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6,3/10
10.399
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Füge eine Handlung in deiner Sprache hinzuGodzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.
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I attended the world premiere of GODZILLA: FINAL WARS in Hollywood tonight, and I must say the experience was incredibly exciting. The film itself, however, was indeed a "mixed bag" of greatness and mediocrity, and I left Grauman's Chinese Theater a bit conflicted.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
A very unusual Godzilla film.
It Moves very fast. The monster battles are not like any of the previous films and the human side of the story is as much a focus as the Monsters tale is and surprisingly it is interesting. It works mainly as an adrenaline rush though, it's cathartic. The "monsters" have a lean, muscular look and move fast- they are not the puffy slow moving beasts of the past.
No long drawn out scenes of endless wrestling, this is more like boxing and Godzilla is the master dispatching them all. No need to be a fan to find it entertaining.
This movie does something similar to what "Aliens" did way back in '86. It redefines Godzilla as an Action Hero and goes past what any casual viewer might expect. This is a hard core action film that never lets up and leaves you drained.
The main negative is that it cribs way too much from the film "The Matrix". While Matrix lifted from Asian cinema generously, Final Wars does a Xerox of the copy and in several places has a tin ear regarding some things that are now considered trite and overused the world over.
The movie is just a lot of fun.
It Moves very fast. The monster battles are not like any of the previous films and the human side of the story is as much a focus as the Monsters tale is and surprisingly it is interesting. It works mainly as an adrenaline rush though, it's cathartic. The "monsters" have a lean, muscular look and move fast- they are not the puffy slow moving beasts of the past.
No long drawn out scenes of endless wrestling, this is more like boxing and Godzilla is the master dispatching them all. No need to be a fan to find it entertaining.
This movie does something similar to what "Aliens" did way back in '86. It redefines Godzilla as an Action Hero and goes past what any casual viewer might expect. This is a hard core action film that never lets up and leaves you drained.
The main negative is that it cribs way too much from the film "The Matrix". While Matrix lifted from Asian cinema generously, Final Wars does a Xerox of the copy and in several places has a tin ear regarding some things that are now considered trite and overused the world over.
The movie is just a lot of fun.
The story of "Godzilla Final Wars" is like "Godzilla Vs. Monster Zero", "Independence Day", and "Matrix" rolled into one. An alien from Planet X comes to earth pretending to warn earth people about the danger of planetoid Golath which will be impacting earth in 11000 hrs. They also remove monsters that are on rampage in several cities around the world. But of course this is all just a show to win favors from the earthlings. They are secretly out to destroy civilization and transform earth people into human cattle. Earth has seen birth of mutants which have special powers. They all have the same "M" gene that people from planet X has. Ozaki (Masahiro Matsuoka) is one of them, and like Neo in Matrix, he's the only mutant who's powerful enough to beat the Planet X invasion force leader (Kazuki Kitamura). Earth's last chance to save itself is the core Earth Defence Force team on Gotengo (Atragon), and Godzilla who's kept in hibernation. Gotengo goes on a mission to wake Godzilla up and confront all the monsters under the influence of Planet X leader and destroy their mother ship.
Out of all Godzilla movies made in the 21st century, which was on again off again at best, this one in my opinion is the best. Being the 50th anniversary Godzilla movie, this movie doesn't skimp on nostalgia. The old faces like Akira Takarada (Gojira '54), Kenji Sahara (Rodan), Kumi Mizuno (Matango) shows up to say fare well to the franchise that lasted 50 years. CGI special effects are also more realistic on this movie than say the '90s Mothra franchise.
On the minor note, music by Keith Emerson is terrible, and acting is as soul less as the actors themselves. Wardrobe is unbelievably bad, and the plot - well, there's really no plot to speak of.
Godzilla fights the following monsters: "Gigan (1)", "American Godzilla (Called here Zilla)", "Kumonga", "Kamacuras", "Anguilas", "Rodan", "King Caesar", "Hedorah", "Ebirah", "Monster X", "Gigan (2)" and "King Gidorah". Mothra and Minilla (Son of Godzilla) makes appearances as well. I had some loathing about Toho's poor selection of talents, and sometimes cheezy special effects until I heard they make these movies for under $10 million, and I had renewed respect for Japanese efficiency (average Hollywood picture costs $64 million). This movie seems to be made on slightly bigger budget than usual and effects are better. So after some disappointing shows since the death of Heisei Godzilla, this movie recaptures the excitement of Godzilla movies, and in my opinion, this is more like it !
Out of all Godzilla movies made in the 21st century, which was on again off again at best, this one in my opinion is the best. Being the 50th anniversary Godzilla movie, this movie doesn't skimp on nostalgia. The old faces like Akira Takarada (Gojira '54), Kenji Sahara (Rodan), Kumi Mizuno (Matango) shows up to say fare well to the franchise that lasted 50 years. CGI special effects are also more realistic on this movie than say the '90s Mothra franchise.
On the minor note, music by Keith Emerson is terrible, and acting is as soul less as the actors themselves. Wardrobe is unbelievably bad, and the plot - well, there's really no plot to speak of.
Godzilla fights the following monsters: "Gigan (1)", "American Godzilla (Called here Zilla)", "Kumonga", "Kamacuras", "Anguilas", "Rodan", "King Caesar", "Hedorah", "Ebirah", "Monster X", "Gigan (2)" and "King Gidorah". Mothra and Minilla (Son of Godzilla) makes appearances as well. I had some loathing about Toho's poor selection of talents, and sometimes cheezy special effects until I heard they make these movies for under $10 million, and I had renewed respect for Japanese efficiency (average Hollywood picture costs $64 million). This movie seems to be made on slightly bigger budget than usual and effects are better. So after some disappointing shows since the death of Heisei Godzilla, this movie recaptures the excitement of Godzilla movies, and in my opinion, this is more like it !
My favorite Godzilla movie since TERROR OF MECHAGODZILLA (Toho; 1975)! Since 2000, I felt the series was a string of indistinguishable films. I was also never impressed by the 'heisei' or post-GODZILLA 1985 series. So for better or worse, GODZILLA: FINAL WARS stands out. It tends to emulate the more over-the-top Godzilla movies of the 1970s, which I certainly don't mind. Instead of following the exact same pattern as all of GODZILLA 2000's (Toho; 2000) predecessors, GODZILLA: FINAL WARS takes a more creative approach and swipes ideas from THE MATRIX (Silver Pictures; 1999), all them X-Men comic books, and spatterings of typical Japanese TV hero stuff. While all these mixed genres may not play off each other perfectly and we have a mess of a film at times, at least we've finally got a Godzilla movie that actually stands out from the rest (I think the only other stand out film is 1971's GODZILLA VS. THE SMOG MONSTER).
However, its over-the-top approach was headache-inducing: The fast pace is overkill (in sharp contrast to every movie in the series starting with GODZILLA 1985), and reminded me of crazy Hong Kong fantasies of the 1980s or 1990s, specifically Tsui Hark farces like ZU: WARRIORS OF THE MAGIC MOUNTAIN (Golden Harvest; 1983). It got frustrating trying to keep up, amid all the quick edits and flashy gimmicks which hide a fairly simple story we've seen before (space invaders attack Earth and control giant monsters). Yet despite all this, I still like the movie a lot, and consider it an improvement over everything to come out of the series in the 1980s and 1990s.
The human characters at least offer old timers like Kumi Mizuno and Akira Takarada some interesting roles, and I didn't recognize Akira Takarada right away. The younger actors are interesting too-- better than the generic, boring soldiers of the last few movies, at any rate. The main villain, in his typical post-MATRIX black cape, has this eerie make-up, but is so emotional and bumbling that he's more clown-like than scary.
Many Godzilla fans dislike the movie, but with me, you're seeing it from the point-of-view of a fan of superheroes & martial arts. So I think this puts me in a position to evaluate & appreciate the over-all movie on another level. When the heroes and villains clash, it's fairly exciting action, but being a post-THE MATRIX movie, everything is over-enhanced with CGI junk. Their plight is diminished because we know there's really no thrilling stunt work. I met action choreographer & stuntman Tsutomu Kitagawa last year, and we did some comical martial arts moves for video cameras. His karate skills are first rate, having studied at Sonny Chiba's Japan Action Club and made his debut in superhero programs such as the classic AKUMAIZER 3 (Toei; 1974) series. Unfortunately, his work is diminished because of the CGI 'enhancements' which give all the choreography & stunts an artificial feel. What's the point of a high-speed motorcycle chase that isn't real? It's like a radio ventriloquist; simply defeating the purpose. While it might not impress the average dai-kaiju fan, there are fans of superheroes & martial arts who will find fun in GFW. Though the typical Godzilla fans might hate GFW, the typical Kamen Rider fans will like it.
There's an impressive list of nostalgic names on hand: Not just Godzilla and Ghidrah, but Rodan, Mothra, Atragon, King Seesar, Minya, Manda, Angilas, Hedorah, Gino, Spiga, Gimantis, and Ebirah all make appearances. This tops the masterpiece DESTROY ALL MONSTERS (Toho; 1968) in that respect (sheer quantity). It's always exciting to see old favorites return. Angilas looked pretty damn slick, but I didn't like the designs of the two new (and over-used!) Gigans, felt Gimantis & Rodan relied too much on CGI artificiality, I never liked the "Godzilla with ears" look, and thought the meager cameos by Gino & Hedorah were way too brief and abrupt; amounting to little more than in-jokes than actual monster battles. Sad to say, for the first time ever, I thought Minya had one of the better designs and was the most interesting monster! So I guess I didn't like the way all the monsters looked, but just seeing them all in one film made it amusing.
All in all, it strikes me as a great film and if it wasn't the "final" (?) film in the series, I would consider it a step in the right direction. -Damon
However, its over-the-top approach was headache-inducing: The fast pace is overkill (in sharp contrast to every movie in the series starting with GODZILLA 1985), and reminded me of crazy Hong Kong fantasies of the 1980s or 1990s, specifically Tsui Hark farces like ZU: WARRIORS OF THE MAGIC MOUNTAIN (Golden Harvest; 1983). It got frustrating trying to keep up, amid all the quick edits and flashy gimmicks which hide a fairly simple story we've seen before (space invaders attack Earth and control giant monsters). Yet despite all this, I still like the movie a lot, and consider it an improvement over everything to come out of the series in the 1980s and 1990s.
The human characters at least offer old timers like Kumi Mizuno and Akira Takarada some interesting roles, and I didn't recognize Akira Takarada right away. The younger actors are interesting too-- better than the generic, boring soldiers of the last few movies, at any rate. The main villain, in his typical post-MATRIX black cape, has this eerie make-up, but is so emotional and bumbling that he's more clown-like than scary.
Many Godzilla fans dislike the movie, but with me, you're seeing it from the point-of-view of a fan of superheroes & martial arts. So I think this puts me in a position to evaluate & appreciate the over-all movie on another level. When the heroes and villains clash, it's fairly exciting action, but being a post-THE MATRIX movie, everything is over-enhanced with CGI junk. Their plight is diminished because we know there's really no thrilling stunt work. I met action choreographer & stuntman Tsutomu Kitagawa last year, and we did some comical martial arts moves for video cameras. His karate skills are first rate, having studied at Sonny Chiba's Japan Action Club and made his debut in superhero programs such as the classic AKUMAIZER 3 (Toei; 1974) series. Unfortunately, his work is diminished because of the CGI 'enhancements' which give all the choreography & stunts an artificial feel. What's the point of a high-speed motorcycle chase that isn't real? It's like a radio ventriloquist; simply defeating the purpose. While it might not impress the average dai-kaiju fan, there are fans of superheroes & martial arts who will find fun in GFW. Though the typical Godzilla fans might hate GFW, the typical Kamen Rider fans will like it.
There's an impressive list of nostalgic names on hand: Not just Godzilla and Ghidrah, but Rodan, Mothra, Atragon, King Seesar, Minya, Manda, Angilas, Hedorah, Gino, Spiga, Gimantis, and Ebirah all make appearances. This tops the masterpiece DESTROY ALL MONSTERS (Toho; 1968) in that respect (sheer quantity). It's always exciting to see old favorites return. Angilas looked pretty damn slick, but I didn't like the designs of the two new (and over-used!) Gigans, felt Gimantis & Rodan relied too much on CGI artificiality, I never liked the "Godzilla with ears" look, and thought the meager cameos by Gino & Hedorah were way too brief and abrupt; amounting to little more than in-jokes than actual monster battles. Sad to say, for the first time ever, I thought Minya had one of the better designs and was the most interesting monster! So I guess I didn't like the way all the monsters looked, but just seeing them all in one film made it amusing.
All in all, it strikes me as a great film and if it wasn't the "final" (?) film in the series, I would consider it a step in the right direction. -Damon
If this is the last Godzilla as said, then I can say the series had a good run and ended on a high note. Perhaps not the highest note possible, this is a very flawed film. However, it is the second best in the Millennium series (next to Megaguiras).
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
Five Godzilla Movies You Need to Watch
Five Godzilla Movies You Need to Watch
Celebrate Shin Godzilla returning to theaters with a look at some of our favorite Godzilla movies.
Wusstest du schon
- WissenswertesThis 28th Godzilla film marked the final use of Toho's Big Pool water tank, which was used for the water scenes for all Tôhô special effects-related films since Banzai-Banzai, die Piloten des Teufels (1960), for which it was constructed. The Big Pool was 88 meters wide and 72 meters long. It was given one final performance when it was last used for this film on September 7th and was demolished on October 13th. Toho's decision to destroy the pool was due to "progress of special-effects technology such as CG, and a large-scale reconstruction plan of the studio." This was considered by many to be the end of an era.
- PatzerThe New York cop's mouth and speech are badly mismatched. This is because actor Mick Preston used the F-word repeatedly during filming and was later required to dub over his original dialog with less-offensive language. Viewers can still see him mouthing the F-word in certain shots.
- Zitate
The Controller of Planet X: [after Godzilla defeats 'Zilla'] I knew that tuna-eating monster was useless!
- Crazy CreditsAfter Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end.
- Alternative VersionenThough the film is already filled with references to past Godzilla movies, the German dub adds a new one by referring to the monster Gigan with the code-name "Monster Zero", as a nod to the film Befehl aus dem Dunkel (1965) in which King Ghidorah had that designation.
- VerbindungenFeatured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
- SoundtracksWe're All to Blame
Performed by Sum 41
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- Herkunftsländer
- Offizielle Standorte
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- Auch bekannt als
- Godzilla: Final Wars
- Drehorte
- Broken Hill, New South Wales, Australien(Arizona scenes)
- Produktionsfirmen
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Box Office
- Budget
- 19.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 9.167.302 $
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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