Cyberzone

A futuristic bounty hunter is assigned to track down four female androids smuggled to Earth for illicit purposes.

Busy director Fred Olen Ray's Cyber Zone aka Phoenix 2, Droid Gunner is as bland and heavy handed as they come. In this cheap Bladerunner and The Terminator rip-off Marc Singer is his likeable usual nonchalant self. Rochelle Swanson along with Singer know what type of film they're in but Matthias Hues (Dark Angel) looks uncomfortably duped and disappointed.

While borrowing lines and plot points from other better films, it feels DTV rather than B-movie. Some sound effects are not in sync but the score delivers. The sporadic action is clunky, the effects limited, but some miniatures, notable the underwater segments look pretty good. Ray offers a lot of nudity and soft-core moments pushing the adult rating. The locations and sets are a mixed bag, some backdrops are interesting while others look as if they were filmed in a hotel lobby or stage.

Overall, if script-less, stolen droid and cyborgs with super low budget Total Recall-like mutants is your thing, you may want to take a look. But be warned Ridley Scott, James Cameron and Paul Verhoeven maybe be disappointed with you.

Cyberzone slaps a bit of Blade Runner and a bit of Star Wars together and throws plenty of boobies into the mix. Of corse, the notorious movie crimelord Fred Olen Ray is behind the film.

The plot fits on a coaster: German powerhouse Matthias Hues steals a couple of horny brothel androids and Marc Singer is supposed to collect the Sexbots programmed for total lack of bras.

The main actors do a pretty decent job, but the lack of craftsmanship and the cheap tricks and props are once again hair-raising. Nobody can tell me that 2077 looks exactly like 1995! They've recreated a small alleyway and another wooden façade and they keep strolling past it. They blow a lot of smoke into the studio, so nobody notices that the dystopian metropolis is only 15 x15 feet in size.

The space battles aren't any better. They must have been made by a child using a vintage Atari. And why do people wear motorcycle helmets in space? Does that protect you in the event of a spaceship crash?

Oh, why do I ask such stupid questions? Anyway, the movie is definitely entertaining. Check it out!

After watching this film I experienced a new sensation. I had watched a film in which the lead actor had put in a performance that almost rivaled the legend Chevy Chase in 'Fletch'. This isn't to say that the performances are comparable, but both give practically flawless delivery of their lines. That actor is Marc Singer! Singer is Jack Ford, the 'Droid Gunner' of the title, grinding out a living collecting the bounty on androids.There are some mutants, topless pleasure droids(!), a Scandinavian smuggler, and possibly a half-hearted attempt to make a statement on class or maybe even globalization or......... well it doesn't really matter. What matters about this film is the dry manner in which Singer delivers his lines resulting in side-splitting humour! What matters about this film is that director Fred Olen Ray seems to realize that serious sci-fi very rarely works, and when your budget is skimpy it is best not to take yourself to seriously. Olen Ray has said that everyone involved in this film had great fun and this transfers onto the film.I dare you to criticize a film that allows itself to portray futuristic Earth as eternally dark and neon-lit and then ends in a 'pipes and valves' warehouse. Self parody is a very redeeming quality. To summarise, Fred Olen Ray is an ambassador for independent film making and Marc Singer the perfect B-movie lead.If only Olen Ray could draft in Tim Thomerson to the equation then we'd have a film on our hands.

With Matthias Hues on the cover and only $3.00, i had to buy it. I enjoyed some moments, like Hawks annoyance with the pleasure droids, but i only really watched to see Matthias Hues' scenes. I particularly enjoyed the showdown at the end. It was a cross between Clint Eastwood's "The Good, The Bad and The Ugly" and "For a Few Dollars More" (a 3 man quick-draw showdown, with a musical pocket watch used as the countdown timer). Apart from that, there's really nothing more I can add. The actors gave good performances, (all except the "Assassin Droid" whose performance was nothing outside of comical) but the movie really lacked depth and purpose; simply not enough to fill up 1hour and a half of standard movie time, so we're stuck with the main characters aimlessly wondering around from place to place for an hour or so, until the ball gets rolling. For example, the main character returns to the same strip club about 4 times, taking up two-fifths of the movie.

The scenery really lacked depth and creativity, probably due to the films budget. I don't think we ever did get to see this "perfect city" of New Angeles that was always talked about, in fact, when the main characters finally reached New Angeles, its set in a factory or warehouse full of pipes and walkways; hardly the kind of "kingdom" the owner/creator of an entire city would dwell in. The "super-high security" of New Angeles was also always talked about, but only a total of 15, maybe 20, security guards were counted, even when the alarm went off; not even close to Matthias' approximation of "at least a hundred men out there".

If you are a fan of any of the actors/actresses in this film, then you may want to watch it, simply to "add it to the list". However, if you value 1 and a half hour of your time, or $3.00 of your money, you may want to give this one a miss.

This film is a "B" movie impersonation of "BladeRunner", but without the great acting of Harrison Ford and Rutger Hauer, the fantastic cinematography, and the character development of the original story. Instead, we have Mark Singer doing a decent job at imitating Harrison Ford's character but there really is no character to match Rutger Hauer's android portrayal. The closest thing is Matthias Hues playing a smuggler-turned-sidekick. There's Rochelle Swanson in the role of the hero's love interest instead of Sean Young, and Swanson does a much better job of keeping my interest in the film than any of the other actors. I counted three opportunities for Rochelle Swanson to take off her clothes: a) when she sneaks into the brothel as a prostitute; b) when she comes running out of the brothelowner's room; c) when she's alone with the owner of New Angeles and he's trying to judge her qualities as a "pleasure droid". I guess they just didn't pay her enough money to do the nude scenes. They should've written the space battle parts out of the script and offered the money savings to Rochelle, because, really, she's the best reason to see this film.

Most of the other female characters get naked, including a part at the beginning where Brinke Stevens is dancing on the local bar's stage, but nothing very erotic or adventurous. Nobody gets tied up or beaten, there's no gore (except for some wires coming out of an adroid's mouth), no scary parts, and no suspense. The big fight scene is just like any other gunfight scene out of a 1970's tv show - a couple guys crouching down shooting their pieces at a couple of other guys crouching down shooting their pieces. At least we're spared any goofy space suits or costumes.

Worth watching twice. First for the plot, then for Rochelle.