho Indians attacked in the infamous massacre at Sand Creek, Colorado Territory, they were not present at this battle. If they had been, the outcome might have been decidedly different. The approximately 500 to 600 Indians camped at Sand Creek were for the most part peaceably inclined, unlike the warrior Dogmen society, and had surrendered to the protection of local military authorities. They were attacked in 1864 by a vengeful Colorado militia that killed 175 Indians, many of whom were women, children and elderly. The survivors fled east to the Republican River in Kansas, where the Dog Soldiers were camped. The film claims the Dogmen fled Sand Creek and were chased into Canada, but in fact, Dog Soldiers were fearsome Cheyenne warriors who never retreated. They waged a bloody war throughout Kansas, Nebraska and Colorado for five years to avenge the Sand Creek Massacre, until they were finally defeated at Summit Springs, Colorado in 1869 by the 5th Cavalry and Pawnee scouts. A few surviving Dogmen wandered north and later joined northern Cheyenne and Sioux bands in the defeat of General Custer at the Little Big Horn.
- Zitate
Professor Lillian Sloan: It's a little disconcerting to realize that the smartest member of our expedition's the dog.
- Alternative VersionenThere are now three versions of the film. One with the narration by Wilford Brimley. Then there is a version now running on cable movie channels with a guy talking as Louis Gates, that nobody knows who he is. And then there is a plain version without any narration at all.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Das Tal der letzten Krieger
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.024.389 $
- Eröffnungswochenende in den USA und in Kanada
- 2.520.206 $
- 10. Sept. 1995
- Weltweiter Bruttoertrag
- 7.024.389 $
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