Gamera - Guardian of the Universe

After watching just about all the kaiju monster movies, it was time to see the Gamera movies in order. The photography/cinematography is excellent for this film, and the modeling maybe second to none. Maybe due to the scale of Gamera, I'm not sure, but the detail was superb. I love the point of view shots and camera movement through the miniature sets. I wish they would use this effect more. I was amazed at the detail of the utility poles with wires connecting them, increasing the realism and providing depth to the shots. The monsters are also very well done and Gyaos and Gamera have risen to the top of the best looking kaiju suits to date. Some CGI shots worked, while others didn't, but for its time, above par. You can see why Toho wanted Shusuke Keneko to direct its Godzilla GMK movie, which may be my all time favorite Big G movie. The pacing is good, and although the movie is not flawless, the fun factor is through the roof! I can't wait to see the others in this series as they are rated even higher on IMDb.

When Gamera first appeared in Japanese theaters in 1965, he was nothing more than a Godzilla-want-to-be. The giant flying turtle was one of the few want-to-bes that achieved any level of success close to what Godzilla had, but there was still nothing primal about him. Now truth by told, although I am a huge kaiju (giant monster) fan, I was not and still am not a fan of the original Gamera series. Those films were so juvenile and unbelievably dull that they made even the corniest of the Godzilla movies look like visionary works of art by comparison. And so Gamera had that reputation for a while. He was popular and suited only for very young children. That was until 1995, when director Shusuke Kaneko changed all of that with a very successful inventive trilogy of Gamera films that changed the flying turtle from just another Godzilla rip-off into his own character…and in three very good movies. The first was "Gamera: Guardian of the Universe." In this vast reinvention of the Gamera series, decades of environmental catastrophes have awakened a flock of bat-like creatures called the Gyaos, who begin to plague Japanese islands and then threaten the mainland. Around the same time, a giant turtle referred to in legend as Gamera, awakens at the same time. As the monsters begin to battle, its soon discovered that their simultaneous appearance and their aggression for each other is anything but coincidence.

Now in terms of its plot, "Gamera: Guardian of the Universe" is anything but special, but then again, neither was "Predator" (1987) or "Jaws" (1975) or to a certain extent "Gojira" (1954). Like with all of those movies, its the high-energy pacing and the stories that make "Gamera: Guardian of the Universe" work. The best word to describe this movie is fun. Even Roger Ebert, who is not a fan of the kaiju genre (see his review for "Godzilla 1985" for proof) admitted he had a fun time with the film.

One thing I particularly liked about "Gamera: Guardian of the Universe" as well as the other two movies in the trilogy was that even when the monsters were not on screen, I was not bored for a second. Typically in monster movies, the creatures are the most interesting element and the human characters are inane and time-fillers. This film is an exception. The characters are familiar in terms of classification (scientist, witness, etcetera) but they are fairly fleshed-out to become likable. The dialogue is also very well-written so that for once, the explanation of the monsters' origin is not long-winded, familiar, or tiresome.

But of course, I can't leave out the star of the movie, Gamera himself. Kaneko's decision to change Gamera from a child-friendly big-hearted turtle into a more vicious and animal-like, yet somehow appealing monster was absolutely brilliant. Now in terms of how he's presented, no, Gamera is not spectacular, but then again neither was the shark in "Jaws". And both creatures carry of their parts effectively. The Gyaos are also fairly well-done, although in their earlier scenes, there was a little too much of a phony expression in their ping pong ball-like eyes. Overall, the special effects are a little more then what you'd expect, although not fantastic like in the second and third installments of the trilogy.

Bottom line, "Gamera: Guardian of the Universe" is like the "Raiders of the Lost Ark" of Japanese monster movies. It's not meant to be taken seriously and nobody does, it doesn't try to be anything more than what it is, and every second is nonstop energetic and pleasurable cinematic fun.

My main reaction was that this was nearly perfect kaiju. I saw Toho's Godzilla 2000, and here's why it wasn't half as good as this: Godzilla was too big. They made him too big, that's all. Gamera here was the right size: just as tall as a tall building, so when he falls over backwards into it, it really crumbles. So beautiful! I actually bought a Gamera figure (1999, Bandai) before I saw this. And I still haven't seen the subsequent two. But this was just great. They took advantage of new digital tech, as Godzilla 2000 did, but also refined what was great about guys in rubber suits clomping around smashing models. Only complaint: some of the matting when they were flying down the street was weak. But then again, part of the fun is knowing deep down that they're guys in rubber suits, so some flaws are exceptable. In fact, I'm sure each kaiju fan has his own pet special effects gaff that really makes it for him. Mine is the street lights. They never look real. Don't know why. But it's just so great that someone came and glued them there onto the miniature sidewalk. Some great long-distance shots, too. Best one: when Gamera and Gyaos are plummeting back down from outer space, and there's one shot that looks just like a sky-diving shot, with the blue Earth below - did they throw a giant turtle out of a plane and shoot that? And Gyaos roosting on the ruins of Tokyo Tower, silhouetted in the sunlight - gorgeous. The big final battle was great. Gyaos' eggs falling on the cars.

Oh, and there were a lot of great laughs. Especially when the plutonium ship captain comes running in and says, "There's a monster coming out of the ocean!" and he's told, "Not now, we're busy capturing giant birds." I saw a subtitled version. Thank god. The pacing was pretty damn good, too, since you're really only interested in seeing about half an hour of the thing. To watch this stuff in the 21st century rocks. It really reminds you how limited CGI is and what movies really are about. Don't mess with the rubber suit!

Having recently seen this "Cult Classic" (and it's only a few years old,too!)I've found it to be a true contender for Godzilla's crown!! Gamera gets the facelift he's so desperately needed from the original series (as any MST3K fan will testify to!),some better SFX,a COHERANT storyline,believable acting (!)and just sheer fun! See this movie if you love big monster movies,and see it even if you don't!!

I liked this movie the best out of all the '90s Gamera movies. I think this one had the best actors and acting which kept the story alive, and believable. Daiei always had better casting compared to Toho in their movies, and trend continues with this series.

Cinematography is few notches above other Japanese kaijyu films shot in color, and integration between special effects and other scenes are tight too.

What really makes this movie so good is that it actually has plots, and it's not just about mindless monsters destroying cities.

Actor Steven Segal's daughter Ayako Fujitani makes her debut as an actress as Asagi Kusanagi who has ties with Gamera in this movie.

This movie stands to repeat viewing and doesn't get old. Destined to become a classic kaijyu movie.